just_one_more_paige's reviews
1518 reviews

adventurous medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.0

Book two! I jumped into this immediately after finishing the first. I was right, they were a perfect choice for a busy vacation read - definitely entertaining but without the need for full and undivided attention or long stretches of reading at a time.

I appreciated very much that, for the most part, this book avoided the major second book slump. It did absolutely serve as a connector, plot-wise, between the opening and the finale. But it did so while holding its own with drama and plot movement. Jude and Cardan both grew into the roles they chose (or had chosen for them) at the end of the first book - learning a lot about themselves, separately and together, along the way. There was enough drama and exciting moments to keep me engaged throughout. And I thought the ending offered a twist of trust and betrayal and revenge in mirror of the first that was really good. It weirdly left us in almost the same place that we started the whole saga (though of course with a variety of different alliances and betrayals having changed the interpersonal landscape quite a bit), so that's actually a bit of an odd circular feel. But the way we got there was a well-crafted journey and I'm in it for the full ride.

I also want to shout out (I mentioned it in my review of the first book, but it is a highlight enough that I want to say it again) that I love the classic fae magic and aspects. In particular, the way that fae can’t lie, but can still deceive, in contrast with how Jude/humans can lie, but still have feelings/trust that leave them stuck in bad bargains and deals. It is so creative in wording and writing/plot development.

All in all, ready to see how Black pulls everything together in the final installation, after so many machinations and maneuvering.

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The Cruel Prince by Holly Black

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adventurous fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

3.0

This is one of those series that I have had on my TBR for years, waiting for a time when I need something fast and easy... We recently road-tripped to FL (to visit a few National Parks - Everglades and Biscayne - and spend a few days at Disney with our nieces), which was the perfect "busy vacay needs low stakes fantasy escapist story" time for me to finally pick it up.

This was a solid start to a series. It jumped in pretty predictably - the "special" (because she's human in a fae world, not because she's the chosen one...at least a little bit) MC, Jude, and the prince, Cardan, who you know is going to be the grey antihero character butting heads as we are introduced to the world and characters and unfolding plot. I will say, this prince is actually quite cruel to Jude and her sister, not just nominal meanness, and I am curious (and hesitant) how Black will pull it around to make me cheer for him/them. Like, I know that teasing your crush is a thing (and they are super young), and also that often “being treated badly myself” is used as an excuse for treating others badly, but this feels like a lot. We'll see if he gets a believable redemption arc.

Anyways, like I said, a solid start...if markedly on the YA side. And yea, that’s how it’s marketed. But recently the YA line has been blurred with the new adult line and some YA novels lean more mature. This one is very YA, as far as dialogue, character choices/motivations, etc. It's got simple, but clean, writing. With classic fae world folklore. Which, for me, is a plus. I do love the classic stuff when it comes to fair folk, like the fact that they cannot lie, the dangerous reality of making bargains with them, the variety of types of fae, the normalized brutality in their day to day lives, and the gorgeous natural-world magics. In this particular story, the fairy deal/bargain plot device plays a prominent role and I am appreciating the breadth of creativity with it.

The plot itself was also pretty basic. Not bad, just basic - a struggle for power and the machinations of winning it. Until the end. There was a solid twist that I maybe should have, but didn’t, see coming. To that end, I enjoyed the sort of alternate fairy tale perspective. Like, we usually get the story of the human who is secretly fae royalty hidden away in the human world for safety finding out about their true identity/destiny. THis is, at least in part, the story of how they got there. I found that interesting and unexpected! We'll see where the story takes us from here.

“What if the way I am is the way I am? What if, when everything else is different, I’m not?”

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Yield Under Great Persuasion by Alexandra Rowland

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adventurous emotional funny lighthearted fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

I absolutely adored the first book by Rowland that I read a few years ago, A Taste of Gold and Iron, and I should have looked into more by her sooner, but here we are (as always, more books than time). Anyways, I finally grabbed this one from the library and holy shit I will immediately be reading more and more and more of Rowland’s works. She is up there now, for me, with Freya Marske as an absolute master class in queer romantasy that is as full in world-building as it is in heart-filling.

Y’all, I am telling you, I would live in this book forever. The writing is downright freaking *hilarious.* The dialogue, the internal thoughts (omg like for real, Tam’s internal thoughts are some of the most entertaining I have ever read), the “I refuse to see what’s right in front of my nose” vibes…it’s all exactly on point.

The world-building is simple, but I was fascinated by the pantheon of deities and the way the belief system worked. The folklore and mythology around said deities is explored and detailed throughout the novel, unfolding as the story does, nuanced without being overwhelming. I was especially bought into the relation of the areas of specialization of the gods with the development of the story/characters, exploring the duality of all natures and concepts. This wasn’t necessarily even the main focus of the story, but seriously, it was so great that I find myself really needing to give it real space in this review.

Speaking of the main focus of the story. OMG Tam and Lyford. They jumped in with the spice hard to start and then settled into something with an aching amount of vulnerability and sweetness and tenderness. A smart and touching “grouchy and giving” opposites attract (showcasing the duality of their specific goddess to perfection). And the way they each learn to grow, into themselves and into each other, is beautiful. It’s a story of how we often have a hand in creating our own ruts, but that means we also have all the tools to get ourselves out of them…but it’s done in such a comforting way, not a “pull yourself up by the bootstraps” kind of way, and I loved it so much.

This book was lighthearted and diverting AF, and yet gave so much. The story completely touched my soul. And having finished it, I am SO FULL of joy and love. Oh my goodness, it’s almost too much sweetness, but Rowland tempered it with just the right amount of prickly perfection. GAH. Everything.

“Think about the things you want. Go home. Tell people what those things are. Flourish and prosper.”

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The Bullet Swallower by Elizabeth Gonzalez James

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adventurous emotional medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

I found this book originally on a stack of ARCs that was sent to the library and set out for staff to grab. I have had a bit of a soft spot for magical realism (recent highlights of the genre for me including The Inheritance of Orquídea Divina, The Last Tale of the Flower Bride, Eartheater) for a long time, which only grew after studying Spanish language and literature in college. So, I was of course intrigued by the blurb, and decided to grab it for myself.

From the first pages, the narrative style was familiar and I sank right into the storytelling. There is something about the vibe/tone of Spanish-speaking/heritage magical realism that is so immediately recognizable and comfortable, and Gonzalez James’ writing nailed it. This was a dramatic family drama told in two different timelines, intertwined with a history of American/Spanish colonization of Mexico - the land and the people – and equally mashed with elements of classic adventure Westerns. (Please beware, on that front, there is very graphic violence and injury description throughout.)

There is an almost fable-like quality to the timeline in the more distant past (late 1800s) following legendary bandito Antonio Sonoro, in which he robs trains, survives shootings (thus, earning the nickname Tragabalas, the Bullet Swallower), murders(?), and generally running from/escaping the law. And in a more recent timeline, we follow Antonio’s grandson, famous actor and singer Jaime Antonio, as he learns the truth of his family’s (violent and terrible) history. And as the story unfolds towards the finale, we get to see the sort of subtly unique way that the family “curse” is resolved, and they find redemption for their history of cruelty.

This was a steadier/slower style read, so keep that in mind if you decide to pick it up. But I would say it’s well worth it. And I was really happy with the way it all came together and was resolved in the end.

“Kindness is its own reward […] but cruelty is a self-inflicted wound.”

“No man lives free from history.”

“So he was enemy number one, the boogeyman embodying Texas’s collective guilts and fears, and it was all a cover up for a land grab.”

“How inadequate was love when it couldn’t stop suffering?”

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The Ashes and the Star-Cursed King by Carissa Broadbent

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adventurous emotional tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

4.0

This second books remains just as well written a romantasy as the first. And again I say, thank goodness for that. In a slew of poorly written market-flooding romantasies, this is a breath of well-written fresh air. It had a really steady forward pace, like there was constantly a new journey/reveal/plan/battle, etc. Non-stop, but steady. The romance piece, between Oraya and Raihn, was very parallel to the first one. At times, I was frustrated that they were re-living the same song and dance/push and pull. BUT more than that, I was actually impressed with the way Broadbent kwpt it as nuanced and compelling as she did, not falling for the easy "get back together," because Raihn's choice(s) at the end of the first book did put him into that much of a trust hole with Oraya. Speaking of her: I loved her trajectory. Learning and coming to trust her own power, on her own, coming to terms with her past, and owning her future in a way that worked for her, not as dictated by how she was raised. Really great character development. A plot I was totally invested in. Lots of drama. World-building that makes sense (I do really enjoy some visits from gods and gods coming to get invested in human affairs as tropes). And few, but very solid, spicy scene(s). I'm also glad that this wraps up Oraya and Raihn's stories as a duology. But I am definitely planning to continue the series to see what other stories we get - especially knowing that Mische's is next!

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The Rivals by Jane Pek

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adventurous funny lighthearted mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

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These Letters End in Tears by Musih Tedji Xaviere

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emotional reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.0

It was maybe a "this is too real" time to try and read this novel. But, I'd been waiting for it at the library and it came in and I have been wanting to read it so, I went for it anyways. ANd it was hard, and heavy, and emotional and, as expected, much too real. And for all that, I'm really glad that I read it.

Ooooof this book was heartbreaking. Like for real, horribly, beautifully, aptly titled. A heartfelt set of "letters" from our narrator, Bessem, to her (lost) love, Fatima. These two women live in a country (Cameroon), where queer relationships are punishable by law. After Fatima's older brother finds out about the depth of their relationship, and a police raid at a local gay bar, Fatima disappears. Bessem doesn't know if she's run away, jailed, sent away by her family, dead...and she spends years both not knowing and afraid to look into it further.

This narration, addressed to Fatima (in a sort of meandering conversational style, like one writing to a pen pal), traces their story through Bessem's eyes, from their first sighting of each other through dating and marriage, the night that ended it all, and the years since, as Bessem leads a quiet life as a professor, sometimes dating other women, but never moving on from Fatima. The tangibleness of the stories and memories and all the shared moments, big and small, tender and at odds, make their relationship so real, for the reader. It's the exact same things that make any love story...extraordinary in their unremarkableness. So full of that everyday stuff that makes a life.

The slight mystery that loosely frames this reflective storytelling style, that of what really happened to Fatima, provides just enough plot to keep things moving. And, while it shouldn't be a surprise based on the title (and cover design....omg that cover hits), the ending is devastating for all that you spend the entirety of the short novel knowing it's coming. My heart broke over and over while reading, not just for that ending, but also for all the shame and fear and hiding and hate that persist and permeate throughout.

Again, it was maybe a little too real for the current state of the US "government," but an absolutely necessary and important story, gorgeously written. Well worth the emotional turmoil it puts you through.

“Being with someone you only half like is better than being alone…”

“The world can force you to live a lie, but ostracizing your kind for public approval is a personal choice.”

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My Vampire Plus-One by Jenna Levine

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adventurous emotional lighthearted fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

4.0

So I read, and was totally surprised by how much I loved, the first book in this series (My Roommate is a Vampire) last year. To be clear, I love romance and vampires, so I figured I would enjoy it. The surprise was the balance of fun and sweetness and humor and good dialogue and cutesy writing stylistic touches that fit really well, and it all added up to a surprisingly wonderful reading experience. So, when this year started out on the incredibly terrible foot that it has, I grabbed the second one to hopefully comfort and escapist read myself into better mental health.

Anddddd yes. My Vampire Plus-One was just as freaking hilarious and endearing as the first.The continued use of cutesy stylistic touches, in this case the bullet journaling, the Discord bullet journal group convos, the short text (meeting minutes, emails, bullet journal entries, etc.) intros to each chapter, the back-and-forth texting and emails between MCs, etc. remained a highlight. Sometimes that stuff can be too sweet for me, but in this case, I wanted it badly and it delivered. As another highlight, the dialogue also remains spectacular - a major make or break point in all books for me. I also want to say that, normally, I dislike miscommunication as a trope in romances, but the way it was written and played out here was unique and funny and I found myself liking it.

As for the relationship, I liked Reggie and Amelia a lot. Super sweet. I really appreciate, similar to the way the miscommunication trope was used in a fresh way here, that the opposites attract was equally fresh.That Reggie was so into Amelia as a “straight laced CPA,” not in the typical "let me unbutton her/loosen her up" way, but in a "I am impressed and turned on by her organization" way, really made my heart happy. I laughed out loud at the way that CPA knowledge actually saved the day big in the end - so fun! And as with the last book, this lighthearted take on vampires that you don’t normally get made for such an enjoyable reading experience. I mean, I love all vampires, broody and serious and anachronistic and all. But in this case, Reggie's fun-loving and no-harm-caused pranking with an eclectic sense of style and a joy in making people laugh and lighten up was such refreshing escapism.

This second book is maybe not quite as good as the first, but it definitely stands up and brought the joy I needed from it.

Content Warnings

The Serpent and the Wings of Night by Carissa Broadbent

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adventurous dark tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

4.0

Ok, thankfullllly and finallyyyyy a romantasy that is well freaking written. I have been looking and trying to find one, but they are being rushed to publication becuase they got so popular so fast and the writing suffersssss. But this one had solid dialogue and an intriguing plot (with good pacing on it). I enjoyed following things as they developed and unfolded. There are characters whose roles are probably guessable (Raihn and Vincent especially), but they aren’t too obvious/telegraphed to the point that reading it isn’t interesting (like, I know what’s coming but haven’t guessed motives, and I’ll take that). And*then* there were a few turns I wasn't expecting and hats off for that. I appreciate the complexity of these characters - morally grey but without the "too swoony for the FMC to explore what that actually means* that you often get with the rushed romantasies. Also, I would just like to say that Oraya is tough and prickly, like she would be after years living in danger, and not stupidly falling for anything. I appreciate it...it is clear who she is going to end up falling for, of course, but the journey there is paced reasonably and that has me much more bought in. I would have personally loved a few more spicy scenes, but I also respect the writing enough to be ok without them...which, considering that some current romantasy series have *only* spice going for them, is a major compliment. And the final scenes/explanations have me excited for the next one to see how the duology wraps…I’ll take it!

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Rainbow Black by Maggie Thrash

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challenging dark emotional funny medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

Thanks to the publisher, Harper Perennial, for sending me a copy of this to read/review a few months ago. All opinions are my own... And that disclaimer also explains how this under-the-radar publication came to my attention in the first place.

Apparently the "off-beat queer voices super weird books" are becoming a thing I like? Because this was, in some ways (vibes, if not actually realistic possibility of the plot) reminiscent of The Z Word. And I found them both a *ton* of fun to read. Look at me growing as a reader! Haha. Anyways, the narrative voice and writing style of this novel was the perfect level of "over it" snarky dark humor with an aspect that felt exactly right for the child of the 80s that our MC, Lacey, was. I don't know exactly what it is that made it feel that right, all I can say is that it was. And it made me snort with laughter more than I had expected to, based on the blurb for this book (which focused on, quite accurately, Satanic Panic and murder and mass hysteria). The audiobook narrator for this really nailed the slightly panicked, very snarkily annoyed, tone throughout.

This was a sort of fascinatingly and darkly humorous grotesque intertwining of coming of age and sexual interest/sexuality. Alongside the satirical commentary on the 80s and the mass hysteria of the satanic scare and and horrific child sexual abuse accusations (similar to the witch trial hysteria) thsi made for an intense reading experience, but the almost unrealisitc level of drama did allow for the reader to keep it enough at arms length that it wasn't that emotionally affecting. An interesting and unique combination.

There was a lot here that focused on what seems like over the top reactions to things by the "general public," things that seem so removed from contemporary life topically, and yet the greater theme - a hysteria of fabricated fear whipped up by the media - remains insidiously common now. Also, like, the way the government can enforce legal consequences to mass hysteria like this, and then when proved wrong can just shrug and say sorry and not have to do any formal restitution for the lives ruined, is a terribly familiar infuriating song today as well. And the ending we get...it's so frustrating because of those social-structural realities, and yet, it's more authentic for that. I didn't like it objectively, but I liked that it felt right for the story.

Lacey is a girl caught between family members and the media and the public during coming of age years under the most extreme of circumstances and then, when she finally takes her future into her own hands, she is too young and too distraught and makes choices that will follow ehr for the rest of her life. She is vilified and given no quarter from the very beginning, even (and especially) at the hands of those who are purporting to be fighting on her behalf, and with the story told from her POV, it's hard not to sympathize and cheer for her. She is complex and messy and her life is more drama than seem realistic (and yet, isn't real life sometimes stranger than fiction? so can one do anything other than believe in the possibility of this really happening?), and sure some of her choices are suspect, but she is such a compelling character because of all of that. So real. And deeply tragic. I love a nuanced unlikable character.

This was a wild and unique story. A definite “can’t look away from the train wreck” situation. And despite what felt like a bit too much foreshadowing, I, for one, enjoyed the reading experience. Totally, jaw-droppingly, entertaining.

“The line between pity and disgust was very thin.”

“…when someone tells you who they are, they’re not asking your permission.”

“But I was coming to grasp a truth reserved for only a certain, miserable subset of people: That murder is not the same as death. That human malice poisons the soil, and there would be no peace budding in the spring.”

“No one person’s identity redux is more honest or sacred than another. Each is what it is: survival.”

“Now I understand that […] marriage is, at the end of the day, a pact between two people who agree to see the absolute worst of each other and continue on at risk of mutually assured annihilation.”

“If you want to be a good person, it’s not that complicated, what you have to do. Just decenter yourself and live for others.”

“You don’t understand. America is a county of psychopaths. […] They are bloodthirsty. They don’t care about facts. They just want someone’s head on a pike and a trip to the mall afterwards.” (the dark satirical humor says it all)

“The price of being art was your humanity.”

“Rarely does the logic of love seem to apply to oneself.”

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just_one_more_paige's reviews 1518 reviews

just_one_more_paige's reviews
1518 reviews