I liked the foundational concept of this novella, juxtaposing two viewpoints of reality from these characters. But unfortunately that's all I really liked. I suppose the depiction of Nyr's depression was written alright, but there was not enough compelling character development or intrigue within the short page count—besides Nyr's tower in the very beginning—for me to really appreciate and enjoy this little story.
This novella was alright. It provides some insight on Crispin's points of view, and I liked getting a quick glimpse of Devils Rest after the years that pass during Empire of Silence. I really don't like Crispin's characterization much, especially because he continues acting like a teenager at 55 years old. However, the character development by the is somewhat serviceable. I hope he appears more in the series because he could become someone I'm more interested to read about.
Another criticism I have is how almost "preachy" this story is. Most of the novellas takes place in a Catholic village where the Priest is pretty adamant about expressing his beliefs. Even as someone mildly religious, I simply don't want to be preached to in a sci-fi story, especially in a novella. Additionally, I thought the prose felt more wonky and unpolished compared to Empire of Silence. I don't know if that's due to editing since this novella is self-published or if it's because Hadrian is supposed to be a more elegant writer with his memoir. Either way, I found the prose to be a little underwhelming after loving Ruocchio's writing in the first Sun Eater book.
Otherwise the action was cool I suppose. I liked seeing Crispin putting a highmatter sword to use. I also enjoyed a little more of Kyra and the introduction of Sabine, even though this novella really didn't try to flesh her out at all.
Flaws of characters a main focus? It's complicated
4.5
Another very enjoyable Discworld book. I wasn't sure it'd be a favorite as it kinda starts slow, but the prospect of traveling to Uberwald as Vimes (reluctantly) takes on his diplomatic responsibilitkes had me super excited. I quickly became enthralled in all the shenanigans to follow and the exploration of Uberwald and it's quirks, especially all the Igor's. This was also the most political entry in the series so far which was a delight. Overall less emphasis on evoking laughter, but still humourous and fun. My only major complaint is not enough Inigo Skimmer because he's so great.
I had kind of a really rough start with this book because I felt such a lack of intrigue and suspense having already seen the film. I felt little to no motivation to read because my understanding was the book and film are almost identical, so I knew how the plot was going to play out. But it did turn out to be a good read, and I found satisfaction in my reading experience regardless of knowing what was going to happen. Plus there were actually some scenes not included in the film which were nice to experience, and it almost made me appreciate the ending more (but I still don't like it).
This is one of those rare cases where I think an adaptation is superior to the source material, but this is still a solid book, especially worth reading if you haven't seen the movie yet.
This has been one of my most anticipated books/series for a while now. I've previously had massive expectations, but recently became unsure if I would actually like Ruocchio's space opera based on some mixed reviews. I really didn't want this to be another case of a tremendously hyped series letting me down (Jade City). However, I'm happy to say the hype seems merited for Sun Eater.
The first page and half or so immediately grabbed my attention. I was honestly chuckling in amazement because it presents so much promise and intrigue for Hadrian's arc throughout the course of the series. I was already fairly invested in seeing the following books through just to experience the kind of devastating deity Hadrian comes to be. Sun Eater seems exactly like the kind of grand and intricate sci-fi I've been craving recently.
""I have had many names. During the war, I was Hadrian Halfmortal and Hadrian the Deathless. After the war, I was the Sun Eater. To the poor people of Borosevo, I was a myrmidon called Had. To the Jaddians, I was Al Neroblis. To the Cielcin, I was Oimn Belu.'"
My favorite part of this book is overwhelmingly the worldbuilding. Christopher Ruocchio has a brilliantly creative and expansive mind. He's set such a massive scope for this universe and I felt it immediately. The universe is lived in, futuristic, treacherous. You see enormous class differences, the operations and traditions of royalty. The political machinations and subtlety is fantastic. The tech is cool and echoes other sci-fi worlds that Ruocchio clearly took inspiration from. I LOVE the Cielcin and all the obscure extraterrestrial elements explored and introduced. The Chantry is interesting in their censorship and violent enforcement of religion. All of the worldbuilding is simply so so sooooooo good. I was completely captivated by it.
"You never know which men are snakes and which are mongeese. Not until you bite—or have been bitten."
And to further address Ruocchio's inspirations...many people have deemed this series highly derivative or too closely inspired to other works of fiction. Dune, Book of the New Sun, and Name of the Wind being the ones I hear the most about. There's surely some Star Wars and the film Gladiator in here too. But it really doesn't feel derivative to me. Sure, Ruocchio has his own version of "Fear is the mind-killer" from Dune, but this book is definitely not Dune. It feels thoroughly different to me, nor does it feel derivative of Star Wars and Gladiator. Now I have yet to read Book of the New Sun and Name of the Wind, so I can't speak on how closely written this book is to those. It surely could be more derivative in regards to those, but it seems highly unlikely.
As for Ruocchio's actual writing, he is quite the wordsmith sometimes. His prose was overall quite good, and I found myself copying down several passages in my notes as I was reading. I did find the dialogue to be pretty clunky early on, mostly when Hadrian was talking with Crispin. But the dialogue smoothed out nicely for the most part as the book progressed. I also had a few instances where perhaps Ruocchio's prose was a bit too distracting from whatever he was trying to describe, making it difficult for me to visualize the scene in my head. That was mostly during the Calagah section though, otherwise he was great at painting the picture of a scene. And sometimes that difficulty is just a general sci-fi/beginning-new-series type of thing for me where I'm trying to absorb everything I can (and I certainly was, I read this very slowly lol).
"'The world's soft the way the ocean is. Ask any sailor what I mean. But even when it is at its most violent, Hadrian...focus on the beauty of it. The ugliness of the world will come at you from all sides. There's no avoiding it. All the schooling in the universe won't stop that.[...]But in most places in the galaxy, nothing is happening. The nature of things is peaceful, and that is a mighty thing.'"
Ruocchio's character work was good as well. Hadrian is the standout as he should be considering he's the narrator. And it's clear in his narration that he's a different person than his younger self. While younger Hadrian is a good character, full of warm intentions but plenty of flaws, it's really the clear growth of his older self that propelled me through the story. It made it easier to handle younger Hadrian's stupidity and naivety. Even through his melodramatics, narrator Hadrian showed self awareness, humility, and regret that promises me he'll be someone who matures and thoroughly sees the world. Someone that will be shaped by tragedy and triumph to come. It promises me that I will root both for and against him. I was quite impressed by Ruocchio's manner in assuring this type of complexity from Hadrian, and I'm confident he'll deliver. Now besides Valka, who's amazing, the side characters are not quite as strong. But there are some standouts like Pallino, Switch, Sir Elomas, and especially Gibson and Uvanari. I also greatly look forward to getting to know Bassander Lin and Jinan Azhar as Hadrian points out in his narration that these two are eventually a large part of his journey.
"Strange, the way the larger world casts its shadow on our own, our moments fleeting and small when measured against the roaring thrust of time."
As for some other criticisms, the pacing was a bit erratic. There was a slower portion around the middle that was not the easiest to read because of the meandering and slower nature of the writing in that section, but it was still an important piece of Hadrian's development in this book. And this all makes sense considering Ruocchio never plotted the book out. But I did eventually find myself simply so enthralled by the worldbuilding and Hadrian's narration that the pacing didn't bother me. Additionally, parts of the ending kinda lost me. Perhaps there was a little convenience involved. But it was still a good ending; I couldn't put the book down for the final 100 pages. So many revelations and some tricky maneuvering by Hadrian.
Altogether, Empire of Silence is a great first book to the Sun Eater series. Rolling with a 4 star rating for now, but it could go up in the future, maybe as soon as tomorrow (it did). I think I've said most of what I wanted to for this review, although it feels like I'm leaving something out. And this whole thing might be more disorganized than I was hoping. Oh well. I'm just extremely excited to continue the series and exceedingly fascinated to see what becomes of Hadrian. Plus I hear Ruocchio's writing only improves going forward, which I very much look forward to. Onto Lesser Devil and then Howling Dark (have I mentioned how awesome the titles of these books are?).
Flaws of characters a main focus? It's complicated
3.5
"Interacting meant talking, and eye contact. I could already feel my performance capacity dropping."
Murderbot is literally me.
This novea was a little more enjoyable than the first one, mostly thanks to the addition of ART. Murderbot and ART's interactions were fun, and they made a nice duo. Another pretty bland plot, but a more eventful and exciting ending this time. Looking forward to the next Murderbot installment!
"We earth men have a talent for ruining big, beautiful things.”
More wonderful writing from Ray Bradbury. This is a nice collection of short stories displaying primarily humanity's destructive nature, but also some of our strengths as well. Bradbury's writing is haunting, melancholic, yet beautiful and poetic. He simply never ceases to amaze me with how well he understood the human soul and where that would take us in the future.
Also, "There Will Come Soft Rains" is one of my all-time favorite short stories and I had not realized it was included in this collection, so that was a nice surprise to revisit.
Highly recommend for everyone to read some Ray Bradbury at some point in their life, and this would be a solid choice.
"There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound;
And frogs in the pools singing at night, And wild plum trees in tremulous white;
Robin's will wear their feathery fire, Whistling their whims in a low fence-wire;
And not one will know if the war, not one Will care at last when it is done.
No one would mind, neither bird nor tree, If mankind perished utterly;
And Spring herself, when she woke at dawn Would scarcely know that we were gone."
Flaws of characters a main focus? It's complicated
2.0
Well, glad to be done with this. Unfortunately, I believe Jade City to be pretty overhyped. I was never captivated by this clan rivalry narrative, nor did I care for any of the characters besides Shae and sometimes Anden. Fonda Lee's writing often felt distant and stilted to me, preventing any real sense of connection into the perspectives of the characters and true depth to what makes them tick. And I simply didn't enjoy to read about many of them. Hilo was an arrogant and shortsighted idiot who annoyed me to death. I understand that's intentional and there's surely an arc he goes through. But It's one thing where an author can write unlikeable characters like Hilo and still make you care and attached to them (Joe Abercrombie being the best example of this). Sadly that's just not the case here.
I do admit the urban setting grew on me over time after it initially felt quite odd and out of place even though I knew this was the setting ahead of time. I also feel the magic system could become more interesting with how fundamental jade is to the economy and political landscape, even though I did feel let down by how vaguely the different enhancements are described and explored.
Ultimately, I'm just left feeling absolutely nothing at the end of the book. Very unlikely that I'll give Jade War a chance, but who knows. My completionist brain is a curse sometimes.
"I'd rather be forgotten for the things people think I've done. And I'd give it all if I could forget the things I failed to do."
On one hand, I want to rate this 5 stars simply because of how many emotions this book put me through. It was a full spectrum of sensations and internal reactions. Had me sitting in silence for minutes on end, huge pits in my stomach, watering eyes, all of it. Truly so so so emotional, which is immense praise for Hobb's writing and her characters. But I can't quite overlook my grievances with the ending and part of the climax, which I have often felt are Hobb's most evident weaknesses as a writer. The climax occuring in the middle of the book with its resolution felt a little rushed and disorganized to me. And I'm very conflicted about where Fitz ends up, in addition to the whole ending (last 50 pgs probably) feeling very rushed as well and almost completely glossed over near the very end. However, it may have taken another 100 pages or so of just dialogue and interactions for me to feel differently.
"Home is people. Not a place. If you go back there after the people are gone, then all you can see is what is not there any more.”
All in all, my complaints do not heavily diminish this reading experience or the trilogy as a whole. Fool's Fate is still a great final book to a spectacular trilogy. And in the meantime, I think I'm bumping The Golden Fool to 5 stars because at least one of these books deserve that, and I believe I ultimately enjoyed that one the most.
"In that last dance of chances I shall partner you no more. I shall watch another turn you As you move across the floor.
In that last dance of chances When I bid your life goodbye I will hope she treats you kindly. I will hope you learn to fly.
In that last dance of chances When I know you'll not be mine I will let you go with longing And the hope that you'll be fine.
In that last dance of chances We shall know each other's minds. We shall part with our regrets When the tie no longer binds.”