bisexualwentworth's reviews
753 reviews

Well, I finally did it. After a fun but frustrating reread of the Inheritance Cycle, I have at last read Murtagh.

Some spoilers for this book and the previous books to follow.

This book was published twelve years after Inheritance and more than twenty years after the initial publication of Eragon. In that time, Christopher Paolini has definitely grown as a writer. His descriptions are tighter and more vivid. Side characters are differentiated in ways that they weren't before. Murtagh's character arc is difficult and mostly well-executed. And unlike in the previous books, the ableism, in this case Murtagh and Thorn's internalized ableism around their PTSD, feels more like an intentional character choice and less like the author violently hating disabled people.

Elsewhere, Paolini has also learned how to write evil girlbosses. Yay?

And he seems to have developed a more nuanced understanding of cult members and survivors of trauma in the intervening years, though that understanding still feels incredible surface level.

While I know that there is an overarching thing that he's aiming for with further installments in this series, it felt to me like half of this book was just Paolini realizing that he'd broken his magic system in Inheritance and trying to find ways to deal with that. On the whole, I didn't mind this. Murtagh encounters challenges that can't be surmounted using the Name of Names. He realizes how limited his vocabulary in the Ancient Language really is. He finds creative solutions to his problems. I liked this. 

What I did NOT like was the reveal that the new big bad had been the big bad the whole time and the reason why Galbatorix was the way he was. Maybe this is a personal taste thing, or maybe it's just down to the execution, but I was so excited when there was a new threat that was different from Galbatorix and so disappointed at the reveal that *gasp* it was Azlagur the whole time! It felt lazy to me.

The pacing was, as usual with Paolini's books, horrendous. I know that a lot of the side quest things (like the stuff with the werecat children) will be picked up again in a later book, but it was still very inelegantly done. Even if plots are ongoing, the main threads of a book should be resolved in that book. There was definitely a better way to weave things together.

And the one long chapter in Ilirea at the end to wrap everything up and attempt any sort of proper development of Murtagh and Nasuada's relationship? Silly. Ridiculous. Yes, better than the 200 pages of conclusion at the end of Inheritance, but come ON. Both characters deserved more than that.

Overall, this book is generally better than the previous installments on a craft level, and Murtagh is a more compelling character than Eragon, who also faces much harder personal challenges, but the pacing was so bad and the Nal Gorgoth section dragged SO MUCH and overall it needed some restructuring and reconsidering in places. Also, I didn't have any nostalgia making me like it more than I naturally would have (other than a general fondness for Murtagh and for Nasuada), and this made the rough parts even more difficult for me.

I technically finished this. But did I really?

It’s much better than TSOA for a lot of reasons, but ultimately my feelings about Madeline Miller’s writing remain the same: gorgeous prose, wretched approach to gender. I think that I ultimately disagree with her interpretations of both Homer and feminism (not to mention her outlook on queerness), and she is Not For Me. 

There's a lot that I love here: the worldbuilding, the magic system, the prose, the women with swords, the mechanical dragon. I think that Yoon Ha Lee accomplished exactly what he set out to do with this book. Unfortunately, I think that the concept is just fundamentally not super compelling for me. The execution is as strong as it could have possibly been, but Jebi just isn't an interesting enough main character for me. I would have loved either a more slice of life story or a more action-packed story, but again, those aren't the books the author wanted to write, and that's okay. I will absolutely be reading his other work cause I think there's a lot of good stuff here. I did wish the book was longer, but I do appreciate a good quick fantasy standalone.

The first and second half of this book are very distinct in terms of vibes and pacing. I preferred the second half, but I think the first half may work better for a lot of readers. Very much a personal taste thing.

Anyway, this book isn't a new favorite, but it did leave a positive impression and I would definitely recommend it.

Kim Pine you are my favorite.

Oh this book is GOOD! The way it explores its characters and its central themes, the way Naseem Jamnia creates and develops an entire world in so few pages... yes yes yes.

The blood magic was fascinating and dark, and I feel like we receive just enough information about it for its role in the story to land the way its supposed to. The main character and the antagonist are both well-meaning, flawed people. The plot didn't go the way I expected, and it was much more compelling than what I was expecting!

And I loved reading the author's afterword at the end of the book. I generally try to judge books on their own merits, but I do think that authorial intent is relevant, and I always love a thoughtful reflection on why something was written. It made me appreciate the book even more.

The beginning was a bit rough. I didn't get into the book right away. But was I was engaged, I finished the rest of it in one day. I look forward to more from this author/this world!

I simply am not the target audience and that’s okay. Might try again another time.

Judith Butler I love you but I cannot get through this book right now.

Well, I did it. I finished my reread of the Inheritance Cycle. And I've gotta say, I did not enjoy rereading Inheritance.

When I first read Eragon, I was about eight years old. A paperback copy of Eragon was the first book I ever bought for myself. It was fun and tropey and despite my struggles, even as a child, with the way Paolini wrote women, I continued with the series, reading Eldest and then reading Brisingr right when it came out.

When Inheritance was finally published, I was thirteen years old. I had read a lot of other books. My tastes had expanded. But I was still eager and excited to finish this series that I had enjoyed so much. It was a series that was popular among my friends and my cousins, and books that I can share with the people in my life have always been important to me. Plus, Paolini's dragons are fantastic.

Anyway, I remember reading Inheritance in one day, finishing it past midnight in bed. And I liked it. I remember this book being controversial among fans when it came out, and I remember pushing back against a lot of the criticism. Specifically, people didn't like the ending, and I felt like it made sense for the characters and was also a foregone conclusion. I did not read Inheritance again until this reread of the entire series.

For the entirety of this formulaic, messy, slow, but incredibly entertaining series, Christopher Paolini has followed a very specific structure for each book: violent inciting incident, Eragon goes and does quests and training, big final battle, speedy conclusion. Books two and three spice things up a bit with Roran and Nasuada's (often much more compelling) subplots, but the overall structure is the same. Inheritance strays from this formula, and while as a young teen I found this switchup effective, as an adult, I don't think it's done particularly well. Paolini tries to wrap up far too many things in the aftermath section, and it ends up feeling like a slog. If he had integrated more of those things into earlier parts of the book, the conclusion could have been shorter and would have landed a lot better.

The elements are here. Unlike many readers, I don't mind the deus ex machina elements of this book. I think they fit with the story overall. I genuinely like the way that Eragon eventually defeats Galbatorix and the roles that other characters like Murtagh and Arya play in the final confrontation. And I still think that Paolini made the right choice with the ending. Overall, there are actually stronger narrative choices here than in much of the rest of the series. Unfortunately, the execution is often quite poor.

The rest of this review will contain spoilers.

Before I get into my many issues with this book, there are some things that I genuinely really like about it even as an adult:

Many parts of this book did not work for me, and it's mostly for one simple reason: lack of development. Paolini sets up a lot of things in previous books that pay off in this one: the Vault of Souls, Angela's prophecy about Eragon leaving Alagaësia, and the true name of the Ancient Language are all set up with some decent foreshadowing--and then ignored in this book until they are suddenly important. This cheapens them and makes them ring kind of hollow even though they are strong conceptually.

On the flip side, Paolini builds up several things in this book to then give them fairly disappointing payoffs. Chief among these is the sword fighting. In book one, Eragon and Murtagh are evenly matched swordsmen. In book two, Eragon gets his magical powers and then can seemingly defeat any opponent because he's just so good with a sword--with the exception of Murtagh and Arya. So when he works so hard in this book to improve his swordfighting skills with Arya and Glaedr, only for Murtagh to still be better than him at the end with no apparent extra work on Murtagh's end (yes Eragon technically wins but Murtagh is still stated to be the better swordsman) when they were EVENLY MATCHED before is frustrating. The scene is good but the overall arc of it is bad.
 

Good ideas that just need to be developed and integrated a lot better for them to live up to their potential:

Arya was always the most likely choice for the green rider, and this makes it really boring when it's her. Imagine if it had been Nasuada. Or Elva. Or that teenage girl with the massive forearms who shows up twice. Or even Katrina. That could have been fun. But no. Most obvious, most boring choice.

And have I mentioned that I HATE Eragon and Arya's relationship? It doesn't quite get fully romantic in this book, but it basically does, and it's awful. And what's so frustrating is that their friendship in book three and this one is actually very normal! If it weren't for Eragon's weird boundary-free lust their dynamic would mostly be fine. But no. We can't have nice things.

Also, torture doesn't work. Galbatorix should know this. Plus he has way more effective interrogation methods. I get it, and like I said those scenes were very effective, but also, the brutalization of Nasuada in this book is a LOT.

I genuinely thought that this book would hold up, especially after rereading Brisingr and enjoying it quite a bit more than I expected, but instead, this is a strangely-paced, overlong book that has a real problem with setup and payoff and development, and considering those are the three main parts of storytelling, it is overall a frustrating read. We shall see if Murtagh is any better. 

Ugh.

It's really good so far but my Libby hold was due so I'll come back to it in a few weeks when I can check it out again and devote proper time to it.

Aiden Thomas the writer that you are!

The world of this book is so richly realized. It's incredibly modern, which can be jarring at times, but overall it's very fun and works well.

The comp titles of Percy Jackson and The Hunger Games are definitely accurate, and Thomas balances the potentially conflicting vibes perfectly--This is a fun YA fantasy book filled with banter and friendship and memes and pop culture references (the TikTok and Vine parts are where I struggled the most, but not all readers will feel this way), and it is also a serious story about some very high-stakes death games.

Teo, the main character, is a seventeen-year-old trans guy who's the son of Quetzal, diosa of birds. As the semidios son of a Jade diosa, Teo doesn't expect to be anyone special. He covers his wings, which cause him some dysphoria due to their coloration, and he does not attend the elite training academy with all of the Gold semidioses. And then Teo is selected for the Sunbearer Trials, and everything changes.

The challenges were exciting and difficult. The character dynamics were compelling. I loved Teo and Niya. I want more from Niya especially. The ending made me gasp so many times. 

And also, Aiden Thomas's economical and vivid descriptions continue to wow me. He puts sentences together with so much skill. 

 I'm glad I didn't read this sooner because now I only have to wait five months for the sequel!