A fascinating exploration of the ways our perceived weaknesses can actually function as strengths and vice versa. I can certainly see why Gladwell is criticized for over-generalizing based on anecdotal evidence; however, I took his assertions with a grain of salt and found that there was still much to learn and gain from this read.
Set during a city-wide summer blackout in Dallas, interior designer Elizabeth gets locked in her office building with her ex, Tom.
The wildest thing about this book is how intensely irredeemable the male protagonist is. He's hyper-masculine and obsessed with pushing Elizabeth's boundaries (making her share past trauma that she really doesn't want to talk about while withholding all details about his own past, etc).
I liked the audiobook narrator a lot--she was very believable in the role of buttoned-up 90s girlboss. I thought it was a compelling story/time capsule if not a romantically appealing one.
never in my life did I think I would witness classic characters Tom & Jerry receive so many mail deliveries by drone. but here we are. late stage capitalist hellscape etc
Middle grade set on a border island that's half-US and half-Canada, starring an expat American kid recovering from tuberculosis and a Canadian girl who's obsessed with Prohibition-era gangsters and solving the death (murder?) of her last dog. She also has a new dog, but that one doesn't really interest her.
Despite all of these elements, the story crawls. I found the characters irritating and the pace mind-numbing.
Muir has an incredible talent for prying her readers' hands off the wheel. I am as sure of her clear, crystalline knowledge of this world as I am of the fact that she will not let me see the big picture until she wants me to.
Harrow is a thorny hero to get to know, and in this book, it is her fracturing realities that frame the plot's ascension to godly heights.