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whatsheread's reviews
2190 reviews
A Song to Drown Rivers by Ann Liang
dark
emotional
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
A SONG TO DROWN RIVERS is a gorgeous piece of historical fiction befitting the beauty and elegance of its main character. Told in an almost poetic manner, it follows the story of Xishi, one of China's famed Four Beauties, as she moves from tiny village to imperial palace and from shy maiden to favorite concubine. It is a revenge story as much as a love, historical, or coming-of-age story, and its ending will haunt you long after you finish reading.
While A SONG TO DROWN RIVERS does not contain much character development, any such growth in Fanli or Fuchai is unnecessary to the story because, simply put, it isn't their story. A SONG TO DROWN RIVERS is Xishi's story. In it, Ms. Liang focuses on how Xishi's actions impact her thoughts and feelings rather than what she does for her people.
When we first meet Xishi, she is a simple girl from a poor family in a poor village still recovering from the previous war between the Kingdoms of Yue and Wu and grieving her little sister's death at the hands of Wu warriors. To her, her beauty is an imposition, a cruelty of fate that causes her more hardship than pleasure, forcing her to hide from the world to avoid extra unwanted attention.
By the time the book closes, Xishi is more than that simple village girl. She has come to accept her beauty and wield it like a weapon Fanli wants her to be. More importantly, she understands and recognizes that the real ills of the world are not found in one person or kingdom. Moreover, she recognizes the mind-f*ckery that is her role in Fanli's plan, and, like everything in life, our impressions and beliefs about ourselves and others are a matter of perception of reality as we see it.
Her character development is a subtle growth, as Xishi spends much of the novel alone with her thoughts and dreams. A SONG TO DROWN RIVERS is not an action novel. While there are some scenes during which fighting occurs, there are no epic battle sequences to entertain the reader. Instead, readers must sit with Xishi as she contemplates her fate and her growing awareness that monsters as humans rarely exist.
One of the adaptations Ms. Liang makes with A SONG TO DROWN RIVERS is her timeline compression of Xishi's story. While the Internet tells me that Xishi's training with Fanli took three years and her time with Fuchai in the Wu kingdom lasted twenty years, Ms. Liang's version sees Xishi's entire story cut down to no more than three years. This time compression does make a few things more difficult to accept, namely her love for Fanli, and her. accomplishments in the Wu kingdom. Her love for Fanli feels like insta-love, which is always difficult to stomach. Meanwhile, her time at Fuchai's side feels brief, which lessens her sacrifice. Given that we see almost none of her machinations and maneuverings within the imperial palace, it is easy for readers to scoff at her purpose and her achievements as part of the Yue revenge plot.
Despite the odd flow of time, I finished A SONG TO DROWN RIVERS blown away by its beauty and tragic ending. I like that Fuchai is not a complex character, no matter how odd Xishi finds it. I love that Fanli hides his feelings away from himself and the world. It makes any emotional outburst of his much more powerful. I appreciate Xishi coming to realize that not only is revenge seldom the answer, but also that sometimes the monster isn't the enemy you think it is. The last scene with Fuchai is as poetic as it is bleak, and Xishi's fate left me unable to sleep as I contemplated its place within the story. A SONG TO DROWN RIVERS is not a complex story, and its simplicity is what makes it so powerful
While A SONG TO DROWN RIVERS does not contain much character development, any such growth in Fanli or Fuchai is unnecessary to the story because, simply put, it isn't their story. A SONG TO DROWN RIVERS is Xishi's story. In it, Ms. Liang focuses on how Xishi's actions impact her thoughts and feelings rather than what she does for her people.
When we first meet Xishi, she is a simple girl from a poor family in a poor village still recovering from the previous war between the Kingdoms of Yue and Wu and grieving her little sister's death at the hands of Wu warriors. To her, her beauty is an imposition, a cruelty of fate that causes her more hardship than pleasure, forcing her to hide from the world to avoid extra unwanted attention.
By the time the book closes, Xishi is more than that simple village girl. She has come to accept her beauty and wield it like a weapon Fanli wants her to be. More importantly, she understands and recognizes that the real ills of the world are not found in one person or kingdom. Moreover, she recognizes the mind-f*ckery that is her role in Fanli's plan, and, like everything in life, our impressions and beliefs about ourselves and others are a matter of perception of reality as we see it.
Her character development is a subtle growth, as Xishi spends much of the novel alone with her thoughts and dreams. A SONG TO DROWN RIVERS is not an action novel. While there are some scenes during which fighting occurs, there are no epic battle sequences to entertain the reader. Instead, readers must sit with Xishi as she contemplates her fate and her growing awareness that monsters as humans rarely exist.
One of the adaptations Ms. Liang makes with A SONG TO DROWN RIVERS is her timeline compression of Xishi's story. While the Internet tells me that Xishi's training with Fanli took three years and her time with Fuchai in the Wu kingdom lasted twenty years, Ms. Liang's version sees Xishi's entire story cut down to no more than three years. This time compression does make a few things more difficult to accept, namely her love for Fanli, and her. accomplishments in the Wu kingdom. Her love for Fanli feels like insta-love, which is always difficult to stomach. Meanwhile, her time at Fuchai's side feels brief, which lessens her sacrifice. Given that we see almost none of her machinations and maneuverings within the imperial palace, it is easy for readers to scoff at her purpose and her achievements as part of the Yue revenge plot.
Despite the odd flow of time, I finished A SONG TO DROWN RIVERS blown away by its beauty and tragic ending. I like that Fuchai is not a complex character, no matter how odd Xishi finds it. I love that Fanli hides his feelings away from himself and the world. It makes any emotional outburst of his much more powerful. I appreciate Xishi coming to realize that not only is revenge seldom the answer, but also that sometimes the monster isn't the enemy you think it is. The last scene with Fuchai is as poetic as it is bleak, and Xishi's fate left me unable to sleep as I contemplated its place within the story. A SONG TO DROWN RIVERS is not a complex story, and its simplicity is what makes it so powerful
The Seventh Veil of Salome by Silvia Moreno-Garcia
4.0
Not at all what I expected from Ms. Moreno-Garcia. The Seventh Veil of Salome is a straight historical fiction story that includes imagined scenes from the Bible. I loved the look at old-school Hollywood. The ending is rushed and a bit of a letdown with one aspect of the story left dangling. Still, it highlights Ms. Moreno-Garcia's writing skills and reaffirms her strong story-telling ability.
Lady Macbeth by Ava Reid
2.0
This entire story is just wrong. Lady Macbeth, in this instance, is not a strong woman urging her husband to grab more power. She wasn't even middle-aged or experienced. Instead, she's a young virgin terrified of pretty much everything, including her own shadow. She is weak and not nearly as intelligent as she thinks she is. Supposedly, this is a feminist version of Shakespeare's character, but I think there was nothing wrong with the original character. She's one of the strongest, most independent female characters in his canon, and Ms. Reid turns the character on its head to make her weaker and less feminist. Plus, there is this weird hatred for all things Scottish threaded throughout the story that makes you wonder what happened to Ms. Reid to deserve the hate. It's been such a long time since I was this disappointed in a book.
The Mirror of Beasts by Alexandra Bracken
4.0
Decent ending albeit with a few too many too-convenient plot "twists." Magic, mirrors, magic sword, hidden, magic, hidden origins, and connections, connections, connections embody the entire story. The ending is romantic and sweet. There is nothing too difficult about the story. I liked the first book in the trilogy most.
Maria by Michelle Moran
4.0
Easy, chummy read that is both informative and entertaining. Didn't know how the musical veered away from the truth, so those differences kept my interest. Perfect for any fan of the musical and a welcome break from all my fantasy reads.
Lucy Undying by Kiersten White
5.0
Starts slow but Lucy Undying has a strong finish. Lucy's voice is perfect, and the story meshes exactly with Stoker's. I was also re-reading Dracula at the same time as this, and it proved difficult to separate the two. Ms. White allows Lucy to take back her story as a victim and allows her to become the hero. The truly scary part is that I find Lucy Undying an entirely plausible story that delves deeper into Bram Stoker's masterpiece without either unraveling.
My Vampire Plus-One by Jenna Levine
5.0
I LOVE this series, and I adore both Amelia and Reggie. Especially Reggie. Gotta love an accountant heroine, and Reggie is simply perfection. I really love everything about this cute story. Reggie is an example of why I love vampires. The entire story is sexy, funny, and a whole lot of fun.
The Gods Below by Andrea Stewart
4.25
This new high fantasy story with gods and magic is both terrifying and inspirational. The restoration is terrifying; I actually had disturbing dreams after reading those scenes. Hakara is the type of character everyone hates but you can't help but love. It also shows the dangers of one religion without anything to limit its influence. Ms. Stewart emphasizes the importance of asking questions, challenging the status quo, being true to yourself, and pushing boundaries.
The Ending Fire by Saara El-Arifi
3.75
A semi-satisfying ending to a creative trilogy. I'm not too thrilled with Sylah's and Anoor's fates. Nor am I a fan of the return of the addiction issue. My love for Hassa and Jond overcome the deficiencies though.
The Mercy of Gods by James S.A. Corey
5.0
The duo that makes up James S. A. Corey does it again with this fantastic new series. The inclusion of alien species and but only a few humans create a different feel to the story. In fact, the alien species and their outlook on existence make for a fascinating layer. I am on board for whatever our hapless humans must face next.