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discardeddustjacket's reviews
317 reviews
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Now. Having said that. It took me a really long time to actually like and want to root for Sal to be honest. Both he and Xochitl were so all over the place for the first half of the story (maybe intentional? Idk). Sal goes from being this sort of suave, mysterious figure when we first meet him to overbearing, immature, and volatile so suddenly it gave me whiplash. The literal ONLY CHARACTER I liked from the moment they appeared on page to the very end and formed any sort of deep emotional attachment to was César, and I’m so glad that it looks like the next book will center him more (if the final chapter is any indication).
I also feel like there were a lot of plot threads that got dropped in the end (Xochi’s father/grandparents? The neighboring totoco? The broken goddess?) Are these all questions that will get resolved in future books? I know the series will include more, but I’m unsure whether those will be standalones centering different characters or if they’ll be continuations of this particular story.
As far as what I loved about this book, I have to say: it’s like 550 pages long and I managed to read it in basically two days, so. That’s saying something, lol. There was something about this story that had me wanting to keep turning the page, even when I felt tempted to skim, so it definitely managed to capture and hold my attention.
The sex scenes were really good, I’ll say that. And as an avid monster smut reader, the scene where Xochi and Itzatecuani do it while he’s in his spirit form was *chef’s kiss*.
Graphic: Emotional abuse, Gore, Mental illness, Panic attacks/disorders, Rape, Sexual content, Toxic relationship, Violence, Blood, and Murder
Moderate: Body shaming, Child death, and Fatphobia
Minor: Colonisation and Deportation
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
2.5
Maybe it was the pacing; some parts did feel a bit over-written, and the narrator did tend to go on mental tangents a lot, which always makes my focus wander.
Moderate: Infidelity and Mental illness
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
This is YA fantasy as it’s absolute finest. What a spectacular story, told in such a gripping and heartfelt way. It was the perfect blend of propulsive action and character development.
Graphic: Racism, Slavery, Blood, Grief, and Death of parent
Moderate: Bullying and Injury/Injury detail
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
Nothing yanks me out of a story faster than when an author chooses to devote page after page after page in the middle of a chapter to a character’s inner thoughts. (It’s usually when they’re trying to come to a decision about something, or attempting to process conflicting emotions, etc.)
I understand the need to communicate to your readers what’s happening to your characters internally, but I feel like that can be done without spoon-feeding it to us (often through redundant use of leading, rhetorical questions).
So overall, my main problem with this was that it was over-written. By the end I was skimming. I did like Mal’s character though.
3.25
As someone who is currently grappling with their gender after having been isolated from the concept of gender non-conforming identities by my evangelical Christian upbringing, there were definitely parts of this book that really resonated and parts that didn’t, and I think that’s wonderful and that’s essential, and absolutely part of the journey.
Sharing our stories is how we better understand not just one another but ourselves, and how we build community, foster togetherness, and cultivate empathy. It’s no wonder that there has been such an effort to ban this book and restrict young people’s access to it.
Minor: Sexual content, Blood, and Medical trauma
Did not finish book. Stopped at 18%.
It’ll read like: “I stood at the stove and started to prepare dinner like I always do. You see, ever since my mother got sick. . . [Insert whole page about the character’s family drama sparked by the mention of dinner] Once the water in the pot got to a boil, I reached into the cupboard for the vegetables I bought at the market yesterday. I always enjoy going to the market, it’s where. . . [insert side story about the market]” and on and on and on, until you’re 50 pages in and all the character has actually done is made soup.
It’s a lazy way to build the world of your story, and it’s exhausting to endure as a reader.
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
I know this is middle grade reading material, but there’s something so healing about enjoying them as an adult.
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
I have such a soft spot for A.I. characters, and Osric is so precious and gentle it makes my heart ache. The relationship between him and Valentine is so damn sweet. I would never have expected a Mad Max-style dystopian desert road trip story to be so charming, compassionate, and hopeful.
Not to mention it’s so well-written! And the author’s illustrations of the characters at the front of the book are phenomenal!
My ONLY criticisms are that it could’ve benefitted from some diversity, and the positive representation of the Mormon church made me slightly uncomfortable, especially given that in the afterword, the author states that he wishes for each of his books to be a “safe space for queer readers”—an enormous percentage of which suffer from religious trauma.
But who knows? Maybe that was intentional, like writing a supportive and inclusive religious experience into the story was meant to be a form of healing. I could understand that. All in all, it’s not like I think it severely detracted from the quality of the book. I still rated it 4.75⭐️!
Graphic: Deadnaming, Transphobia, Toxic friendship, and Dysphoria
Moderate: Trafficking and Kidnapping
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
This was perfection. This was healing. This was cozy and warm and tender and tell me why I SOBBED over these characters. K. O’Neill is now an instant-buy author for me. I will read anything they produce. Sign me up for the fan club, the newsletter, all of it.
Minor: Blood and Injury/Injury detail
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
This is a story about identity—about finding yourself, about being unapologetically you, and not feeling the need to prove yourself to anyone. It’s a story about growing up, and about hurting those you love.
But mostly this was, as the author puts it, a story about trans joy. I laughed. I cried. I wanted to throttle Miles at times and keep him from making the mistakes I knew he would, but that’s a part of life, and a part of learning how to be a good person and a good friend.
Minor: Bullying, Deadnaming, Homophobia, and Transphobia