A review by eenaah
If We Were Villains by M.L. Rio

dark emotional hopeful reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

☞.  “đ‘Ģ𝒐 𝒚𝒐𝒖 𝒃𝒍𝒂𝒎𝒆 đ‘ē𝒉𝒂𝒌𝒆𝒔𝒑𝒆𝒂𝒓𝒆 𝒇𝒐𝒓 𝒂𝒏𝒚 𝒐𝒇 𝒊𝒕?” 
 â€œđ‘° 𝒃𝒍𝒂𝒎𝒆 𝒉𝒊𝒎 𝒇𝒐𝒓 𝒂𝒍𝒍 𝒐𝒇 𝒊𝒕.”    āŖĒ Ö´Öļָ☞.

Tragic and beautiful.

âŸĸ “𝘈𝘴 đ˜Ē𝘧 𝘸đ˜Ļ 𝘸đ˜Ļđ˜ŗđ˜Ļ 𝘷đ˜Ē𝘭𝘭đ˜ĸđ˜Ēđ˜¯đ˜´ đ˜°đ˜¯ đ˜¯đ˜Ļ𝘤đ˜Ļ𝘴𝘴đ˜Ēđ˜ĩđ˜ē; 𝘧𝘰𝘰𝘭𝘴 đ˜Ŗđ˜ē 𝘩đ˜Ļđ˜ĸ𝘷đ˜Ļđ˜¯đ˜­đ˜ē 𝘤𝘰𝘮𝘱đ˜ļ𝘭𝘴đ˜Ēđ˜°đ˜¯; đ˜Ŧđ˜¯đ˜ĸ𝘷đ˜Ļ𝘴, đ˜ĩ𝘩đ˜Ēđ˜Ļ𝘷đ˜Ļ𝘴, đ˜ĸđ˜¯đ˜Ĩ đ˜ĩđ˜ŗđ˜Ļđ˜ĸ𝘤𝘩đ˜Ļđ˜ŗ𝘴 đ˜Ŗđ˜ē 𝘴𝘱𝘩đ˜Ļđ˜ŗđ˜Ē𝘤đ˜ĸ𝘭 𝘱đ˜ŗđ˜Ļđ˜Ĩ𝘰𝘮đ˜Ēđ˜¯đ˜ĸđ˜¯đ˜¤đ˜Ļ; đ˜Ĩđ˜ŗđ˜ļđ˜¯đ˜Ŧđ˜ĸđ˜ŗđ˜Ĩ𝘴, 𝘭đ˜Ēđ˜ĸđ˜ŗ𝘴, đ˜ĸđ˜¯đ˜Ĩ đ˜ĸđ˜Ĩđ˜ļ𝘭đ˜ĩđ˜Ļđ˜ŗđ˜Ļđ˜ŗ𝘴 đ˜Ŗđ˜ē đ˜ĸđ˜¯ đ˜Ļđ˜¯đ˜§đ˜°đ˜ŗ𝘤’đ˜Ĩ 𝘰đ˜Ŗđ˜Ļđ˜Ĩđ˜Ēđ˜Ļđ˜¯đ˜¤đ˜Ļ 𝘰𝘧 𝘱𝘭đ˜ĸđ˜¯đ˜Ļđ˜ĩđ˜ĸđ˜ŗđ˜ē đ˜Ēđ˜¯đ˜§đ˜­đ˜ļđ˜Ļđ˜¯đ˜¤đ˜Ļ; đ˜ĸđ˜¯đ˜Ĩ đ˜ĸ𝘭𝘭 đ˜ĩ𝘩đ˜ĸđ˜ĩ 𝘸đ˜Ļ đ˜ĸđ˜ŗđ˜Ļ đ˜Ļ𝘷đ˜Ē𝘭 đ˜Ēđ˜¯, đ˜Ŗđ˜ē đ˜ĸ đ˜Ĩđ˜Ē𝘷đ˜Ēđ˜¯đ˜Ļ đ˜ĩ𝘩đ˜ŗđ˜ļ𝘴đ˜ĩđ˜Ēđ˜¯đ˜¨-đ˜°đ˜¯!” 

𝙋𝙡𝙤𝙩 : the story revolves around 7 Shakespearean actors who get their lives entangled between performance and reality and finally ending up in a tragedy.
With themes of love, passion, friendships, betray, guilt and sacrifice it's such an intense read. 

âŸĸ “𝘞đ˜Ļ 𝘴𝘱đ˜Ļđ˜¯đ˜ĩ 𝘧𝘰đ˜ļđ˜ŗ đ˜ēđ˜Ļđ˜ĸđ˜ŗ𝘴—đ˜ĸđ˜¯đ˜Ĩ 𝘮𝘰𝘴đ˜ĩ 𝘰𝘧 đ˜ļ𝘴 đ˜ēđ˜Ļđ˜ĸđ˜ŗ𝘴 đ˜Ŗđ˜Ļ𝘧𝘰đ˜ŗđ˜Ļ đ˜ĩ𝘩đ˜ĸđ˜ĩ—đ˜Ē𝘮𝘮đ˜Ļđ˜ŗ𝘴đ˜Ļđ˜Ĩ đ˜Ēđ˜¯ 𝘚𝘩đ˜ĸđ˜Ŧđ˜Ļ𝘴𝘱đ˜Ļđ˜ĸđ˜ŗđ˜Ļ. 𝘚đ˜ļđ˜Ŗ𝘮đ˜Ļđ˜ŗ𝘨đ˜Ļđ˜Ĩ. 𝘏đ˜Ļđ˜ŗđ˜Ļ 𝘸đ˜Ļ 𝘤𝘰đ˜ļ𝘭đ˜Ĩ đ˜Ēđ˜¯đ˜Ĩđ˜ļ𝘭𝘨đ˜Ļ 𝘰đ˜ļđ˜ŗ 𝘤𝘰𝘭𝘭đ˜Ļ𝘤đ˜ĩđ˜Ē𝘷đ˜Ļ 𝘰đ˜Ŗ𝘴đ˜Ļ𝘴𝘴đ˜Ēđ˜°đ˜¯. 𝘞đ˜Ļ 𝘴𝘱𝘰đ˜Ŧđ˜Ļ đ˜Ēđ˜ĩ đ˜ĸ𝘴 đ˜ĸ 𝘴đ˜Ļđ˜¤đ˜°đ˜¯đ˜Ĩ 𝘭đ˜ĸđ˜¯đ˜¨đ˜ļđ˜ĸ𝘨đ˜Ļ, đ˜¤đ˜°đ˜¯đ˜ˇđ˜Ļđ˜ŗ𝘴đ˜Ļđ˜Ĩ đ˜Ēđ˜¯ 𝘱𝘰đ˜Ļđ˜ĩđ˜ŗđ˜ē, đ˜ĸđ˜¯đ˜Ĩ 𝘭𝘰𝘴đ˜ĩ đ˜ĩ𝘰đ˜ļ𝘤𝘩 𝘸đ˜Ēđ˜ĩ𝘩 đ˜ŗđ˜Ļđ˜ĸ𝘭đ˜Ēđ˜ĩđ˜ē, đ˜ĸ 𝘭đ˜Ēđ˜ĩđ˜ĩ𝘭đ˜Ļ.”

𝘾𝙝𝙖𝙧𝙖𝙘𝙩𝙚𝙧𝙨:

“𝘛𝘩đ˜Ļđ˜ŗđ˜Ļ 𝘸đ˜Ļđ˜ŗđ˜Ļ 𝘴đ˜Ļ𝘷đ˜Ļđ˜¯ 𝘰𝘧 đ˜ļ𝘴 đ˜ĩ𝘩đ˜Ļđ˜¯, 𝘴đ˜Ļ𝘷đ˜Ļđ˜¯ đ˜Ŗđ˜ŗđ˜Ē𝘨𝘩đ˜ĩ đ˜ē𝘰đ˜ļđ˜¯đ˜¨ đ˜ĩ𝘩đ˜Ēđ˜¯đ˜¨đ˜´ 𝘸đ˜Ēđ˜ĩ𝘩 𝘸đ˜Ēđ˜Ĩđ˜Ļ 𝘱đ˜ŗđ˜Ļ𝘤đ˜Ē𝘰đ˜ļ𝘴 𝘧đ˜ļđ˜ĩđ˜ļđ˜ŗđ˜Ļ𝘴 đ˜ĸ𝘩đ˜Ļđ˜ĸđ˜Ĩ 𝘰𝘧 đ˜ļ𝘴, đ˜ĩ𝘩𝘰đ˜ļ𝘨𝘩 𝘸đ˜Ļ 𝘴đ˜ĸ𝘸 đ˜¯đ˜° 𝘧đ˜ĸđ˜ŗđ˜ĩ𝘩đ˜Ļđ˜ŗ đ˜ĩ𝘩đ˜ĸđ˜¯ đ˜ĩ𝘩đ˜Ļ đ˜Ŗ𝘰𝘰đ˜Ŧ𝘴 đ˜Ēđ˜¯ 𝘧đ˜ŗđ˜°đ˜¯đ˜ĩ 𝘰𝘧 𝘰đ˜ļđ˜ŗ 𝘧đ˜ĸ𝘤đ˜Ļ𝘴.”

✧ Oliver: The main character and narrator of the story. He's extremely passionate and good actor but insecure and doubts his abilities too much. 
✧ James : hot-headed , self absorbed and impulsive.
✧ Richard:  Although he's not actually that much involved in the story and we hardly have an idea what made him behave that way, but from whatever we know about him, he's an arrogant asshole who thinks he's entitled to do anything he wishes.
✧ Meredith: Smart and beautiful but lets people treat her like shit, she deserves better.
✧ Wren & Alexander:  they play a minor role in the story and are nevertheless good friends.
✧ Fillipa: the sweetest one in the group, helps everyone, a real friend.

āĻ“ “𝘞đ˜Ļ 𝘸đ˜Ļđ˜ŗđ˜Ļ đ˜ĸ𝘭𝘸đ˜ĸđ˜ē𝘴 𝘴đ˜ļđ˜ŗđ˜ŗ𝘰đ˜ļđ˜¯đ˜Ĩđ˜Ļđ˜Ĩ đ˜Ŗđ˜ē đ˜Ŗ𝘰𝘰đ˜Ŧ𝘴 đ˜ĸđ˜¯đ˜Ĩ 𝘸𝘰đ˜ŗđ˜Ĩ𝘴 đ˜ĸđ˜¯đ˜Ĩ 𝘱𝘰đ˜Ļđ˜ĩđ˜ŗđ˜ē, đ˜ĸ𝘭𝘭 đ˜ĩ𝘩đ˜Ļ 𝘧đ˜Ēđ˜Ļđ˜ŗ𝘤đ˜Ļ 𝘱đ˜ĸ𝘴𝘴đ˜Ēđ˜°đ˜¯đ˜´ 𝘰𝘧 đ˜ĩ𝘩đ˜Ļ 𝘸𝘰đ˜ŗ𝘭đ˜Ĩ đ˜Ŗ𝘰đ˜ļđ˜¯đ˜Ĩ đ˜Ēđ˜¯ 𝘭đ˜Ļđ˜ĸđ˜ĩ𝘩đ˜Ļđ˜ŗ đ˜ĸđ˜¯đ˜Ĩ 𝘷đ˜Ļ𝘭𝘭đ˜ļ𝘮.”

𝙀đ™Ŗ𝙙𝙞đ™Ŗ𝙜: That was unexpected - Oliver's sacrifice , it's beautiful and tragic. He doesn't only save James but he saves all of them. And he deserves so much better. 
Despite everything i want him to end up with Meredith. i get that ending was ambiguous and we aren't sure if James is actually dead but honestly Oliver is better off him. 

āĻ“ “𝘑đ˜ĸ𝘮đ˜Ļ𝘴 𝘭𝘰𝘰đ˜Ŧđ˜Ļđ˜Ĩ đ˜ļ𝘱, 𝘭𝘰𝘰đ˜Ŧđ˜Ļđ˜Ĩ đ˜ŗđ˜Ē𝘨𝘩đ˜ĩ đ˜ĸđ˜ĩ 𝘮đ˜Ļ. 𝘏đ˜Ļ 𝘴đ˜Ļđ˜Ļ𝘮đ˜Ļđ˜Ĩ 𝘴đ˜ļđ˜ŗ𝘱đ˜ŗđ˜Ē𝘴đ˜Ļđ˜Ĩ đ˜ĩ𝘰 𝘴đ˜Ļđ˜Ļ 𝘮đ˜Ļ 𝘴đ˜ĩđ˜ĸđ˜¯đ˜Ĩđ˜Ēđ˜¯đ˜¨ đ˜ĩ𝘩đ˜Ļđ˜ŗđ˜Ļ, đ˜ĩ𝘩𝘰đ˜ļ𝘨𝘩 𝘐 đ˜Ĩđ˜Ēđ˜Ĩđ˜¯â€™đ˜ĩ đ˜Ŧđ˜¯đ˜°đ˜¸ 𝘧𝘰đ˜ŗ đ˜ĩ𝘩đ˜Ļ 𝘭đ˜Ē𝘧đ˜Ļ 𝘰𝘧 𝘮đ˜Ļ 𝘸𝘩đ˜ē 𝘩đ˜Ļ 𝘴𝘩𝘰đ˜ļ𝘭đ˜Ĩ đ˜Ŗđ˜Ļ. 𝘞đ˜ĸ𝘴 𝘐 đ˜¯đ˜°đ˜ĩ đ˜ĸ𝘭𝘸đ˜ĸđ˜ē𝘴 𝘩đ˜Ē𝘴 đ˜ŗđ˜Ē𝘨𝘩đ˜ĩ-𝘩đ˜ĸđ˜¯đ˜Ĩ 𝘮đ˜ĸđ˜¯, 𝘩đ˜Ē𝘴 𝘭đ˜Ēđ˜Ļđ˜ļđ˜ĩđ˜Ļđ˜¯đ˜ĸđ˜¯đ˜ĩ? 𝘉đ˜ĸđ˜¯đ˜˛đ˜ļ𝘰 𝘰đ˜ŗ 𝘉đ˜Ļđ˜¯đ˜ˇđ˜°đ˜­đ˜Ē𝘰 𝘰đ˜ŗ 𝘖𝘭đ˜Ē𝘷đ˜Ļđ˜ŗ—𝘭đ˜Ēđ˜ĩđ˜ĩ𝘭đ˜Ļ đ˜Ĩđ˜Ē𝘧𝘧đ˜Ļđ˜ŗđ˜Ļđ˜¯đ˜¤đ˜Ļ.”

𝙎𝙤đ™ĸ𝙚 đ™Ļđ™Ē𝙤𝙩𝙚𝙨:

âœĻ đ‘ģ𝒉𝒆 𝒇𝒊𝒓𝒔𝒕 𝒇𝒍𝒖𝒓𝒓𝒊𝒆𝒔 𝒐𝒇 𝒔𝒏𝒐𝒘 𝒅𝒂𝒏𝒄𝒆𝒅 𝒂𝒈𝒂𝒊𝒏𝒔𝒕 𝒂 𝒃𝒍𝒂𝒄𝒌 𝒔𝒌𝒚, 𝒂𝒏𝒅 𝑰 𝒇𝒐𝒖𝒏𝒅 𝒎𝒚𝒔𝒆𝒍𝒇 𝒉𝒐𝒑𝒊𝒏𝒈 𝒕𝒉𝒆𝒚 𝒘𝒐𝒖𝒍𝒅 𝒕𝒖𝒎𝒃𝒍𝒆 𝒅𝒐𝒘𝒏 𝒊𝒏 𝒎𝒊𝒍𝒍𝒊𝒐𝒏𝒔, 𝒔𝒕𝒊𝒄𝒌 𝒇𝒂𝒔𝒕, 𝒂𝒏𝒅 𝒃𝒖𝒓𝒚 𝒆𝒗𝒆𝒓𝒚𝒕𝒉𝒊𝒏𝒈.” 

âœĻ “đ‘ē𝒉𝒂𝒌𝒆𝒔𝒑𝒆𝒂𝒓𝒆 𝒊𝒔 𝒓𝒆𝒂𝒍, 𝒃𝒖𝒕 𝒉𝒊𝒔 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒔 𝒍𝒊𝒗𝒆 𝒊𝒏 𝒂 𝒘𝒐𝒓𝒍𝒅 𝒐𝒇 𝒓𝒆𝒂𝒍 𝒆𝒙𝒕𝒓𝒆𝒎𝒆𝒔. đ‘ģ𝒉𝒆𝒚 𝒔𝒘𝒊𝒏𝒈 𝒇𝒓𝒐𝒎 𝒆𝒄𝒔𝒕𝒂𝒔𝒚 𝒕𝒐 𝒂𝒏𝒈𝒖𝒊𝒔𝒉, 𝒍𝒐𝒗𝒆 𝒕𝒐 𝒉𝒂𝒕𝒆, 𝒘𝒐𝒏𝒅𝒆𝒓 𝒕𝒐 𝒕𝒆𝒓𝒓𝒐𝒓. 𝑰𝒕’𝒔 𝒏𝒐𝒕 𝒎𝒆𝒍𝒐𝒅𝒓𝒂𝒎𝒂, 𝒕𝒉𝒐𝒖𝒈𝒉, 𝒕𝒉𝒆𝒚’𝒓𝒆 𝒏𝒐𝒕 𝒆𝒙𝒂𝒈𝒈𝒆𝒓𝒂𝒕𝒊𝒏𝒈. đ‘Ŧ𝒗𝒆𝒓𝒚 𝒎𝒐𝒎𝒆𝒏𝒕 𝒊𝒔 𝒄𝒓𝒖𝒄𝒊𝒂𝒍."  

âœĻ "đ‘ģ𝒉𝒆 𝒕𝒉𝒊𝒏𝒈 𝒂𝒃𝒐𝒖𝒕 đ‘ē𝒉𝒂𝒌𝒆𝒔𝒑𝒆𝒂𝒓𝒆 𝒊𝒔, 𝒉𝒆’𝒔 𝒔𝒐 𝒆𝒍𝒐𝒒𝒖𝒆𝒏𝒕 â€Ļ đ‘¯đ’† 𝒔𝒑𝒆𝒂𝒌𝒔 𝒕𝒉𝒆 𝒖𝒏𝒔𝒑𝒆𝒂𝒌𝒂𝒃𝒍𝒆. đ‘¯đ’† 𝒕𝒖𝒓𝒏𝒔 𝒈𝒓𝒊𝒆𝒇 𝒂𝒏𝒅 𝒕𝒓𝒊𝒖𝒎𝒑𝒉 𝒂𝒏𝒅 𝒓𝒂𝒑𝒕𝒖𝒓𝒆 𝒂𝒏𝒅 𝒓𝒂𝒈𝒆 𝒊𝒏𝒕𝒐 𝒘𝒐𝒓𝒅𝒔, 𝒊𝒏𝒕𝒐 𝒔𝒐𝒎𝒆𝒕𝒉𝒊𝒏𝒈 𝒘𝒆 𝒄𝒂𝒏 𝒖𝒏𝒅𝒆𝒓𝒔𝒕𝒂𝒏𝒅. đ‘¯đ’† 𝒓𝒆𝒏𝒅𝒆𝒓𝒔 𝒕𝒉𝒆 𝒘𝒉𝒐𝒍𝒆 𝒎𝒚𝒔𝒕𝒆𝒓𝒚 𝒐𝒇 𝒉𝒖𝒎𝒂𝒏𝒊𝒕𝒚 𝒄𝒐𝒎𝒑𝒓𝒆𝒉𝒆𝒏𝒔𝒊𝒃𝒍𝒆" 

 âœĻ "𝒀𝒐𝒖 𝒄𝒂𝒏 𝒋𝒖𝒔𝒕𝒊𝒇𝒚 𝒂𝒏𝒚𝒕𝒉𝒊𝒏𝒈 𝒊𝒇 𝒚𝒐𝒖 𝒅𝒐 𝒊𝒕 𝒑𝒐𝒆𝒕𝒊𝒄𝒂𝒍𝒍𝒚 𝒆𝒏𝒐𝒖𝒈𝒉.”  

âœĻ"𝒀𝒐𝒖 𝒄𝒂𝒏’𝒕 𝒒𝒖𝒂𝒏𝒕𝒊𝒇𝒚 𝒉𝒖𝒎𝒂𝒏𝒊𝒕𝒚. 𝒀𝒐𝒖 𝒄𝒂𝒏’𝒕 𝒎𝒆𝒂𝒔𝒖𝒓𝒆 𝒊𝒕—𝒏𝒐𝒕 𝒕𝒉𝒆 𝒘𝒂𝒚 𝒚𝒐𝒖 𝒎𝒆𝒂𝒏 𝒕𝒐. 𝑷𝒆𝒐𝒑𝒍𝒆 𝒂𝒓𝒆 𝒑𝒂𝒔𝒔𝒊𝒐𝒏𝒂𝒕𝒆 𝒂𝒏𝒅 𝒇𝒍𝒂𝒘𝒆𝒅 𝒂𝒏𝒅 𝒇𝒂𝒍𝒍𝒊𝒃𝒍𝒆. đ‘ģ𝒉𝒆𝒚 𝒎𝒂𝒌𝒆 𝒎𝒊𝒔𝒕𝒂𝒌𝒆𝒔. đ‘ģ𝒉𝒆𝒊𝒓 𝒎𝒆𝒎𝒐𝒓𝒊𝒆𝒔 𝒇𝒂𝒅𝒆. đ‘ģ𝒉𝒆𝒊𝒓 𝒆𝒚𝒆𝒔 𝒅𝒆𝒄𝒆𝒊𝒗𝒆 𝒕𝒉𝒆𝒎"  

âœĻ "đ‘ē𝒖𝒓𝒑𝒓𝒊𝒔𝒊𝒏𝒈. 𝑨𝒇𝒕𝒆𝒓 𝒂𝒍𝒍, đ‘ē𝒉𝒂𝒌𝒆𝒔𝒑𝒆𝒂𝒓𝒆 𝒊𝒔 𝒑𝒐𝒆𝒕𝒓𝒚—𝒎𝒐𝒔𝒕 𝒐𝒇 𝒊𝒕, 𝒂𝒏𝒚𝒘𝒂𝒚—𝒂𝒏𝒅 𝒕𝒉𝒆𝒓𝒆’𝒔 𝒂 𝒄𝒆𝒓𝒕𝒂𝒊𝒏 𝒎𝒂𝒕𝒉𝒆𝒎𝒂𝒕𝒊𝒄𝒂𝒍 𝒑𝒂𝒕𝒕𝒆𝒓𝒏 𝒕𝒐 𝒑𝒐𝒆𝒕𝒓𝒚, 𝒊𝒔𝒏’𝒕 𝒕𝒉𝒆𝒓𝒆?" 

âœĻ "đ‘ļ𝒖𝒓 𝒔𝒉𝒆𝒆𝒓 𝒄𝒂𝒑𝒂𝒄𝒊𝒕𝒚 𝒇𝒐𝒓 𝒇𝒆𝒆𝒍𝒊𝒏𝒈 𝒈𝒐𝒕 𝒕𝒐 𝒃𝒆 𝒔𝒐 𝒖𝒏𝒘𝒊𝒆𝒍𝒅𝒚 𝒕𝒉𝒂𝒕 𝒘𝒆 𝒔𝒕𝒂𝒈𝒈𝒆𝒓𝒆𝒅 𝒖𝒏𝒅𝒆𝒓 𝒊𝒕, 𝒍𝒊𝒌𝒆 𝑨𝒕𝒍𝒂𝒔 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒘𝒆𝒊𝒈𝒉𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒘𝒐𝒓𝒍𝒅"  

âœĻ "𝑩𝒖𝒕 𝒂 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓’𝒔 𝒆𝒎𝒐𝒕𝒊𝒐𝒏𝒔 𝒅𝒐𝒏’𝒕 𝒄𝒂𝒏𝒄𝒆𝒍 𝒐𝒖𝒕 𝒕𝒉𝒆 𝒂𝒄𝒕𝒐𝒓’𝒔—𝒊𝒏𝒔𝒕𝒆𝒂𝒅 𝒚𝒐𝒖 𝒇𝒆𝒆𝒍 𝒃𝒐𝒕𝒉 𝒂𝒕 𝒐𝒏𝒄𝒆. 𝑰𝒎𝒂𝒈𝒊𝒏𝒆 𝒉𝒂𝒗𝒊𝒏𝒈 𝒂𝒍𝒍 𝒚𝒐𝒖𝒓 𝒐𝒘𝒏 𝒕𝒉𝒐𝒖𝒈𝒉𝒕𝒔 𝒂𝒏𝒅 𝒇𝒆𝒆𝒍𝒊𝒏𝒈𝒔 𝒕𝒂𝒏𝒈𝒍𝒆𝒅 𝒖𝒑 𝒘𝒊𝒕𝒉 𝒂𝒍𝒍 𝒕𝒉𝒆 𝒕𝒉𝒐𝒖𝒈𝒉𝒕𝒔 𝒂𝒏𝒅 𝒇𝒆𝒆𝒍𝒊𝒏𝒈𝒔 𝒐𝒇 𝒂 𝒘𝒉𝒐𝒍𝒆 𝒐𝒕𝒉𝒆𝒓 𝒑𝒆𝒓𝒔𝒐𝒏. 𝑰𝒕 𝒄𝒂𝒏 𝒃𝒆 𝒉𝒂𝒓𝒅, 𝒔𝒐𝒎𝒆𝒕𝒊𝒎𝒆𝒔, 𝒕𝒐 𝒔𝒐𝒓𝒕 𝒐𝒖𝒕 𝒘𝒉𝒊𝒄𝒉 𝒊𝒔 𝒘𝒉𝒊𝒄𝒉.”