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Fathers and Sons by Ivan Turgenev

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dark emotional hopeful sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

โœง๐Ÿ•ฏ๏ธโ€œ๐‘ถ๐’‡ ๐’„๐’๐’–๐’“๐’”๐’†, ๐’š๐’๐’– ๐’„๐’‚๐’'๐’• ๐’–๐’๐’…๐’†๐’“๐’”๐’•๐’‚๐’๐’… ๐’Ž๐’†; ๐’˜๐’† ๐’ƒ๐’†๐’๐’๐’๐’ˆ,โ€ ๐‘ฐ ๐’”๐’‚๐’Š๐’…, โ€œ๐’•๐’ ๐’•๐’˜๐’ ๐’…๐’Š๐’‡๐’‡๐’†๐’“๐’†๐’๐’• ๐’ˆ๐’†๐’๐’†๐’“๐’‚๐’•๐’Š๐’๐’๐’”.โ€

Fathers and Sons by Ivan Turgenev- a beautiful almost tragic story of two generations. The story follows Arkaday and Bazarov, the two young men and their parents.

 ๐™ˆ๐™–๐™ž๐™ฃ ๐™ฉ๐™๐™š๐™ข๐™š๐™จ: 

๐Ÿ”ธ๐˜Ž๐˜ฆ๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜จ๐˜ข๐˜ฑ: Throughout the story we see the generation gap b/w Arkaday & Bazarov and their parents. Often seem b/w Bazarov an others, as Bazarov keeps clashing with everyone.
 
๐Ÿ”ธ๐˜•๐˜ช๐˜ฉ๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ฎ:  Bazarov is a big believer of nihilism and its influence on his character is too obvious. He's too absorbed by these nihilistic tendencies and eventually succumbs to them.  However everyone else except Arkaday seems immune to it.

"๐˜๐ž๐ฌ. ๐“๐ก๐ž๐ซ๐ž ๐ฎ๐ฌ๐ž๐ ๐ญ๐จ ๐›๐ž ๐‡๐ž๐ ๐ž๐ฅ๐ข๐ฌ๐ญ๐ฌ, ๐š๐ง๐ ๐ง๐จ๐ฐ ๐ญ๐ก๐ž๐ซ๐ž ๐š๐ซ๐ž ๐ง๐ข๐ก๐ข๐ฅ๐ข๐ฌ๐ญ๐ฌ. ๐–๐ž ๐ฌ๐ก๐š๐ฅ๐ฅ ๐ฌ๐ž๐ž ๐ก๐จ๐ฐ ๐ฒ๐จ๐ฎ ๐ฐ๐ข๐ฅ๐ฅ ๐ž๐ฑ๐ข๐ฌ๐ญ ๐ข๐ง ๐ฏ๐จ๐ข๐, ๐ข๐ง ๐ฏ๐š๐œ๐ฎ๐ฎ๐ฆ;"

 โ€œ๐†๐จ๐ ๐ค๐ง๐จ๐ฐ๐ฌ, ๐ฐ๐ก๐š๐ญ ๐ซ๐จ๐ญ ๐ข๐ญ ๐ข๐ฌ? ๐„๐ฏ๐ž๐ซ๐ฒ ๐ฆ๐š๐ง ๐ก๐š๐ง๐ ๐ฌ ๐จ๐ง ๐š ๐ญ๐ก๐ซ๐ž๐š๐, ๐ญ๐ก๐ž ๐š๐›๐ฒ๐ฌ๐ฌ ๐ฆ๐š๐ฒ ๐จ๐ฉ๐ž๐ง ๐ฎ๐ง๐๐ž๐ซ ๐ก๐ข๐ฌ ๐Ÿ๐ž๐ž๐ญ ๐š๐ง๐ฒ ๐ฆ๐ข๐ง๐ฎ๐ญ๐ž, ๐š๐ง๐ ๐ฒ๐ž๐ญ ๐ก๐ž ๐ฆ๐ฎ๐ฌ๐ญ ๐ ๐จ ๐š๐ง๐ ๐ข๐ง๐ฏ๐ž๐ง๐ญ ๐š๐ฅ๐ฅ ๐ฌ๐จ๐ซ๐ญ๐ฌ ๐จ๐Ÿ ๐๐ข๐ฌ๐œ๐จ๐ฆ๐Ÿ๐จ๐ซ๐ญ๐ฌ ๐Ÿ๐จ๐ซ ๐ก๐ข๐ฆ๐ฌ๐ž๐ฅ๐Ÿ, ๐š๐ง๐ ๐ฌ๐ฉ๐จ๐ข๐ฅ ๐ก๐ข๐ฌ ๐ฅ๐ข๐Ÿ๐ž.โ€

๐Ÿ”ธ๐˜“๐˜ฐ๐˜ท๐˜ฆ: Another important aspect of the novel is love and the romantic relationships and the effects on one's personality. The relationship between Katya and Arkaday, and Bazarov and Anna Sergeyevna explores this aspect.

โฅ โ€œlove in the ideal, or, as he expressed it, romantic sense, he called lunacy, unpardonable imbecility; he regarded chivalrous sentiments as something of the nature of deformity or disease,โ€

โฅ 'You want to fall in love,' Bazarov interrupted her, 'and you can't love; that's where your unhappiness lies.'

โฅ โ€œLet me tell you then that I love you like a fool, like a madman.... โ€

โฅโ€œAnd besides, love ... you know, is a purely imaginary feeling.โ€

โฅโ€œI love you forever and irrevocably, and I love no one but you.โ€

๐˜พ๐™๐™–๐™ง๐™–๐™˜๐™ฉ๐™š๐™ง๐™จ:

๐Ÿ”ธ๐๐š๐ณ๐š๐ซ๐จ๐ฏ: arrogant, intellectual and flawed. (almost tragic.)

โ€œAnd, you see, I thought too: I'd break down so many things, I wouldn't die, why should I! there were problems to solve, and I was a giant! And now all the problem for the giant is how to die decently, though that makes no difference to any one either.... Never mind; I'm not going to turn tail.โ€

๐Ÿ”ธ๐€๐ซ๐ค๐š๐๐š๐ฒ: likeable, smart and understanding. Finds love and lives a happy life without regrets ig. 

๐Ÿ”ธ๐๐š๐ฏ๐ž๐ฅ & ๐๐ข๐ค๐จ๐ฅ๐š๐ข: represent the older generations , respect traditions and older values. While Pavel was more rigid and firm, Nikolai was somehow tolerant and open to new customs and practices. 

๐Ÿ”ธ๐•๐š๐ฌ๐ฌ๐ข๐ฅ๐ฒ ๐š๐ง๐ ๐€๐ซ๐ข๐ง๐š: traditional and loving parents. Most likeable characters. It's so sad how the story ends for them. And i absolutely despise Bazarov for how he treated them. God; life's so unfair sometimes. 

  โ€œthere's no help for it, Vasya! A son is a separate piece cut off. He's like the falcon that flies home and flies away at his pleasure; while you and I are like funguses in the hollow of a tree, we sit side by side, and don't move from our place. Only I am left you unchanged for ever, as you for me.โ€

 i wanted to smash bazarov's head for this. How ungrateful was he!
and then his death left them shattered:(

โ˜† "Often from the little village not far off, two quite feeble old people come to visit itโ€”a husband and wife. Supporting one another, they move to it with heavy steps; they go up to the railing, fall down, and remain on their knees, and long and bitterly they weep, and yearn and intently gaze at the dumb stone, under which their son is lying; they exchange some brief word, wipe away the dust from the stone, set straight a branch of a fir-tree, and pray again, and cannot tear themselves from this place, where they seem to be nearer to their son, to their memories of him...."

โ˜† "Can it be that their prayers, their tears are fruitless? Can it be that love, sacred, devoted love, is not all-powerful? Oh, no! However passionate, sinning, and rebellious the heart hidden in the tomb, the flowers growing over it peep serenely at us with their innocent eyes; they tell us not of eternal peace alone, of that great peace of 'indifferent' nature; tell us too of eternal reconciliation and of life without end."

๐๐ฎ๐จ๐ญ๐ž๐ฌ :

๐Ÿ”ธโ€œ๐˜•๐˜ฐ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ง๐˜ญ๐˜บ ๐˜ฑ๐˜ข๐˜ด๐˜ต ๐˜ข๐˜ด ๐˜ช๐˜ฏ ๐˜™๐˜ถ๐˜ด๐˜ด๐˜ช๐˜ข; ๐˜ช๐˜ฏ ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜บ ๐˜ด๐˜ข๐˜บ ๐˜ช๐˜ต ๐˜ง๐˜ญ๐˜ช๐˜ฆ๐˜ด ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ง๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ. โ€ 

๐Ÿ”ธโ€œ๐˜ช๐˜ฏ ๐˜ญ๐˜ฐ๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ฉ๐˜ช๐˜ด ๐˜ฑ๐˜ข๐˜ด๐˜ต, ๐˜ฉ๐˜ฆ ๐˜ญ๐˜ฐ๐˜ด๐˜ต ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ.โ€

๐Ÿ”ธโ€œ๐˜›๐˜ฉ๐˜ข๐˜ต'๐˜ด ๐˜ข๐˜ญ๐˜ญ ๐˜ณ๐˜ฐ๐˜ฎ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ค, ๐˜ฏ๐˜ฐ๐˜ฏ๐˜ด๐˜ฆ๐˜ฏ๐˜ด๐˜ช๐˜ค๐˜ข๐˜ญ, ๐˜ข๐˜ฆ๐˜ด๐˜ต๐˜ฉ๐˜ฆ๐˜ต๐˜ช๐˜ค ๐˜ณ๐˜ฐ๐˜ต.โ€

๐Ÿ”ธโ€œ๐˜ ๐˜ง๐˜ฆ๐˜ฆ๐˜ญ ๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜ถ๐˜ต ๐˜ธ๐˜ฆ๐˜ข๐˜ณ๐˜ช๐˜ฏ๐˜ฆ๐˜ด๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ณ.โ€

๐Ÿ”ธโ€œ๐˜๐˜ด๐˜ฏ'๐˜ต ๐˜ช๐˜ต ๐˜ญ๐˜ฐ๐˜ข๐˜ต๐˜ฉ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ? ๐˜๐˜ด๐˜ฏ'๐˜ต ๐˜ช๐˜ต ๐˜ฑ๐˜ฆ๐˜ต๐˜ต๐˜บ?โ€

๐Ÿ”ธโ€œ๐˜ž๐˜ฆ๐˜ญ๐˜ญ, ๐˜จ๐˜ฐ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ณ๐˜บ ๐˜ต๐˜ฐ ๐˜ฅ๐˜ช๐˜ด๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ข๐˜ต๐˜ฉ. ๐˜‹๐˜ฆ๐˜ข๐˜ต๐˜ฉ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฅ๐˜ช๐˜ด๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต'๐˜ด ๐˜ข๐˜ญ๐˜ญ!โ€

๐Ÿ”ธโ€œ๐˜‰๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ข๐˜ต ๐˜ฐ๐˜ง ๐˜ฏ๐˜ฐ๐˜ฐ๐˜ฏ๐˜ฅ๐˜ข๐˜บ ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ, ๐˜ต๐˜ฐ๐˜ฐ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ๐˜ญ๐˜บ ๐˜ณ๐˜ฆ๐˜ง๐˜ถ๐˜จ๐˜ฆ, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ด๐˜ญ๐˜ฆ๐˜ฆ๐˜ฑ ๐˜ช๐˜ด ๐˜ด๐˜ธ๐˜ฆ๐˜ฆ๐˜ต ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฆ๐˜ข๐˜ณ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ฆ๐˜ข๐˜ท๐˜บ ๐˜ญ๐˜ข๐˜ฅ๐˜ฆ๐˜ฏ....โ€
Matilda by Mary Shelley

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challenging dark emotional sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

๐Ÿ‚  ๐‘ณ๐’Š๐’‡๐’† ๐’˜๐’‚๐’” ๐’•๐’‰๐’†๐’ ๐’ƒ๐’“๐’Š๐’๐’๐’Š๐’‚๐’๐’•; ๐‘ฐ ๐’ƒ๐’†๐’ˆ๐’‚๐’ ๐’•๐’ ๐’๐’†๐’‚๐’“๐’ ๐’•๐’ ๐’‰๐’๐’‘๐’† ๐’‚๐’๐’… ๐’˜๐’‰๐’‚๐’• ๐’ƒ๐’“๐’Š๐’๐’ˆ๐’” ๐’‚ ๐’Ž๐’๐’“๐’† ๐’ƒ๐’Š๐’•๐’•๐’†๐’“ ๐’…๐’†๐’”๐’‘๐’‚๐’Š๐’“ ๐’•๐’ ๐’•๐’‰๐’† ๐’‰๐’†๐’‚๐’“๐’• ๐’•๐’‰๐’‚๐’ ๐’‰๐’๐’‘๐’† ๐’…๐’†๐’”๐’•๐’“๐’๐’š๐’†๐’…?

Such an intense and beautiful read. Shelly's writing is so poetic - it's so beautiful almost makes you forget the tragic plot. Hauntingly beautiful. The story follows Matilda, a young woman isolated by her grief and circumstance. The  story explores the relationship between her and her father - who happens to develop incestuous feelings for her. And as the story unfolds - a tragedy also unfolds. The book explores the complexity of their relationship and the weight of unspeakable emotions and actions. 

๐Ÿ”ธ"๐˜–๐˜ฉ, ๐˜ฎ๐˜บ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ  ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ! ๐˜๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฎ๐˜ข๐˜ฅ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ฎ๐˜ช๐˜ด๐˜ฆ๐˜ณ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ฃ๐˜ฆ๐˜บ๐˜ฐ๐˜ฏ๐˜ฅ ๐˜ข๐˜ญ๐˜ญ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฅ๐˜ด, ๐˜ฃ๐˜ถ๐˜ต ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ต๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜ฅ๐˜ช๐˜ฅ  ๐˜ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ๐˜จ๐˜ช๐˜ท๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ฐ๐˜ธ ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ณ๐˜ฆ๐˜ญ๐˜บ ๐˜ฅ๐˜ช๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ ๐˜ฑ๐˜ฐ๐˜ด๐˜ด๐˜ฆ๐˜ด๐˜ด ๐˜ฎ๐˜บ ๐˜ธ๐˜ฉ๐˜ฐ๐˜ญ๐˜ฆ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ต  ๐˜ธ๐˜ฉ๐˜ช๐˜ญ๐˜ฆ ๐˜ ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ข๐˜ท๐˜ฐ๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ, ๐˜ข๐˜ด ๐˜ข ๐˜ณ๐˜ข๐˜ช๐˜ฏ๐˜ฃ๐˜ฐ๐˜ธ ๐˜จ๐˜ญ๐˜ฆ๐˜ข๐˜ฎ๐˜ด ๐˜ถ๐˜ฑ๐˜ฐ๐˜ฏ ๐˜ข ๐˜ค๐˜ข๐˜ต๐˜ข๐˜ณ๐˜ข๐˜ค๐˜ต, ๐˜ต๐˜ฐ ๐˜ด๐˜ฐ๐˜ง๐˜ต๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜บ  ๐˜ต๐˜ณ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฐ๐˜ถ๐˜ด ๐˜ด๐˜ฐ๐˜ณ๐˜ณ๐˜ฐ๐˜ธ๐˜ด."

๐Ÿ”ธ"๐˜›๐˜ฐ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ญ๐˜ช๐˜ง๐˜ฆ, ๐˜ฎ๐˜ช๐˜ด๐˜ฆ๐˜ณ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ, ๐˜ ๐˜ฅ๐˜ฆ๐˜ท๐˜ฐ๐˜ต๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฆ! โ€“ ๐˜Ž๐˜ฐ! โ€“ ๐˜‰๐˜ฆ ๐˜ต๐˜ฉ๐˜บ ๐˜ฅ๐˜ข๐˜บ๐˜ด ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ฆ๐˜ฅ  ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ด๐˜ข๐˜ท๐˜ข๐˜จ๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜บ ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ด ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฑ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ฉ๐˜ฆ๐˜ข๐˜ท๐˜ฆ๐˜ฏ! ๐˜‰๐˜ฆ ๐˜ต๐˜ฉ๐˜บ ๐˜ญ๐˜ช๐˜ฎ๐˜ฃ๐˜ด ๐˜ธ๐˜ฐ๐˜ณ๐˜ฏ  ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜บ ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ต ๐˜ค๐˜ฉ๐˜ช๐˜ญ๐˜ญ๐˜ฆ๐˜ฅ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ญ๐˜ญ ๐˜บ๐˜ฐ๐˜ถ๐˜ต๐˜ฉ ๐˜ฃ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ข๐˜ฅ ๐˜ธ๐˜ช๐˜ต๐˜ฉ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฆ! ๐˜“๐˜ฆ๐˜ต ๐˜ต๐˜ฉ๐˜บ ๐˜ฉ๐˜ข๐˜ช๐˜ณ๐˜ด ๐˜ฃ๐˜ฆ ๐˜ข๐˜ด  ๐˜ด๐˜ฏ๐˜ฐ๐˜ธ; ๐˜ต๐˜ฉ๐˜บ ๐˜ธ๐˜ข๐˜ญ๐˜ฌ ๐˜ต๐˜ณ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ญ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜บ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ญ๐˜ฐ๐˜ด๐˜ต ๐˜ช๐˜ต๐˜ด ๐˜ฎ๐˜ฆ๐˜ญ๐˜ญ๐˜ฐ๐˜ธ ๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด! ๐˜“๐˜ฆ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ  ๐˜ญ๐˜ช๐˜ฒ๐˜ถ๐˜ช๐˜ฅ ๐˜ญ๐˜ถ๐˜ด๐˜ต๐˜ณ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฆ ๐˜ฆ๐˜บ๐˜ฆ๐˜ด ๐˜ฃ๐˜ฆ ๐˜ฒ๐˜ถ๐˜ฆ๐˜ฏ๐˜ค๐˜ฉ๐˜ฆ๐˜ฅ; ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ณ๐˜ฆ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฆ, ๐˜ณ๐˜ฆ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜บ  ๐˜”๐˜ข๐˜ต๐˜ช๐˜ญ๐˜ฅ๐˜ข, ๐˜ต๐˜ฉ๐˜บ ๐˜ค๐˜ฉ๐˜ช๐˜ญ๐˜ฅ, ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฎ๐˜ข๐˜บ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ฃ๐˜ฆ ๐˜ค๐˜ญ๐˜ข๐˜ด๐˜ฑ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜บ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ ๐˜ข๐˜ณ๐˜ฎ๐˜ด, ๐˜ธ๐˜ฉ๐˜ช๐˜ญ๐˜ฆ ๐˜ต๐˜ฉ๐˜บ  ๐˜ฉ๐˜ฆ๐˜ข๐˜ณ๐˜ต ๐˜ฃ๐˜ฆ๐˜ข๐˜ต๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ด๐˜ช๐˜ฏ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ต๐˜ช๐˜ฐ๐˜ฏ."

Matilda lets the grief take control of her and lives a guilt ridden life waiting for death.

๐Ÿ”ธโ€œ๐‘ฐ ๐’ˆ๐’ ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’Š๐’”  ๐’˜๐’๐’“๐’๐’… ๐’˜๐’‰๐’†๐’“๐’† ๐’‰๐’† ๐’Š๐’” ๐’๐’ ๐’๐’๐’๐’ˆ๐’†๐’“ ๐’‚๐’๐’… ๐’”๐’๐’๐’ ๐‘ฐ ๐’”๐’‰๐’‚๐’๐’ ๐’Ž๐’†๐’†๐’• ๐’‰๐’Š๐’Ž ๐’Š๐’ ๐’‚๐’๐’๐’•๐’‰๐’†๐’“.โ€

๐™๐™–๐™ซ ๐™Œ๐™ช๐™ค๐™ฉ๐™š๐™จ:

โœฏโ€œ๐‘ฏ๐’† ๐’”๐’‚๐’š๐’” ๐’‚๐’๐’ ๐’‰๐’๐’‘๐’† ๐’Š๐’” ๐’…๐’†๐’‚๐’… ๐’•๐’ ๐’‰๐’Š๐’Ž, ๐’‚๐’๐’… ๐‘ฐ ๐’Œ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’Š๐’•  ๐’Š๐’” ๐’…๐’†๐’‚๐’… ๐’•๐’ ๐’Ž๐’†, ๐’”๐’ ๐’˜๐’† ๐’‚๐’“๐’† ๐’ƒ๐’๐’•๐’‰ ๐’†๐’’๐’–๐’‚๐’๐’๐’š ๐’‡๐’Š๐’•๐’•๐’†๐’… ๐’‡๐’๐’“ ๐’…๐’†๐’‚๐’•๐’‰. ๐‘ณ๐’†๐’• ๐’Ž๐’† ๐’•๐’“๐’š ๐’Š๐’‡ ๐’‰๐’† ๐’˜๐’Š๐’๐’  ๐’…๐’Š๐’† ๐’˜๐’Š๐’•๐’‰ ๐’Ž๐’†; ๐’‚๐’๐’… ๐’‚๐’” ๐‘ฐ ๐’‡๐’†๐’‚๐’“ ๐’•๐’ ๐’…๐’Š๐’† ๐’‚๐’๐’๐’๐’†, ๐’Š๐’‡ ๐’‰๐’† ๐’˜๐’Š๐’๐’ ๐’‚๐’„๐’„๐’๐’Ž๐’‘๐’‚๐’๐’š ๐’•๐’ ๐’„๐’‰๐’†๐’†๐’“ ๐’Ž๐’†,  ๐’‚๐’๐’… ๐’•๐’‰๐’–๐’” ๐’‰๐’† ๐’„๐’‚๐’ ๐’”๐’‰๐’†๐’˜ ๐’‰๐’Š๐’Ž๐’”๐’†๐’๐’‡ ๐’Ž๐’š ๐’‡๐’“๐’Š๐’†๐’๐’… ๐’Š๐’ ๐’•๐’‰๐’† ๐’๐’๐’๐’š ๐’Ž๐’‚๐’๐’๐’†๐’“ ๐’Ž๐’š ๐’Ž๐’Š๐’”๐’†๐’“๐’š ๐’˜๐’Š๐’๐’  ๐’‘๐’†๐’“๐’Ž๐’Š๐’•.โ€

โœฏโ€œ๐‘ซ๐’ ๐’š๐’๐’– ๐’Ž๐’‚๐’“๐’Œ ๐’Ž๐’š ๐’˜๐’๐’“๐’…๐’”; ๐‘ฐ ๐’‰๐’‚๐’—๐’† ๐’๐’†๐’‚๐’“๐’๐’†๐’… ๐’•๐’‰๐’† ๐’๐’‚๐’๐’ˆ๐’–๐’‚๐’ˆ๐’† ๐’๐’‡ ๐’…๐’†๐’”๐’‘๐’‚๐’Š๐’“: ๐‘ฐ ๐’‰๐’‚๐’—๐’† ๐’Š๐’•  ๐’‚๐’๐’ ๐’ƒ๐’š ๐’‰๐’†๐’‚๐’“๐’•, ๐’‡๐’๐’“ ๐‘ฐ ๐’‚๐’Ž ๐‘ซ๐’†๐’”๐’‘๐’‚๐’Š๐’“; ๐’‚๐’๐’… ๐’‚ ๐’”๐’•๐’“๐’‚๐’๐’ˆ๐’† ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’‚๐’Ž ๐‘ฐ, ๐’‹๐’๐’š๐’๐’–๐’”, ๐’•๐’“๐’Š๐’–๐’Ž๐’‘๐’‰๐’‚๐’๐’• - ๐‘ซ๐’†๐’”๐’‘๐’‚๐’Š๐’“โ€

โœฏโ€œ๐’Š๐’ ๐’”๐’๐’๐’Š๐’•๐’–๐’…๐’† ๐’๐’๐’๐’š ๐’”๐’‰๐’‚๐’๐’ ๐‘ฐ ๐’ƒ๐’†  ๐’Ž๐’š๐’”๐’†๐’๐’‡; ๐’Š๐’ ๐’”๐’๐’๐’Š๐’•๐’–๐’…๐’† ๐‘ฐ ๐’”๐’‰๐’‚๐’๐’ ๐’ƒ๐’† ๐’•๐’‰๐’Š๐’๐’†.โ€


The Killers by Ernest Hemingway

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dark mysterious reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5

First Love by Ivan Turgenev

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dark emotional sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

๐Ÿ“œโ™ก โ€œ ๐‘ฐ ๐’•๐’๐’๐’Œ ๐’Ž๐’š ๐’๐’†๐’‚๐’—๐’† ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’† ๐’ƒ๐’“๐’Š๐’†๐’‡ ๐’‘๐’‰๐’‚๐’๐’•๐’๐’Ž,  ๐’“๐’Š๐’”๐’†๐’ ๐’‡๐’๐’“ ๐’‚ ๐’‡๐’๐’†๐’†๐’•๐’Š๐’๐’ˆ ๐’Š๐’๐’”๐’•๐’‚๐’๐’•, ๐’๐’‡ ๐’Ž๐’š ๐’‡๐’Š๐’“๐’”๐’• ๐’๐’๐’—๐’†? โ€

First love by Ivan Turgenev is an autobiographical novella exploring the author's first experience with Love.
The story follows a 16 year old boy Vladimir who falls in love with Zinaida Alexandrovna Zasyekina, a 21-year-old woman.
As the story unfolds, Vladimir experiences the pangs of unrequited love. Zinaida plays with his feelings as she enjoys being the centre of attention. However, she herself harbors feelings for another man who's revealed to be Vladimir's father. This discovery leaves Vladimir in despair. He becomes helpless but nevertheless doesn't stop loving Zinaida.
The story explores themes of youthful innocence, unrequited love and the fleeting nature of youth.

โฅ  "๐˜๐˜ฆ๐˜ณ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ฆ ๐˜ญ๐˜ช๐˜ฌ๐˜ฆ ๐˜ข ๐˜ง๐˜ญ๐˜ข๐˜ฎ๐˜ฆโ€ฆ๐˜ฃ๐˜ถ๐˜ต ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ฅ๐˜ช๐˜ฅ ๐˜ ๐˜ค๐˜ข๐˜ณ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ข๐˜ต ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ง๐˜ช๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ธ๐˜ข๐˜ด ๐˜ช๐˜ฏ ๐˜ธ๐˜ฉ๐˜ช๐˜ค๐˜ฉ ๐˜ ๐˜ฃ๐˜ถ๐˜ณ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ฆ๐˜ญ๐˜ต๐˜ฆ๐˜ฅ, ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ช๐˜ต ๐˜ธ๐˜ข๐˜ด ๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ด ๐˜ต๐˜ฐ ๐˜ฃ๐˜ถ๐˜ณ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฆ๐˜ญ๐˜ต?"

When Vladimir falls in love with Zinaida, he idealises this idea of love. it seems to him that it's the best feeling in the entire world. He dreams about love and love.

โฅ "๐‘ฐ ๐’Ž๐’๐’—๐’†๐’… ๐’‚๐’” ๐’Š๐’ ๐’‚ ๐’…๐’“๐’†๐’‚๐’Ž, ๐’‚๐’๐’… ๐’‡๐’†๐’๐’• ๐’•๐’‰๐’“๐’๐’–๐’ˆ๐’‰ ๐’Ž๐’š ๐’†๐’๐’•๐’Š๐’“๐’† ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’‚๐’ ๐’Š๐’๐’•๐’†๐’๐’”๐’†, ๐’‚๐’๐’Ž๐’๐’”๐’• ๐’Š๐’Ž๐’ƒ๐’†๐’„๐’Š๐’๐’†, ๐’”๐’†๐’๐’”๐’† ๐’๐’‡ ๐’˜๐’†๐’๐’-๐’ƒ๐’†๐’Š๐’๐’ˆ."

However he soon realises that love isn't all butterflies and roses, with the pangs of jealousy, unrequited love and despair he explores the ugly side of this love.

โฅ โ€œ ๐‘ฐ ๐’‰๐’‚๐’… ๐’„๐’†๐’‚๐’”๐’†๐’… ๐’•๐’ ๐’ƒ๐’† ๐’”๐’Š๐’Ž๐’‘๐’๐’š ๐’‚ ๐’š๐’๐’–๐’๐’ˆ ๐’ƒ๐’๐’š; ๐‘ฐ ๐’˜๐’‚๐’” ๐’”๐’๐’Ž๐’†๐’๐’๐’† ๐’Š๐’ ๐’๐’๐’—๐’†. ๐‘ฐ ๐’”๐’‚๐’š ๐’•๐’‰๐’‚๐’• ๐’Ž๐’š ๐’‘๐’‚๐’”๐’”๐’Š๐’๐’ ๐’ƒ๐’†๐’ˆ๐’‚๐’ ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’‚๐’• ๐’…๐’‚๐’š; ๐’‚๐’๐’… ๐‘ฐ ๐’Ž๐’Š๐’ˆ๐’‰๐’• ๐’‚๐’…๐’… ๐’•๐’‰๐’‚๐’• ๐’Ž๐’š ๐’”๐’–๐’‡๐’‡๐’†๐’“๐’Š๐’๐’ˆ ๐’ƒ๐’†๐’ˆ๐’‚๐’ ๐’๐’ ๐’•๐’‰๐’‚๐’• ๐’…๐’‚๐’š ๐’•๐’๐’.โ€

โฅ โ€œ๐‘ฐ ๐’˜๐’‚๐’” ๐’‹๐’†๐’‚๐’๐’๐’–๐’” ๐’‚๐’๐’… ๐’‡๐’†๐’๐’• ๐’„๐’๐’๐’”๐’„๐’Š๐’๐’–๐’” ๐’๐’‡ ๐’Ž๐’š ๐’˜๐’๐’“๐’•๐’‰๐’๐’†๐’”๐’”๐’๐’†๐’”๐’”. ๐‘ฐ ๐’˜๐’‚๐’” ๐’”๐’•๐’–๐’‘๐’Š๐’…๐’๐’š ๐’”๐’–๐’๐’Œ๐’š, ๐’‚๐’๐’… ๐’”๐’•๐’–๐’‘๐’Š๐’…๐’๐’š ๐’‚๐’ƒ๐’‹๐’†๐’„๐’•.โ€

But nevertheless he continues to love her despite the way it makes him suffer.

โฅ "๐‘ฐ๐’• ๐’Š๐’” ๐’”๐’˜๐’†๐’†๐’• ๐’•๐’ ๐’ƒ๐’† ๐’•๐’‰๐’† ๐’”๐’๐’๐’† ๐’”๐’๐’–๐’“๐’„๐’†, ๐’•๐’‰๐’† ๐’‚๐’“๐’ƒ๐’Š๐’•๐’“๐’‚๐’“๐’š ๐’‚๐’๐’… ๐’Š๐’“๐’“๐’†๐’”๐’‘๐’๐’๐’”๐’Š๐’ƒ๐’๐’† ๐’”๐’๐’–๐’“๐’„๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’ˆ๐’“๐’†๐’‚๐’•๐’†๐’”๐’• ๐’‹๐’๐’š๐’” ๐’‚๐’๐’… ๐’‘๐’“๐’๐’‡๐’๐’–๐’๐’…๐’†๐’”๐’• ๐’Ž๐’Š๐’”๐’†๐’“๐’Š๐’†๐’” ๐’•๐’ ๐’”๐’๐’Ž๐’†๐’๐’๐’† ๐’†๐’๐’”๐’†."  

โฅ "๐‘ฏ๐’๐’˜ ๐‘ฐ ๐’“๐’†๐’—๐’†๐’๐’๐’†๐’… ๐’Š๐’ ๐’•๐’‰๐’†๐’”๐’† ๐’Ž๐’†๐’๐’‚๐’๐’„๐’‰๐’๐’๐’š ๐’‡๐’†๐’†๐’๐’Š๐’๐’ˆ๐’” โ€“ ๐’‰๐’๐’˜ ๐‘ฐ ๐’‚๐’…๐’๐’“๐’†๐’… ๐’•๐’‰๐’†๐’Ž."

Vladimir however soon has to say goodbye to Zinaida and move on with his life.  

๐Ÿ”ธโ€˜๐‘ฉ๐’†๐’๐’Š๐’†๐’—๐’† ๐’Ž๐’†, ๐’๐’Š๐’๐’‚๐’Š๐’…๐’‚ ๐‘จ๐’๐’†๐’™๐’‚๐’๐’…๐’“๐’๐’—๐’๐’‚, ๐’•๐’‰๐’‚๐’• ๐’˜๐’‰๐’‚๐’•๐’†๐’—๐’†๐’“ ๐’š๐’๐’– ๐’…๐’Š๐’…, ๐’‰๐’๐’˜๐’†๐’—๐’†๐’“ ๐’Ž๐’–๐’„๐’‰ ๐’š๐’๐’– ๐’Ž๐’‚๐’Œ๐’† ๐’Ž๐’† ๐’”๐’–๐’‡๐’‡๐’†๐’“, ๐‘ฐ ๐’”๐’‰๐’‚๐’๐’ ๐’๐’๐’—๐’† ๐’š๐’๐’– ๐’‚๐’๐’… ๐’‚๐’…๐’๐’“๐’† ๐’š๐’๐’– ๐’•๐’ ๐’•๐’‰๐’† ๐’†๐’๐’… ๐’๐’‡ ๐’Ž๐’š ๐’…๐’‚๐’š๐’”.โ€™

By the end of the story - Vladimir realises something is more potent than love, more scary and it was death and the fleeting nature if youth.

๐Ÿ”ธ"๐˜‹๐˜ถ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ด๐˜ต ๐˜ฎ๐˜ฐ๐˜ฏ๐˜ต๐˜ฉ, ๐˜ ๐˜ฉ๐˜ข๐˜ฅ ๐˜ด๐˜ถ๐˜ฅ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ญ๐˜บ ๐˜จ๐˜ณ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ฎ๐˜ถ๐˜ค๐˜ฉ ๐˜ฐ๐˜ญ๐˜ฅ๐˜ฆ๐˜ณ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜บ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ, ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ข๐˜ญ๐˜ญ ๐˜ช๐˜ต๐˜ด ๐˜ท๐˜ช๐˜ฐ๐˜ญ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฆ๐˜น๐˜ค๐˜ช๐˜ต๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ต๐˜ด ๐˜ต๐˜ฐ๐˜ณ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด, ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฆ ๐˜ด๐˜ฐ ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ฑ๐˜ถ๐˜ฏ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฉ๐˜ช๐˜ญ๐˜ฅ๐˜ช๐˜ด๐˜ฉ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ณ๐˜ช๐˜ท๐˜ช๐˜ข๐˜ญ ๐˜ฃ๐˜ฆ๐˜ด๐˜ช๐˜ฅ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ถ๐˜ฏ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ. 

๐Ÿ”ธ " ๐˜– ๐˜บ๐˜ฐ๐˜ถ๐˜ต๐˜ฉ! ๐˜บ๐˜ฐ๐˜ถ๐˜ต๐˜ฉ! ๐˜บ๐˜ฐ๐˜ถ ๐˜จ๐˜ฐ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ธ๐˜ข๐˜บ ๐˜ฉ๐˜ฆ๐˜ฆ๐˜ฅ๐˜ญ๐˜ฆ๐˜ด๐˜ด, ๐˜ถ๐˜ฏ๐˜ค๐˜ข๐˜ณ๐˜ช๐˜ฏ๐˜จ โ€“ ๐˜ข๐˜ด ๐˜ช๐˜ง ๐˜บ๐˜ฐ๐˜ถ ๐˜ฐ๐˜ธ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ณ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ; ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜จ๐˜ณ๐˜ช๐˜ฆ๐˜ง ๐˜ฆ๐˜ญ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜บ๐˜ฐ๐˜ถ, ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ด๐˜ฐ๐˜ณ๐˜ณ๐˜ฐ๐˜ธ ๐˜ด๐˜ช๐˜ต๐˜ด ๐˜ธ๐˜ฆ๐˜ญ๐˜ญ ๐˜ถ๐˜ฑ๐˜ฐ๐˜ฏ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฃ๐˜ณ๐˜ฐ๐˜ธ."

๐Ÿ“œ ๐™Ž๐™ค๐™ข๐™š ๐™ฆ๐™ช๐™ค๐™ฉ๐™š๐™จ ๐™„ ๐™ก๐™ž๐™ ๐™š๐™™:

๐Ÿ”ธ"๐๐ฎ๐ญ ๐ญ๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐ญ๐ก๐ž ๐ญ๐ž๐š๐ซ๐ฌ ๐š๐ง๐ ๐ญ๐ก๐ž ๐ฆ๐ž๐ฅ๐š๐ง๐œ๐ก๐จ๐ฅ๐ฒ, ๐ข๐ง๐ฌ๐ฉ๐ข๐ซ๐ž๐ ๐›๐ฒ ๐ญ๐ก๐ž ๐ฆ๐ฎ๐ฌ๐ข๐œ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ฏ๐ž๐ซ๐ฌ๐ž ๐จ๐ซ ๐ญ๐ก๐ž ๐›๐ž๐š๐ฎ๐ญ๐ฒ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ž๐ฏ๐ž๐ง๐ข๐ง๐ , ๐ญ๐ก๐ž๐ซ๐ž ๐š๐ฅ๐ฐ๐š๐ฒ๐ฌ ๐ซ๐จ๐ฌ๐ž ๐ฎ๐ฉ๐ฐ๐š๐ซ๐๐ฌ, ๐ฅ๐ข๐ค๐ž ๐ญ๐ก๐ž ๐ ๐ซ๐š๐ฌ๐ฌ๐ž๐ฌ ๐จ๐Ÿ ๐ž๐š๐ซ๐ฅ๐ฒ ๐ฌ๐ฉ๐ซ๐ข๐ง๐ , ๐ฌ๐ก๐จ๐จ๐ญ๐ฌ ๐จ๐Ÿ ๐ก๐š๐ฉ๐ฉ๐ฒ ๐Ÿ๐ž๐ž๐ฅ๐ข๐ง๐ , ๐จ๐Ÿ ๐ฒ๐จ๐ฎ๐ง๐  ๐š๐ง๐ ๐ฌ๐ฎ๐ซ๐ ๐ข๐ง๐  ๐ฅ๐ข๐Ÿ๐ž."
 
๐Ÿ”ธ"๐Ž๐ก, ๐ ๐ž๐ง๐ญ๐ฅ๐ž ๐Ÿ๐ž๐ž๐ฅ๐ข๐ง๐ ๐ฌ, ๐ฌ๐จ๐Ÿ๐ญ ๐ฌ๐จ๐ฎ๐ง๐๐ฌ, ๐ญ๐ก๐ž ๐ ๐จ๐จ๐๐ง๐ž๐ฌ๐ฌ ๐š๐ง๐ ๐ญ๐ก๐ž ๐ ๐ซ๐š๐๐ฎ๐š๐ฅ ๐ฌ๐ญ๐ข๐ฅ๐ฅ๐ข๐ง๐  ๐จ๐Ÿ ๐š ๐ฌ๐จ๐ฎ๐ฅ ๐ญ๐ก๐š๐ญ ๐ก๐š๐ฌ ๐›๐ž๐ž๐ง ๐ฆ๐จ๐ฏ๐ž๐; ๐ญ๐ก๐ž ๐ฆ๐ž๐ฅ๐ญ๐ข๐ง๐  ๐ก๐š๐ฉ๐ฉ๐ข๐ง๐ž๐ฌ๐ฌ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ญ๐ž๐ง๐๐ž๐ซ, ๐ญ๐จ๐ฎ๐œ๐ก๐ข๐ง๐  ๐ฃ๐จ๐ฒ๐ฌ ๐จ๐Ÿ ๐ฅ๐จ๐ฏ๐ž โ€“ ๐ฐ๐ก๐ž๐ซ๐ž ๐š๐ซ๐ž ๐ฒ๐จ๐ฎ? ๐–๐ก๐ž๐ซ๐ž ๐š๐ซ๐ž ๐ฒ๐จ๐ฎ?"  

๐Ÿ”ธ"๐“๐ก๐š๐ญ ๐ข๐ฌ ๐ฐ๐ก๐š๐ญ ๐ฉ๐จ๐ž๐ญ๐ซ๐ฒ ๐œ๐š๐ง ๐๐จ. ๐ˆ๐ญ ๐ฌ๐ฉ๐ž๐š๐ค๐ฌ ๐ญ๐จ ๐ฎ๐ฌ ๐จ๐Ÿ ๐ฐ๐ก๐š๐ญ ๐๐จ๐ž๐ฌ ๐ง๐จ๐ญ ๐ž๐ฑ๐ข๐ฌ๐ญ, ๐ฐ๐ก๐ข๐œ๐ก ๐ข๐ฌ ๐ง๐จ๐ญ ๐จ๐ง๐ฅ๐ฒ ๐›๐ž๐ญ๐ญ๐ž๐ซ ๐ญ๐ก๐š๐ง ๐ฐ๐ก๐š๐ญ ๐ž๐ฑ๐ข๐ฌ๐ญ๐ฌ, ๐›๐ฎ๐ญ ๐ž๐ฏ๐ž๐ง ๐ฆ๐จ๐ซ๐ž ๐ฅ๐ข๐ค๐ž ๐ญ๐ก๐ž ๐ญ๐ซ๐ฎ๐ญ๐ก."

๐Ÿ”ธ"โ€˜๐Œ๐ฒ ๐ฌ๐จ๐ง,โ€™ ๐ก๐ž ๐ฐ๐ซ๐จ๐ญ๐ž, โ€˜๐›๐ž๐ฐ๐š๐ซ๐ž ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ฅ๐จ๐ฏ๐ž ๐จ๐Ÿ ๐ฐ๐จ๐ฆ๐ž๐ง; ๐›๐ž๐ฐ๐š๐ซ๐ž ๐จ๐Ÿ ๐ญ๐ก๐š๐ญ ๐ž๐œ๐ฌ๐ญ๐š๐ฌ๐ฒ โ€“ ๐ญ๐ก๐š๐ญ ๐ฌ๐ฅ๐จ๐ฐ ๐ฉ๐จ๐ข๐ฌ๐จ๐ง.โ€™ "  

๐Ÿ”ธ"๐“๐จ ๐ฌ๐š๐œ๐ซ๐ข๐Ÿ๐ข๐œ๐ž ๐จ๐ง๐ž๐ฌ๐ž๐ฅ๐Ÿ ๐ข๐ฌ ๐ญ๐ก๐ž ๐ก๐ž๐ข๐ ๐ก๐ญ ๐จ๐Ÿ ๐›๐ฅ๐ข๐ฌ๐ฌ โ€“ ๐Ÿ๐จ๐ซ ๐ฌ๐จ๐ฆ๐ž ๐ฉ๐ž๐จ๐ฉ๐ฅ๐ž.โ€™ " 

 ๐Ÿ”ธ"๐„๐š๐œ๐ก ๐จ๐Ÿ ๐ฎ๐ฌ ๐Ÿ๐ž๐ž๐ฅ๐ฌ ๐ฆ๐จ๐ฌ๐ญ ๐๐ž๐ž๐ฉ๐ฅ๐ฒ ๐œ๐จ๐ง๐ฏ๐ข๐ง๐œ๐ž๐ ๐ญ๐ก๐š๐ญ ๐ก๐ž ๐ก๐š๐ฌ ๐›๐ž๐ž๐ง ๐ญ๐จ๐จ ๐ฉ๐ซ๐จ๐๐ข๐ ๐š๐ฅ ๐จ๐Ÿ ๐ก๐ข๐ฌ ๐ ๐ข๐Ÿ๐ญ๐ฌ โ€“ ๐ญ๐ก๐š๐ญ ๐ก๐ž ๐ก๐š๐ฌ ๐š ๐ซ๐ข๐ ๐ก๐ญ ๐ญ๐จ ๐œ๐ซ๐ฒ โ€˜๐Ž๐ก, ๐ฐ๐ก๐š๐ญ ๐œ๐จ๐ฎ๐ฅ๐ ๐ˆ ๐ง๐จ๐ญ ๐ก๐š๐ฏ๐ž ๐๐จ๐ง๐ž, ๐ข๐Ÿ ๐จ๐ง๐ฅ๐ฒ ๐ˆ ๐ก๐š๐ ๐ง๐จ๐ญ ๐ฐ๐š๐ฌ๐ญ๐ž๐ ๐ฆ๐ฒ ๐ญ๐ข๐ฆ๐ž.โ€™"
An Answer to the Question: What Is Enlightenment? by Immanuel Kant

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๐Ÿ“œ ๐™€๐™ฃ๐™ก๐™ž๐™œ๐™๐™ฉ๐™š๐™ฃ๐™ข๐™š๐™ฃ๐™ฉ ๐™ž๐™จ ๐™ข๐™–๐™ฃ'๐™จ ๐™š๐™ข๐™š๐™ง๐™œ๐™š๐™ฃ๐™˜๐™š ๐™›๐™ง๐™ค๐™ข ๐™๐™ž๐™จ ๐™จ๐™š๐™ก๐™›-๐™ž๐™ฃ๐™˜๐™ช๐™ง๐™ง๐™š๐™™ ๐™ž๐™ข๐™ข๐™–๐™ฉ๐™ช๐™ง๐™ž๐™ฉ๐™ฎ ๐™„๐™ข๐™ข๐™–๐™ฉ๐™ช๐™ง๐™ž๐™ฉ๐™ฎ ๐™ž๐™จ ๐™ฉ๐™๐™š ๐™ž๐™ฃ๐™–๐™—๐™ž๐™ก๐™ž๐™ฉ๐™ฎ ๐™ฉ๐™ค ๐™ช๐™จ๐™š ๐™ค๐™ฃ๐™š'๐™จ ๐™ค๐™ฌ๐™ฃ ๐™ช๐™ฃ๐™™๐™š๐™ง๐™จ๐™ฉ๐™–๐™ฃ๐™™๐™ž๐™ฃ๐™œ ๐™ฌ๐™ž๐™ฉ๐™๐™ค๐™ช๐™ฉ ๐™ฉ๐™๐™š ๐™œ๐™ช๐™ž๐™™๐™–๐™ฃ๐™˜๐™š ๐™ค๐™› ๐™–๐™ฃ๐™ค๐™ฉ๐™๐™š๐™ง.

This book contains Immanuel Kant's 4 essays:

1. ๐€๐ง ๐€๐ง๐ฌ๐ฐ๐ž๐ซ ๐ญ๐จ ๐ญ๐ก๐ž ๐ช๐ฎ๐ž๐ฌ๐ญ๐ข๐จ๐ง: โ€˜ ๐–๐ก๐š๐ญ ๐ข๐ฌ ๐„๐ง๐ฅ๐ข๐ ๐ก๐ญ๐ž๐ง๐ฆ๐ž๐ง๐ญ?โ€™

Kant discusses the concept of enlightenment and its impact on humans. According to Kant Enlightenment simply means the will to use one's own understanding and to Question other's ideas. According to Kant, people nowadays lack the courage to do this. He insists humans to this Immaturity and talks about โ€˜Sapere audeโ€™ - Dare to be wise.

๐Ÿ”ธ๐˜›๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ต๐˜ต๐˜ฐ ๐˜ฐ๐˜ง ๐˜ฆ๐˜ฏ๐˜ญ๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ฆ๐˜ฏ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ๐˜ง๐˜ฐ๐˜ณ๐˜ฆ: ๐˜š๐˜ข๐˜ฑ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ข๐˜ถ๐˜ฅ๐˜ฆ! [๐˜‹๐˜ข๐˜ณ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ธ๐˜ช๐˜ด๐˜ฆ!] ๐˜๐˜ข๐˜ท๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ถ๐˜ณ๐˜ข๐˜จ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ถ๐˜ด๐˜ฆ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฐ๐˜ธ๐˜ฏ ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ณ๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ.

Kant then talks about the freedom needed for enlightenment. According to Kant this Freedom will make people use one's reason in all matters- that's the freedom which would make us rational human beings.
Kant then talks about religious immaturity and says it's important for a society to come out of it. He talks about matters of religion as the focal point of enlightenment.

2. ๐๐ž๐ซ๐ฉ๐ž๐ญ๐ฎ๐š๐ฅ ๐ฉ๐ž๐š๐œ๐ž: ๐€ ๐ฉ๐ก๐ข๐ฅ๐จ๐ฌ๐จ๐ฉ๐ก๐ข๐œ๐š๐ฅ ๐’๐ค๐ž๐ญ๐œ๐ก:

In this essay Kant talks about peace and the ideal ways to achieve it. 
Kant also talks about the importance of sovereign republics and constitutions for maintaining peace. 

3.๐€ ๐ซ๐ž๐ง๐ž๐ฐ๐ž๐ ๐š๐ญ๐ญ๐ž๐ฆ๐ฉ๐ญ ๐ญ๐จ ๐š๐ง๐ฌ๐ฐ๐ž๐ซ ๐ญ๐ก๐ž ๐ช๐ฎ๐ž๐ฌ๐ญ๐ข๐จ๐ง: โ€˜๐ข๐ฌ ๐ญ๐ก๐ž ๐ก๐ฎ๐ฆ๐š๐ง ๐ซ๐š๐œ๐ž ๐œ๐จ๐ง๐ญ๐ข๐ง๐ฎ๐š๐ฅ๐ฅ๐ฒ ๐ข๐ฆ๐ฉ๐ซ๐จ๐ฏ๐ข๐ง๐ ?'

In this essay Kant discusses human history and progress. Accidentally to Kant human race can be in 3 stages: Regressing Progressing or a permanent standstill.

๐‘ป๐’‰๐’† ๐’•๐’†๐’“๐’“๐’๐’“๐’Š๐’”๐’•๐’Š๐’„ ๐’„๐’๐’๐’„๐’†๐’‘๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’‰๐’–๐’Ž๐’‚๐’ ๐’‰๐’Š๐’”๐’•๐’๐’“๐’š:  In this stage the humans are in a constant state of deterioration. According to Kant this is not actually what's happening because it will cause annihilation of mankind .

๐Ÿ”ธโ€œ๐˜ˆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด ๐˜ฐ๐˜ง ๐˜ฅ๐˜ฆ๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜ณ๐˜ข๐˜ค๐˜ฆ ๐˜ค๐˜ข๐˜ฏ๐˜ฏ๐˜ฐ๐˜ต ๐˜จ๐˜ฐ ๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ง๐˜ช๐˜ฏ๐˜ช๐˜ต๐˜ฆ๐˜ญ๐˜บ, ๐˜ง๐˜ฐ๐˜ณ ๐˜ฎ๐˜ข๐˜ฏ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ธ๐˜ฆ๐˜ข๐˜ณ ๐˜ช๐˜ต๐˜ด๐˜ฆ๐˜ญ๐˜ง ๐˜ฐ๐˜ถ๐˜ต ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ ๐˜ข ๐˜ค๐˜ฆ๐˜ณ๐˜ต๐˜ข๐˜ช๐˜ฏ ๐˜ฑ๐˜ฐ๐˜ช๐˜ฏ๐˜ต ๐˜ฉ๐˜ข๐˜ฅ ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ณ๐˜ฆ๐˜ข๐˜ค๐˜ฉ๐˜ฆ๐˜ฅโ€


๐‘ป๐’‰๐’† ๐‘ฌ๐’–๐’…๐’‚๐’†๐’Ž๐’๐’๐’Š๐’”๐’•๐’Š๐’„ ๐’„๐’๐’๐’„๐’†๐’‘๐’• ๐’๐’‡ ๐’‰๐’–๐’Ž๐’‚๐’ ๐’‰๐’Š๐’”๐’•๐’๐’“๐’š: That's the idea that human beings are in a constant state of improvement. however Kang doesn't believe in this as well, he thinks it's absurd and cannot be maintained.

๐Ÿ”ธโ€œ๐˜›๐˜ฉ๐˜ถ๐˜ด ๐˜ฆ๐˜ถ๐˜ฅ๐˜ข๐˜ฆ๐˜ฎ๐˜ฐ๐˜ฏ๐˜ช๐˜ด๐˜ฎ, ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ช๐˜ต๐˜ด ๐˜ด๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ช๐˜ฏ๐˜ฆ ๐˜ฉ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ด, ๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ฏ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ. ๐˜๐˜ต๐˜ด ๐˜ช๐˜ฅ๐˜ฆ๐˜ข๐˜ด ๐˜ฐ๐˜ง ๐˜ค๐˜ฐ๐˜ฏ๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ต ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜ฑ๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ฆ๐˜ด๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ธ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฎ ๐˜ฐ๐˜ง ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ถ๐˜ด๐˜ฆ ๐˜ต๐˜ฐ ๐˜ข ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฑ๐˜ฉ๐˜ฆ๐˜ต๐˜ช๐˜ค ๐˜ฉ๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜ฐ๐˜ง ๐˜ฎ๐˜ข๐˜ฏ๐˜ฌ๐˜ช๐˜ฏ๐˜ฅ.โ€

๐‘ป๐’‰๐’† ๐’‰๐’š๐’‘๐’๐’•๐’‰๐’†๐’”๐’Š๐’” ๐’๐’‡ ๐’‚๐’ƒ๐’…๐’†๐’“๐’Š๐’•๐’Š๐’”๐’Ž ๐’Š๐’ ๐’•๐’‰๐’† ๐’‰๐’–๐’Ž๐’‚๐’ ๐’“๐’‚๐’„๐’† ๐’‚๐’” ๐’‚ ๐’…๐’†๐’‡๐’Š๐’๐’Š๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’Š๐’•๐’” ๐’‡๐’–๐’•๐’–๐’“๐’† ๐’‰๐’Š๐’”๐’•๐’๐’“๐’š: According to this concept the human race is at a permanent standstill, in relation to other created beings, at its present level of moral attainment. According to Kant, there's a rise and fall of equal magnitude  in moral affairs of the human race which constantly alternates and endlessly fluctuates and thus produces no more effect.

Kant then discusses ๐’•๐’‰๐’† ๐’‘๐’“๐’๐’‘๐’‰๐’†๐’•๐’Š๐’„ ๐’‰๐’Š๐’”๐’•๐’๐’“๐’š ๐’๐’‡ ๐’Ž๐’‚๐’๐’Œ๐’Š๐’๐’… : Kant talks about humanity's progress based on the understanding of humanity's history. According to Kant by studying historical patterns, we can predict the eventual emergence of a universal civil society grounded in justice and reason. He believes that humans can learn from this history and make improvements in our moral affairs. Therefore he has an optimistic view of human affairs.

๐Ÿ”ธโ€œ๐˜‰๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ณ-๐˜ฑ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต ๐˜ธ๐˜ข๐˜ณ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ง๐˜ฐ๐˜ณ๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฐ๐˜ญ๐˜ช๐˜ต๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฑ๐˜ฉ๐˜ฆ๐˜ต ๐˜ต๐˜ฐ ๐˜ข๐˜ฅ๐˜ฎ๐˜ช๐˜ต ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜ณ๐˜ข๐˜ค๐˜ฆ ๐˜ฎ๐˜ถ๐˜ด๐˜ต ๐˜ด๐˜ฐ๐˜ฐ๐˜ฏ ๐˜ต๐˜ข๐˜ฌ๐˜ฆ ๐˜ข ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ต๐˜ต๐˜ฆ๐˜ณ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ข๐˜ญ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜บ ๐˜ช๐˜ฏ ๐˜ด๐˜ช๐˜จ๐˜ฉ๐˜ต.โ€

4. ๐‚๐จ๐ง๐ฃ๐ž๐œ๐ญ๐ฎ๐ซ๐ž๐ฌ ๐จ๐ง ๐ญ๐ก๐ž ๐›๐ž๐ ๐ข๐ง๐ง๐ข๐ง๐  ๐จ๐Ÿ ๐ก๐ฎ๐ฆ๐š๐ง ๐ก๐ข๐ฌ๐ญ๐จ๐ซ๐ฒ:

 In this essay Kant talks about the origins of humanity. Kant discusses various aspects of mankind such as The paradise and fall of man, awakening of reason , progress and loss of innocence/emergence of evil, formation of societies etc.



The Present Age by Sรธren Kierkegaard

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informative reflective medium-paced

4.75

๐Ÿ“œ โ€œ๐ˆ๐ง ๐œ๐จ๐ง๐ญ๐ซ๐š๐ฌ๐ญ ๐ญ๐จ ๐ญ๐ก๐ž ๐š๐ ๐ž ๐จ๐Ÿ ๐ซ๐ž๐ฏ๐จ๐ฅ๐ฎ๐ญ๐ข๐จ๐ง, ๐ฐ๐ก๐ข๐œ๐ก ๐ญ๐จ๐จ๐ค ๐š๐œ๐ญ๐ข๐จ๐ง, ๐ญ๐ก๐ž ๐ฉ๐ซ๐ž๐ฌ๐ž๐ง๐ญ ๐š๐ ๐ž ๐ข๐ฌ ๐š๐ง ๐š๐ ๐ž ๐จ๐Ÿ ๐ฉ๐ฎ๐›๐ฅ๐ข๐œ๐ข๐ญ๐ฒ, ๐ญ๐ก๐ž ๐š๐ ๐ž ๐จ๐Ÿ ๐ฆ๐ข๐ฌ๐œ๐ž๐ฅ๐ฅ๐š๐ง๐ž๐จ๐ฎ๐ฌ ๐š๐ง๐ง๐จ๐ฎ๐ง๐œ๐ž๐ฆ๐ž๐ง๐ญ๐ฌ: ๐ง๐จ๐ญ๐ก๐ข๐ง๐  ๐ก๐š๐ฉ๐ฉ๐ž๐ง๐ฌ ๐›๐ฎ๐ญ ๐ฌ๐ญ๐ข๐ฅ๐ฅ ๐ญ๐ก๐ž๐ซ๐ž ๐ข๐ฌ ๐ข๐ง๐ฌ๐ญ๐š๐ง๐ญ ๐ฉ๐ฎ๐›๐ฅ๐ข๐œ๐ข๐ญ๐ฒ.โ€

Kierkegaard wrote this as a review for the novel โ€œ๐˜›๐˜ธ๐˜ฐ ๐˜ˆ๐˜จ๐˜ฆ๐˜ดโ€ written by ๐˜›๐˜ฉ๐˜ฐ๐˜ฎ๐˜ข๐˜ด๐˜ช๐˜ฏ๐˜ฆ ๐˜Š๐˜ฉ๐˜ณ๐˜ช๐˜ด๐˜ต๐˜ช๐˜ฏ๐˜ฆ ๐˜Ž๐˜บ๐˜ญ๐˜ญ๐˜ฆ๐˜ฎ๐˜ฃ๐˜ฐ๐˜ถ๐˜ณ๐˜จ-๐˜Œ๐˜ฉ๐˜ณ๐˜ฆ๐˜ฏ๐˜ด๐˜ทรค๐˜ณ๐˜ฅ.  Kierkgaaard discusses the two ages: age of revolution and the present age. According to Kierkegaard the present age( in his time, 19th century) is the age of superficiality and apathy. The present age lacks passion as compared to the age of revolution (past times).

๐Ÿ“๐‘จ๐’ˆ๐’† ๐’๐’‡ ๐’‘๐’‚๐’”๐’”๐’Š๐’๐’: Kierkegaard talks about the past age and describes it as the age of passion and revolution. According to Kierkegaard, it was the age where people actually acted on their passions and were not afraid to take a stand for themselves and their ideologies. 

๐Ÿ”ธ"๐˜›๐˜ฉ๐˜ฆ ๐˜ข๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜จ๐˜ณ๐˜ฆ๐˜ข๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ช๐˜ด ๐˜ฑ๐˜ข๐˜ด๐˜ต; ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต ๐˜ข๐˜จ๐˜ฆ ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜จ๐˜ฆ ๐˜ฐ๐˜ง ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ค๐˜ช๐˜ฑ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ."

๐Ÿ“๐‘จ๐’ˆ๐’† ๐’๐’‡ ๐’“๐’†๐’‡๐’๐’†๐’„๐’•๐’Š๐’๐’: Kierkegaard then talks about the present age and describes it as devoid of passion and where people overthink and don't take any action. It's full of apathy and superficiality.

๐Ÿ”ธโ€œ๐˜›๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ฏ๐˜ต ๐˜ข๐˜จ๐˜ฆ ๐˜ช๐˜ด ๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ข ๐˜ด๐˜ฆ๐˜ฏ๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฏ๐˜จ  ๐˜ข๐˜จ๐˜ฆ, ๐˜ฅ๐˜ฆ๐˜ท๐˜ฐ๐˜ช๐˜ฅ ๐˜ฐ๐˜ง ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ, ๏ฌ‚๐˜ข๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ถ๐˜ฑ ๐˜ช๐˜ฏ ๐˜ด๐˜ถ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ช๐˜ค๐˜ช๐˜ข๐˜ญ, ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต-๐˜ญ๐˜ช๐˜ท๐˜ฆ๐˜ฅ ๐˜ฆ๐˜ฏ๐˜ต๐˜ฉ๐˜ถ๐˜ด๐˜ช๐˜ข๐˜ด๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ณ๐˜ถ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜น๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ฏ ๐˜ช๐˜ฏ๐˜ฅ๐˜ฐ๐˜ญ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ.โ€

๐Ÿ”ธ โ€œ๐˜‰๐˜ถ๐˜ต ๐˜ข๐˜ฏ ๐˜ข๐˜จ๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜ต ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ฑ๐˜ฐ๐˜ด๐˜ด๐˜ฆ๐˜ด๐˜ด๐˜ฆ๐˜ด ๐˜ฏ๐˜ฐ ๐˜ข๐˜ด๐˜ด๐˜ฆ๐˜ต๐˜ด; ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฆ๐˜ด, ๐˜ข๐˜ด ๐˜ช๐˜ต ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ, ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜ข๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ช๐˜ฏ ๐˜ฑ๐˜ข๐˜ฑ๐˜ฆ๐˜ณ ๐˜ฎ๐˜ฐ๐˜ฏ๐˜ฆ๐˜บ. ๐˜Š๐˜ฆ๐˜ณ๐˜ต๐˜ข๐˜ช๐˜ฏ ๐˜ฑ๐˜ฉ๐˜ณ๐˜ข๐˜ด๐˜ฆ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ฃ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ค๐˜ช๐˜ณ๐˜ค๐˜ถ๐˜ญ๐˜ข๐˜ต๐˜ฆ ๐˜ข๐˜ฎ๐˜ฐ๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ, ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ญ๐˜บ ๐˜ต๐˜ณ๐˜ถ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฆ๐˜ฏ๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜ฆ, ๐˜บ๐˜ฆ๐˜ต ๐˜ฅ๐˜ฆ- ๐˜ท๐˜ฐ๐˜ช๐˜ฅ ๐˜ฐ๐˜ง ๐˜ท๐˜ช๐˜ต๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฐ, ๐˜ฏ๐˜ฐ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ, ๐˜ฏ๐˜ฐ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ๐˜ฆ๐˜ณ, ๐˜ฏ๐˜ฐ ๐˜ฌ๐˜ฏ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ฐ๐˜ง ๐˜ง๐˜ข๐˜ช๐˜ต๐˜ฉ, ๐˜ฏ๐˜ฐ ๐˜จ๐˜ณ๐˜ฆ๐˜ข๐˜ต ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ๐˜ช๐˜ต๐˜ข๐˜ณ๐˜ช๐˜ข๐˜ฏ, ๐˜ฏ๐˜ฐ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ด๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜ฅ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ช๐˜ณ ๐˜ต๐˜ฐ ๐˜ท๐˜ฐ๐˜ถ๐˜ค๐˜ฉ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ๐˜ช๐˜ณ ๐˜ท๐˜ข๐˜ญ๐˜ช๐˜ฅ๐˜ช๐˜ต๐˜บ ๐˜ฃ๐˜บ ๐˜ฉ๐˜ข๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ณ๐˜ช๐˜ฎ๐˜ช๐˜ต๐˜ช๐˜ท๐˜ฆ๐˜ญ๐˜บ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ.โ€

Then Kierkegaard discusses some other issues such as leveling, where individuality and greatness are suppressed in favor of uniformity and mediocrity. According to Kierkegaard this destroys the passion and thus is responsible for the passionless present age.Kierkgaaard then criticises the focus on โ€œthe publicโ€ in present age and the decline of โ€˜individualityโ€™.
If We Were Villains by M.L. Rio

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dark emotional hopeful reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

โ˜พ.  โ€œ๐‘ซ๐’ ๐’š๐’๐’– ๐’ƒ๐’๐’‚๐’Ž๐’† ๐‘บ๐’‰๐’‚๐’Œ๐’†๐’”๐’‘๐’†๐’‚๐’“๐’† ๐’‡๐’๐’“ ๐’‚๐’๐’š ๐’๐’‡ ๐’Š๐’•?โ€ 
 โ€œ๐‘ฐ ๐’ƒ๐’๐’‚๐’Ž๐’† ๐’‰๐’Š๐’Ž ๐’‡๐’๐’“ ๐’‚๐’๐’ ๐’๐’‡ ๐’Š๐’•.โ€    เฃช ึดึถึธโ˜พ.

Tragic and beautiful.

โŸข โ€œ๐˜ˆ๐˜ด ๐˜ช๐˜ง ๐˜ธ๐˜ฆ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ท๐˜ช๐˜ญ๐˜ญ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ฐ๐˜ฏ ๐˜ฏ๐˜ฆ๐˜ค๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ต๐˜บ; ๐˜ง๐˜ฐ๐˜ฐ๐˜ญ๐˜ด ๐˜ฃ๐˜บ ๐˜ฉ๐˜ฆ๐˜ข๐˜ท๐˜ฆ๐˜ฏ๐˜ญ๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ถ๐˜ญ๐˜ด๐˜ช๐˜ฐ๐˜ฏ; ๐˜ฌ๐˜ฏ๐˜ข๐˜ท๐˜ฆ๐˜ด, ๐˜ต๐˜ฉ๐˜ช๐˜ฆ๐˜ท๐˜ฆ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ณ๐˜ฆ๐˜ข๐˜ค๐˜ฉ๐˜ฆ๐˜ณ๐˜ด ๐˜ฃ๐˜บ ๐˜ด๐˜ฑ๐˜ฉ๐˜ฆ๐˜ณ๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ฅ๐˜ฐ๐˜ฎ๐˜ช๐˜ฏ๐˜ข๐˜ฏ๐˜ค๐˜ฆ; ๐˜ฅ๐˜ณ๐˜ถ๐˜ฏ๐˜ฌ๐˜ข๐˜ณ๐˜ฅ๐˜ด, ๐˜ญ๐˜ช๐˜ข๐˜ณ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ฅ๐˜ถ๐˜ญ๐˜ต๐˜ฆ๐˜ณ๐˜ฆ๐˜ณ๐˜ด ๐˜ฃ๐˜บ ๐˜ข๐˜ฏ ๐˜ฆ๐˜ฏ๐˜ง๐˜ฐ๐˜ณ๐˜คโ€™๐˜ฅ ๐˜ฐ๐˜ฃ๐˜ฆ๐˜ฅ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ฐ๐˜ง ๐˜ฑ๐˜ญ๐˜ข๐˜ฏ๐˜ฆ๐˜ต๐˜ข๐˜ณ๐˜บ ๐˜ช๐˜ฏ๐˜ง๐˜ญ๐˜ถ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ; ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ธ๐˜ฆ ๐˜ข๐˜ณ๐˜ฆ ๐˜ฆ๐˜ท๐˜ช๐˜ญ ๐˜ช๐˜ฏ, ๐˜ฃ๐˜บ ๐˜ข ๐˜ฅ๐˜ช๐˜ท๐˜ช๐˜ฏ๐˜ฆ ๐˜ต๐˜ฉ๐˜ณ๐˜ถ๐˜ด๐˜ต๐˜ช๐˜ฏ๐˜จ-๐˜ฐ๐˜ฏ!โ€ 

๐™‹๐™ก๐™ค๐™ฉ : the story revolves around 7 Shakespearean actors who get their lives entangled between performance and reality and finally ending up in a tragedy.
With themes of love, passion, friendships, betray, guilt and sacrifice it's such an intense read. 

โŸข โ€œ๐˜ž๐˜ฆ ๐˜ด๐˜ฑ๐˜ฆ๐˜ฏ๐˜ต ๐˜ง๐˜ฐ๐˜ถ๐˜ณ ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ดโ€”๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฐ๐˜ง ๐˜ถ๐˜ด ๐˜บ๐˜ฆ๐˜ข๐˜ณ๐˜ด ๐˜ฃ๐˜ฆ๐˜ง๐˜ฐ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ตโ€”๐˜ช๐˜ฎ๐˜ฎ๐˜ฆ๐˜ณ๐˜ด๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜š๐˜ฉ๐˜ข๐˜ฌ๐˜ฆ๐˜ด๐˜ฑ๐˜ฆ๐˜ข๐˜ณ๐˜ฆ. ๐˜š๐˜ถ๐˜ฃ๐˜ฎ๐˜ฆ๐˜ณ๐˜จ๐˜ฆ๐˜ฅ. ๐˜๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ฆ ๐˜ค๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ช๐˜ฏ๐˜ฅ๐˜ถ๐˜ญ๐˜จ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ฐ๐˜ฃ๐˜ด๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ. ๐˜ž๐˜ฆ ๐˜ด๐˜ฑ๐˜ฐ๐˜ฌ๐˜ฆ ๐˜ช๐˜ต ๐˜ข๐˜ด ๐˜ข ๐˜ด๐˜ฆ๐˜ค๐˜ฐ๐˜ฏ๐˜ฅ ๐˜ญ๐˜ข๐˜ฏ๐˜จ๐˜ถ๐˜ข๐˜จ๐˜ฆ, ๐˜ค๐˜ฐ๐˜ฏ๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต๐˜ณ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ญ๐˜ฐ๐˜ด๐˜ต ๐˜ต๐˜ฐ๐˜ถ๐˜ค๐˜ฉ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ข ๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ.โ€

๐˜พ๐™๐™–๐™ง๐™–๐™˜๐™ฉ๐™š๐™ง๐™จ:

โ€œ๐˜›๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ด๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ถ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ, ๐˜ด๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ฃ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜บ๐˜ฐ๐˜ถ๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ๐˜ด ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ธ๐˜ช๐˜ฅ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ค๐˜ช๐˜ฐ๐˜ถ๐˜ด ๐˜ง๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ๐˜ด ๐˜ข๐˜ฉ๐˜ฆ๐˜ข๐˜ฅ ๐˜ฐ๐˜ง ๐˜ถ๐˜ด, ๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ธ๐˜ฆ ๐˜ด๐˜ข๐˜ธ ๐˜ฏ๐˜ฐ ๐˜ง๐˜ข๐˜ณ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด ๐˜ช๐˜ฏ ๐˜ง๐˜ณ๐˜ฐ๐˜ฏ๐˜ต ๐˜ฐ๐˜ง ๐˜ฐ๐˜ถ๐˜ณ ๐˜ง๐˜ข๐˜ค๐˜ฆ๐˜ด.โ€

โœง Oliver: The main character and narrator of the story. He's extremely passionate and good actor but insecure and doubts his abilities too much. 
โœง James : hot-headed , self absorbed and impulsive.
โœง Richard:  Although he's not actually that much involved in the story and we hardly have an idea what made him behave that way, but from whatever we know about him, he's an arrogant asshole who thinks he's entitled to do anything he wishes.
โœง Meredith: Smart and beautiful but lets people treat her like shit, she deserves better.
โœง Wren & Alexander:  they play a minor role in the story and are nevertheless good friends.
โœง Fillipa: the sweetest one in the group, helps everyone, a real friend.

เฆ“ โ€œ๐˜ž๐˜ฆ ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ข๐˜ญ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ด๐˜ถ๐˜ณ๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฃ๐˜บ ๐˜ฃ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฅ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฑ๐˜ฐ๐˜ฆ๐˜ต๐˜ณ๐˜บ, ๐˜ข๐˜ญ๐˜ญ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ฆ๐˜ณ๐˜ค๐˜ฆ ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ญ๐˜ฅ ๐˜ฃ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ญ๐˜ฆ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ท๐˜ฆ๐˜ญ๐˜ญ๐˜ถ๐˜ฎ.โ€

๐™€๐™ฃ๐™™๐™ž๐™ฃ๐™œ: That was unexpected - Oliver's sacrifice , it's beautiful and tragic. He doesn't only save James but he saves all of them. And he deserves so much better. 
Despite everything i want him to end up with Meredith. i get that ending was ambiguous and we aren't sure if James is actually dead but honestly Oliver is better off him. 

เฆ“ โ€œ๐˜‘๐˜ข๐˜ฎ๐˜ฆ๐˜ด ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ถ๐˜ฑ, ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ฆ๐˜ฅ ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต ๐˜ข๐˜ต ๐˜ฎ๐˜ฆ. ๐˜๐˜ฆ ๐˜ด๐˜ฆ๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฅ ๐˜ด๐˜ถ๐˜ณ๐˜ฑ๐˜ณ๐˜ช๐˜ด๐˜ฆ๐˜ฅ ๐˜ต๐˜ฐ ๐˜ด๐˜ฆ๐˜ฆ ๐˜ฎ๐˜ฆ ๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ, ๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ ๐˜ฅ๐˜ช๐˜ฅ๐˜ฏโ€™๐˜ต ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ฐ๐˜ง ๐˜ฎ๐˜ฆ ๐˜ธ๐˜ฉ๐˜บ ๐˜ฉ๐˜ฆ ๐˜ด๐˜ฉ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ฃ๐˜ฆ. ๐˜ž๐˜ข๐˜ด ๐˜ ๐˜ฏ๐˜ฐ๐˜ต ๐˜ข๐˜ญ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ฉ๐˜ช๐˜ด ๐˜ณ๐˜ช๐˜จ๐˜ฉ๐˜ต-๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ข๐˜ฏ, ๐˜ฉ๐˜ช๐˜ด ๐˜ญ๐˜ช๐˜ฆ๐˜ถ๐˜ต๐˜ฆ๐˜ฏ๐˜ข๐˜ฏ๐˜ต? ๐˜‰๐˜ข๐˜ฏ๐˜ฒ๐˜ถ๐˜ฐ ๐˜ฐ๐˜ณ ๐˜‰๐˜ฆ๐˜ฏ๐˜ท๐˜ฐ๐˜ญ๐˜ช๐˜ฐ ๐˜ฐ๐˜ณ ๐˜–๐˜ญ๐˜ช๐˜ท๐˜ฆ๐˜ณโ€”๐˜ญ๐˜ช๐˜ต๐˜ต๐˜ญ๐˜ฆ ๐˜ฅ๐˜ช๐˜ง๐˜ง๐˜ฆ๐˜ณ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ.โ€

๐™Ž๐™ค๐™ข๐™š ๐™ฆ๐™ช๐™ค๐™ฉ๐™š๐™จ:

โœฆ ๐‘ป๐’‰๐’† ๐’‡๐’Š๐’“๐’”๐’• ๐’‡๐’๐’–๐’“๐’“๐’Š๐’†๐’” ๐’๐’‡ ๐’”๐’๐’๐’˜ ๐’…๐’‚๐’๐’„๐’†๐’… ๐’‚๐’ˆ๐’‚๐’Š๐’๐’”๐’• ๐’‚ ๐’ƒ๐’๐’‚๐’„๐’Œ ๐’”๐’Œ๐’š, ๐’‚๐’๐’… ๐‘ฐ ๐’‡๐’๐’–๐’๐’… ๐’Ž๐’š๐’”๐’†๐’๐’‡ ๐’‰๐’๐’‘๐’Š๐’๐’ˆ ๐’•๐’‰๐’†๐’š ๐’˜๐’๐’–๐’๐’… ๐’•๐’–๐’Ž๐’ƒ๐’๐’† ๐’…๐’๐’˜๐’ ๐’Š๐’ ๐’Ž๐’Š๐’๐’๐’Š๐’๐’๐’”, ๐’”๐’•๐’Š๐’„๐’Œ ๐’‡๐’‚๐’”๐’•, ๐’‚๐’๐’… ๐’ƒ๐’–๐’“๐’š ๐’†๐’—๐’†๐’“๐’š๐’•๐’‰๐’Š๐’๐’ˆ.โ€ 

โœฆ โ€œ๐‘บ๐’‰๐’‚๐’Œ๐’†๐’”๐’‘๐’†๐’‚๐’“๐’† ๐’Š๐’” ๐’“๐’†๐’‚๐’, ๐’ƒ๐’–๐’• ๐’‰๐’Š๐’” ๐’„๐’‰๐’‚๐’“๐’‚๐’„๐’•๐’†๐’“๐’” ๐’๐’Š๐’—๐’† ๐’Š๐’ ๐’‚ ๐’˜๐’๐’“๐’๐’… ๐’๐’‡ ๐’“๐’†๐’‚๐’ ๐’†๐’™๐’•๐’“๐’†๐’Ž๐’†๐’”. ๐‘ป๐’‰๐’†๐’š ๐’”๐’˜๐’Š๐’๐’ˆ ๐’‡๐’“๐’๐’Ž ๐’†๐’„๐’”๐’•๐’‚๐’”๐’š ๐’•๐’ ๐’‚๐’๐’ˆ๐’–๐’Š๐’”๐’‰, ๐’๐’๐’—๐’† ๐’•๐’ ๐’‰๐’‚๐’•๐’†, ๐’˜๐’๐’๐’…๐’†๐’“ ๐’•๐’ ๐’•๐’†๐’“๐’“๐’๐’“. ๐‘ฐ๐’•โ€™๐’” ๐’๐’๐’• ๐’Ž๐’†๐’๐’๐’…๐’“๐’‚๐’Ž๐’‚, ๐’•๐’‰๐’๐’–๐’ˆ๐’‰, ๐’•๐’‰๐’†๐’šโ€™๐’“๐’† ๐’๐’๐’• ๐’†๐’™๐’‚๐’ˆ๐’ˆ๐’†๐’“๐’‚๐’•๐’Š๐’๐’ˆ. ๐‘ฌ๐’—๐’†๐’“๐’š ๐’Ž๐’๐’Ž๐’†๐’๐’• ๐’Š๐’” ๐’„๐’“๐’–๐’„๐’Š๐’‚๐’."  

โœฆ "๐‘ป๐’‰๐’† ๐’•๐’‰๐’Š๐’๐’ˆ ๐’‚๐’ƒ๐’๐’–๐’• ๐‘บ๐’‰๐’‚๐’Œ๐’†๐’”๐’‘๐’†๐’‚๐’“๐’† ๐’Š๐’”, ๐’‰๐’†โ€™๐’” ๐’”๐’ ๐’†๐’๐’๐’’๐’–๐’†๐’๐’• โ€ฆ ๐‘ฏ๐’† ๐’”๐’‘๐’†๐’‚๐’Œ๐’” ๐’•๐’‰๐’† ๐’–๐’๐’”๐’‘๐’†๐’‚๐’Œ๐’‚๐’ƒ๐’๐’†. ๐‘ฏ๐’† ๐’•๐’–๐’“๐’๐’” ๐’ˆ๐’“๐’Š๐’†๐’‡ ๐’‚๐’๐’… ๐’•๐’“๐’Š๐’–๐’Ž๐’‘๐’‰ ๐’‚๐’๐’… ๐’“๐’‚๐’‘๐’•๐’–๐’“๐’† ๐’‚๐’๐’… ๐’“๐’‚๐’ˆ๐’† ๐’Š๐’๐’•๐’ ๐’˜๐’๐’“๐’…๐’”, ๐’Š๐’๐’•๐’ ๐’”๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ ๐’˜๐’† ๐’„๐’‚๐’ ๐’–๐’๐’…๐’†๐’“๐’”๐’•๐’‚๐’๐’…. ๐‘ฏ๐’† ๐’“๐’†๐’๐’…๐’†๐’“๐’” ๐’•๐’‰๐’† ๐’˜๐’‰๐’๐’๐’† ๐’Ž๐’š๐’”๐’•๐’†๐’“๐’š ๐’๐’‡ ๐’‰๐’–๐’Ž๐’‚๐’๐’Š๐’•๐’š ๐’„๐’๐’Ž๐’‘๐’“๐’†๐’‰๐’†๐’๐’”๐’Š๐’ƒ๐’๐’†" 

 โœฆ "๐’€๐’๐’– ๐’„๐’‚๐’ ๐’‹๐’–๐’”๐’•๐’Š๐’‡๐’š ๐’‚๐’๐’š๐’•๐’‰๐’Š๐’๐’ˆ ๐’Š๐’‡ ๐’š๐’๐’– ๐’…๐’ ๐’Š๐’• ๐’‘๐’๐’†๐’•๐’Š๐’„๐’‚๐’๐’๐’š ๐’†๐’๐’๐’–๐’ˆ๐’‰.โ€  

โœฆ"๐’€๐’๐’– ๐’„๐’‚๐’โ€™๐’• ๐’’๐’–๐’‚๐’๐’•๐’Š๐’‡๐’š ๐’‰๐’–๐’Ž๐’‚๐’๐’Š๐’•๐’š. ๐’€๐’๐’– ๐’„๐’‚๐’โ€™๐’• ๐’Ž๐’†๐’‚๐’”๐’–๐’“๐’† ๐’Š๐’•โ€”๐’๐’๐’• ๐’•๐’‰๐’† ๐’˜๐’‚๐’š ๐’š๐’๐’– ๐’Ž๐’†๐’‚๐’ ๐’•๐’. ๐‘ท๐’†๐’๐’‘๐’๐’† ๐’‚๐’“๐’† ๐’‘๐’‚๐’”๐’”๐’Š๐’๐’๐’‚๐’•๐’† ๐’‚๐’๐’… ๐’‡๐’๐’‚๐’˜๐’†๐’… ๐’‚๐’๐’… ๐’‡๐’‚๐’๐’๐’Š๐’ƒ๐’๐’†. ๐‘ป๐’‰๐’†๐’š ๐’Ž๐’‚๐’Œ๐’† ๐’Ž๐’Š๐’”๐’•๐’‚๐’Œ๐’†๐’”. ๐‘ป๐’‰๐’†๐’Š๐’“ ๐’Ž๐’†๐’Ž๐’๐’“๐’Š๐’†๐’” ๐’‡๐’‚๐’…๐’†. ๐‘ป๐’‰๐’†๐’Š๐’“ ๐’†๐’š๐’†๐’” ๐’…๐’†๐’„๐’†๐’Š๐’—๐’† ๐’•๐’‰๐’†๐’Ž"  

โœฆ "๐‘บ๐’–๐’“๐’‘๐’“๐’Š๐’”๐’Š๐’๐’ˆ. ๐‘จ๐’‡๐’•๐’†๐’“ ๐’‚๐’๐’, ๐‘บ๐’‰๐’‚๐’Œ๐’†๐’”๐’‘๐’†๐’‚๐’“๐’† ๐’Š๐’” ๐’‘๐’๐’†๐’•๐’“๐’šโ€”๐’Ž๐’๐’”๐’• ๐’๐’‡ ๐’Š๐’•, ๐’‚๐’๐’š๐’˜๐’‚๐’šโ€”๐’‚๐’๐’… ๐’•๐’‰๐’†๐’“๐’†โ€™๐’” ๐’‚ ๐’„๐’†๐’“๐’•๐’‚๐’Š๐’ ๐’Ž๐’‚๐’•๐’‰๐’†๐’Ž๐’‚๐’•๐’Š๐’„๐’‚๐’ ๐’‘๐’‚๐’•๐’•๐’†๐’“๐’ ๐’•๐’ ๐’‘๐’๐’†๐’•๐’“๐’š, ๐’Š๐’”๐’โ€™๐’• ๐’•๐’‰๐’†๐’“๐’†?" 

โœฆ "๐‘ถ๐’–๐’“ ๐’”๐’‰๐’†๐’†๐’“ ๐’„๐’‚๐’‘๐’‚๐’„๐’Š๐’•๐’š ๐’‡๐’๐’“ ๐’‡๐’†๐’†๐’๐’Š๐’๐’ˆ ๐’ˆ๐’๐’• ๐’•๐’ ๐’ƒ๐’† ๐’”๐’ ๐’–๐’๐’˜๐’Š๐’†๐’๐’…๐’š ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’ˆ๐’ˆ๐’†๐’“๐’†๐’… ๐’–๐’๐’…๐’†๐’“ ๐’Š๐’•, ๐’๐’Š๐’Œ๐’† ๐‘จ๐’•๐’๐’‚๐’” ๐’˜๐’Š๐’•๐’‰ ๐’•๐’‰๐’† ๐’˜๐’†๐’Š๐’ˆ๐’‰๐’• ๐’๐’‡ ๐’•๐’‰๐’† ๐’˜๐’๐’“๐’๐’…"  

โœฆ "๐‘ฉ๐’–๐’• ๐’‚ ๐’„๐’‰๐’‚๐’“๐’‚๐’„๐’•๐’†๐’“โ€™๐’” ๐’†๐’Ž๐’๐’•๐’Š๐’๐’๐’” ๐’…๐’๐’โ€™๐’• ๐’„๐’‚๐’๐’„๐’†๐’ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’‚๐’„๐’•๐’๐’“โ€™๐’”โ€”๐’Š๐’๐’”๐’•๐’†๐’‚๐’… ๐’š๐’๐’– ๐’‡๐’†๐’†๐’ ๐’ƒ๐’๐’•๐’‰ ๐’‚๐’• ๐’๐’๐’„๐’†. ๐‘ฐ๐’Ž๐’‚๐’ˆ๐’Š๐’๐’† ๐’‰๐’‚๐’—๐’Š๐’๐’ˆ ๐’‚๐’๐’ ๐’š๐’๐’–๐’“ ๐’๐’˜๐’ ๐’•๐’‰๐’๐’–๐’ˆ๐’‰๐’•๐’” ๐’‚๐’๐’… ๐’‡๐’†๐’†๐’๐’Š๐’๐’ˆ๐’” ๐’•๐’‚๐’๐’ˆ๐’๐’†๐’… ๐’–๐’‘ ๐’˜๐’Š๐’•๐’‰ ๐’‚๐’๐’ ๐’•๐’‰๐’† ๐’•๐’‰๐’๐’–๐’ˆ๐’‰๐’•๐’” ๐’‚๐’๐’… ๐’‡๐’†๐’†๐’๐’Š๐’๐’ˆ๐’” ๐’๐’‡ ๐’‚ ๐’˜๐’‰๐’๐’๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’‘๐’†๐’“๐’”๐’๐’. ๐‘ฐ๐’• ๐’„๐’‚๐’ ๐’ƒ๐’† ๐’‰๐’‚๐’“๐’…, ๐’”๐’๐’Ž๐’†๐’•๐’Š๐’Ž๐’†๐’”, ๐’•๐’ ๐’”๐’๐’“๐’• ๐’๐’–๐’• ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’” ๐’˜๐’‰๐’Š๐’„๐’‰.โ€
Investigations of a Dog by Franz Kafka

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funny mysterious fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? N/A

3.5

โ€œ๐€๐ฅ๐ฅ ๐ญ๐ก๐ž ๐ง๐จ๐ง๐ฌ๐ž๐ง๐ฌ๐ข๐œ๐š๐ฅ ๐š๐ฌ๐ฉ๐ž๐œ๐ญ๐ฌ ๐จ๐Ÿ ๐ฅ๐ข๐Ÿ๐ž, ๐ฆ๐จ๐ฌ๐ญ ๐ž๐ฌ๐ฉ๐ž๐œ๐ข๐š๐ฅ๐ฅ๐ฒ ๐ญ๐ก๐ž ๐ฆ๐จ๐ฌ๐ญ ๐ง๐จ๐ง๐ฌ๐ž๐ง๐ฌ๐ข๐œ๐š๐ฅ ๐จ๐ง๐ž๐ฌ, ๐š๐ฅ๐ฅ๐จ๐ฐ ๐ญ๐ก๐ž๐ฆ๐ฌ๐ž๐ฅ๐ฏ๐ž๐ฌ ๐ญ๐จ ๐›๐ž ๐ฃ๐ฎ๐ฌ๐ญ๐ข๐Ÿ๐ข๐ž๐. โ€

3.5 stars.

sometimes you gotta say what in the absurdism is this and move on! ๐Ÿ˜„๐Ÿ‘๐Ÿป
Nonsense by Edward Lear

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funny lighthearted mysterious fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? N/A

3.5

โ€œ๐˜ˆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฆ๐˜ข, ๐˜ฎ๐˜บ ๐˜ญ๐˜ฐ๐˜ท๐˜ฆ ๐˜ช๐˜ด ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ!โ€

3.5 stars, i don't understand this genre of poetry (i don't understand poetry tbh) but whatever, didn't enjoy this one.
Hills Like White Elephants by Ernest Hemingway

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challenging emotional fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? N/A

3.5

โ€œ๐˜๐˜ข๐˜ณ ๐˜ข๐˜ธ๐˜ข๐˜บ, ๐˜ฃ๐˜ฆ๐˜บ๐˜ฐ๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜ท๐˜ฆ๐˜ณ, ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ด. ๐˜›๐˜ฉ๐˜ฆ ๐˜ด๐˜ฉ๐˜ข๐˜ฅ๐˜ฐ๐˜ธ ๐˜ฐ๐˜ง ๐˜ข ๐˜ค๐˜ญ๐˜ฐ๐˜ถ๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฅ ๐˜ข๐˜ค๐˜ณ๐˜ฐ๐˜ด๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ฆ๐˜ญ๐˜ฅ ๐˜ฐ๐˜ง ๐˜จ๐˜ณ๐˜ข๐˜ช๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฉ๐˜ฆ ๐˜ด๐˜ข๐˜ธ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ช๐˜ท๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ณ๐˜ฆ๐˜ฆ๐˜ด.โ€

I think there is a lot of symbolism in this story. it's about a couple who want to abort the baby but aren't sure how it's going to affect them. They aren't sure if they should go with abortion or if they should have the baby. And they aren't sure of the outcome of their decision whether they will stay together or break-up.