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josiah17's reviews
243 reviews
The Dregs of Empire by Christopher Ruocchio
Another enjoyable Sun Eater novella, probably my second favorite of the three behind Queen Amid Ashes. Lorian Aristedes is a fantastic character, so it was great to get inside his head. Both to see firsthand his perspective and experience as an intus, and to see more of his distinct personality and intelligence.
I've also been intrigued by Belusha ever since it was first mentioned, so it was nice to see the Imperial prison planet and it's operations. It's certainly a desolate and vile place, full of despicable people; much of that was not pleasant to read.
Though portions of the plot were not always the most engaging, the side characters actually were, and the conflicts they stirred about with Lorian with different types of depravity. Lorian was always in danger because of the people around him, and that created a sufficient sense of tension. (Also gotta mention one side character, Jeff, named by Ruocchio in honor of my friend for a Kickstarter thing, so that was cool to finally read.)
Again, an enjoyable novella, enhancing the depth of the Sun Eater universe. I'm at the point now where anything Christopher Ruocchio writes is simply a joy to read.
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
"Lorian was no murderer. He was not even a traitor-not really. In defying the Emperor, he had served Hadrian one final time, and Hadrian had been his true liege, the sun about which he, Lorian, had turned. The Emperor was only some distant star."
Another enjoyable Sun Eater novella, probably my second favorite of the three behind Queen Amid Ashes. Lorian Aristedes is a fantastic character, so it was great to get inside his head. Both to see firsthand his perspective and experience as an intus, and to see more of his distinct personality and intelligence.
I've also been intrigued by Belusha ever since it was first mentioned, so it was nice to see the Imperial prison planet and it's operations. It's certainly a desolate and vile place, full of despicable people; much of that was not pleasant to read.
Though portions of the plot were not always the most engaging, the side characters actually were, and the conflicts they stirred about with Lorian with different types of depravity. Lorian was always in danger because of the people around him, and that created a sufficient sense of tension. (Also gotta mention one side character, Jeff, named by Ruocchio in honor of my friend for a Kickstarter thing, so that was cool to finally read.)
Again, an enjoyable novella, enhancing the depth of the Sun Eater universe. I'm at the point now where anything Christopher Ruocchio writes is simply a joy to read.
Content Warnings
Graphic: Ableism
Moderate: Physical abuse, Sexual assault, and Slavery
A Clash of Kings by George R.R. Martin
challenging
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
"Power resides where men believe it resides. No more and no less."
"So power is a mummer's trick?"
"A shadow on the wall," Varys murmured, " yet shadows can kill and ofttimes a very small man can cast a very large shadow."
I believe A Clash of Kings is a slight step up from A Game of Thrones (lowered to 3.75), the first half of the book being great. But I would be lying if I didn't say my time with ASOIAF has remained somewhat underwhelming thus far.
Though this is certainly a good book, same as the first one, I still had the same struggles, but to a bit of a lesser extent. To me, the way POV's are structured still presents this sense of disconnect throughout most of the narrative. I felt this was improved in the first half of the book, but became prevalent again in the second half. I also continued to feel a lack of tension and suspense due to knowing the fates of many of these characters and their general archs. However, I did manage to get over this with a few characters, likely due to their chapters simply being the most engaging to me. Those would be Tyrion, Jon, and Arya. At times Catelyn as well. These were by far the most captivating character perspectives to read from. I think Martin's strongest character is Tyrion as of right now. His inner monologue is fantastic, and most of the intriguing politicking happens through his perspective as he takes charge in King's Landing. His perspective is one of the few where I did actually feel the intended tension because it's so well written. As for Jon and Arya, I loved Jon in book one so no surprise I love him here and everything about the looming threat in the North. And it was nice to watch Arya come into her own and navigate her perilous situation while keeping her identity hidden. I quite enjoyed her relationship with Jaqen H'ghar as well. Qhorin Halfhand was another side character I loved too, and his relationship with Jon.
Unfortunate that this review probably feels mostly negative again, but I did enjoy most of the book. Especially the first half like I mentioned previously. My own mental health and mood also played a part in my enjoyment of this book. There were many days where I really struggled to pick this up, mostly because I simply didn't have the energy to read. And sadly that bleeds into the overall reading experience.
Rating this at 4 stars (might be a 3.75—now is after a couple days)...I guess I really just set my expectations that high for these books based on the way everyone gushes about them. I should've known better by now. Not as excited for A Storm of Swords now, but still looking forward to it.
Content Warnings
Graphic: Gore, Rape, Sexual content, Violence, and War
Moderate: Incest
Minor: Bullying
Vinland Saga, Volume 1 by Makoto Yukimura
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
This is a manga I've had my eyes on for a while to get into the medium. Viking-inspired, a story about navigating war, revenge, and what it means to live. It's right up my alley, and having finished the anime a couple weeks ago I couldn't wait any longer to dive in. I love the art style, and so far it appears the anime was faithful almost panel by panel to the manga which is great. I've got a decent amount of volumes to read up to what the anime has adapted, so I know I'll enjoy my time with this manga up to that point and I'm incredibly excited to see what happens beyond what I already know.
"A true warrior...needs no sword."
Content Warnings
Graphic: Violence, Death of parent, and War
Piranesi by Susanna Clarke
Took me a little bit to get into this, not necessarily due to the book itself but more so due to my previous read. However, around the 50 page mark I quickly found myself immersed and quite intrigued by the mystery of this labyrinth and Piranesi's existence in it. I loved the way Piranesi describes things, conveying this otherworldly atmosphere and presence of the labyrinth's sights and sounds. And I loved his appreciation of the both the simplistic things of the Halls and it's grandeur.
I found the mystery pretty well written, though I wouldn't say I was ever super shocked by the revelations.
Overall certainly an enjoyable read. Certainly incredibly unique as well. Clarke's writing and Piranesi's narrative voice created a wonderful little reading experience. But I do have to say I think this book is a bit overhyped, or rather I once again fell into the trap of overhyping something for myself, resulting in slight disappointment despite enjoying the novel. Anyway, it's definitely worth reading. I could see myself coming back to this as well considering how short and captivating it is, and I simply enjoyed experiencing the tremendous labyrinth vicariously through Piranesi.
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
"The Beauty of the House is immeasurable, its Kindness infinite."
Took me a little bit to get into this, not necessarily due to the book itself but more so due to my previous read. However, around the 50 page mark I quickly found myself immersed and quite intrigued by the mystery of this labyrinth and Piranesi's existence in it. I loved the way Piranesi describes things, conveying this otherworldly atmosphere and presence of the labyrinth's sights and sounds. And I loved his appreciation of the both the simplistic things of the Halls and it's grandeur.
I found the mystery pretty well written, though I wouldn't say I was ever super shocked by the revelations.
Overall certainly an enjoyable read. Certainly incredibly unique as well. Clarke's writing and Piranesi's narrative voice created a wonderful little reading experience. But I do have to say I think this book is a bit overhyped, or rather I once again fell into the trap of overhyping something for myself, resulting in slight disappointment despite enjoying the novel. Anyway, it's definitely worth reading. I could see myself coming back to this as well considering how short and captivating it is, and I simply enjoyed experiencing the tremendous labyrinth vicariously through Piranesi.
Ashes of Man by Christopher Ruocchio
adventurous
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Forget the normal coherent review. There are no words I can use to convey how empty I feel right now. I knew it was coming, I just knew it, and yet I was not ready in the slightest. I'm not sure how I read the last 60 pages through all the tears. Hard to think of a book that has evoked as much emotion as this one did just in that ending alone. Ruocchio...you are magnificent...but man...this book hurts.
"The ugliness of the world does not fade and pass away. Have I told you that? That fear and grief are not made less by time? All life is tragedy, for all life must end—and so no life grows stronger by its ending. Dorayaica was right about one thing. Time runs down into darkness. Even the stars burn out. And scars...there are scars that not even Death can wash away."
Content Warnings
Graphic: Death, Genocide, and War
Moderate: Sexual violence and Torture
The Heart of What Was Lost by Tad Williams
adventurous
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.25
A solid little novella, acting as a nice epilogue for the Memory, Sorrow, and Thorn series. I enjoyed coming back to Osten Ard. It's such a lovely fantastical world. And we actually get a Norn POV character here which was quite intriguing. Liked getting a little more of Duke Isgrimnur as well.
Although I didn't find Tad's prose as immaculate and captivating as it was in the actual series. Which is unfortunate, but not a major gripe considering this is a small novella. I also just didn't feel very immersed nor as invested as I wanted to be, which is not completely the books fault, I'm simply struggling a little with my reading lately. But I still have to consider that in my rating, thus the 3 stars (maybe 3.5—now edited to 3.25—after some reflection and when I start feeling locked in again). But it's definitely worth checking out. I implore everyone to read Tad Williams if they can; as I've stated before, he doesn't receive the recognition he deserves for his impact and influence on the fantasy genre.
Although I didn't find Tad's prose as immaculate and captivating as it was in the actual series. Which is unfortunate, but not a major gripe considering this is a small novella. I also just didn't feel very immersed nor as invested as I wanted to be, which is not completely the books fault, I'm simply struggling a little with my reading lately. But I still have to consider that in my rating, thus the 3 stars (maybe 3.5—now edited to 3.25—after some reflection and when I start feeling locked in again). But it's definitely worth checking out. I implore everyone to read Tad Williams if they can; as I've stated before, he doesn't receive the recognition he deserves for his impact and influence on the fantasy genre.
Content Warnings
Graphic: Death
A Game of Thrones by George R.R. Martin
Finally, I have begun my plunge into the world of A Song of Ice and Fire, something I've been extremely excited about for a while. I had very high expectations, which may have resulted in myself feeling rather "whelmed" in some areas of this first book. But overall, I had a good time with it.
I quickly found myself satisfied with Martin's prose, but more specifically his dialogue. He writes such great dialogue. It flows perfectly and elevates the abundance of political intrigue and the relationships between houses and families. He writes solid banter as well, especially with Tyrion early on. I love the worldbuilding too, despite it being pretty generically medieval. But no matter how many times I have heard about the North and knowing what lies beyond the Wall, it always managed to still pique my interest, and I love the way Martin describes it; it's chilling.
Now, my main reason for feeling "whelmed" with this, or simply not loving it as much as I had hoped, was really a severe lack of emotional investment in the characters. I had already known the fate of so many of these characters, and I knew the plot twist that happens at the end of this book. Therefore I could not find myself connecting to them enough, nor did I really feel any of the tension that I should've felt with the politics and subtle machinations of characters. I guess I completely overlooked how knowing the fates of characters could've detracted from the experience of reading the books, which it unfortunately has.
Though all that being said, I still found myself pretty attached and invested in Jon and Ned (especially Jon, I just love his character archetype), and other characters for certain chapters or moments. But not thoroughly as I would for some of the other series and characters that I love. Regardless, it was still nice to get inside the head of these characters. Martin writes nice inner monologue for each them, bringing out depth and nuance to who they are. I think most of the characters are well-written, that's for sure. I simply didn't connect with them as I had hoped/naively expected I would. And another element to this could've been the ages of characters as well. I've simply grown a little tired of very young protagonists in fantasy, especially in darker stories. But I do expect my attachment will begin to grow the more I read, as the books divert further from my preexisting knowledge of the characters and general plot of the TV show.
Something else which resulted in a bit of dissatisfaction is the way Martin began some his POV's. Or maybe it was the way information was seemingly transported around Westeros? I'm not entirely sure, but it has to do with characters reacting to information. That's always something I like to see, but it felt lacking here. There's some of it, but most of the time a POV would begin a few chapters after a major event with the character having known what transpired via messenger, and then touching upon it a few brief times in monologue and having dialogue about it with those present. I just wish I could actually see them receive the information and their following actions and thoughts. That seems pretty standard in most fantasy books, especially medieval based ones, so it stuck out to me when I noticed Martin wasn't doing this and I realized it's something I really enjoy. It gave a slight sense of disconnect throughout the whole book. But in the end, it's also not the biggest deal to me because the overall writing was good enough to make up for it.
Anyways, apologies for this review focusing on my middling feelings. It's also just what more can I say about this book that already hasn't been said? It's pretty good. I'm very glad I finally read it and I remain excited to continue through ASOIAF.
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Edit 2/8/25: Lowered to 3.75 stars
------
------
"Winter is coming."
Finally, I have begun my plunge into the world of A Song of Ice and Fire, something I've been extremely excited about for a while. I had very high expectations, which may have resulted in myself feeling rather "whelmed" in some areas of this first book. But overall, I had a good time with it.
"What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms...or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy."
I quickly found myself satisfied with Martin's prose, but more specifically his dialogue. He writes such great dialogue. It flows perfectly and elevates the abundance of political intrigue and the relationships between houses and families. He writes solid banter as well, especially with Tyrion early on. I love the worldbuilding too, despite it being pretty generically medieval. But no matter how many times I have heard about the North and knowing what lies beyond the Wall, it always managed to still pique my interest, and I love the way Martin describes it; it's chilling.
"A craven can be as brave as any man, when there is nothing to fear. And we all do our duty, when there is no cost to it. How easy it seems then, to walk the path of honor. Yet soon or late in every man's life comes a day when it is not easy, a day when he must choose."
Now, my main reason for feeling "whelmed" with this, or simply not loving it as much as I had hoped, was really a severe lack of emotional investment in the characters. I had already known the fate of so many of these characters, and I knew the plot twist that happens at the end of this book. Therefore I could not find myself connecting to them enough, nor did I really feel any of the tension that I should've felt with the politics and subtle machinations of characters. I guess I completely overlooked how knowing the fates of characters could've detracted from the experience of reading the books, which it unfortunately has.
Though all that being said, I still found myself pretty attached and invested in Jon and Ned (especially Jon, I just love his character archetype), and other characters for certain chapters or moments. But not thoroughly as I would for some of the other series and characters that I love. Regardless, it was still nice to get inside the head of these characters. Martin writes nice inner monologue for each them, bringing out depth and nuance to who they are. I think most of the characters are well-written, that's for sure. I simply didn't connect with them as I had hoped/naively expected I would. And another element to this could've been the ages of characters as well. I've simply grown a little tired of very young protagonists in fantasy, especially in darker stories. But I do expect my attachment will begin to grow the more I read, as the books divert further from my preexisting knowledge of the characters and general plot of the TV show.
Something else which resulted in a bit of dissatisfaction is the way Martin began some his POV's. Or maybe it was the way information was seemingly transported around Westeros? I'm not entirely sure, but it has to do with characters reacting to information. That's always something I like to see, but it felt lacking here. There's some of it, but most of the time a POV would begin a few chapters after a major event with the character having known what transpired via messenger, and then touching upon it a few brief times in monologue and having dialogue about it with those present. I just wish I could actually see them receive the information and their following actions and thoughts. That seems pretty standard in most fantasy books, especially medieval based ones, so it stuck out to me when I noticed Martin wasn't doing this and I realized it's something I really enjoy. It gave a slight sense of disconnect throughout the whole book. But in the end, it's also not the biggest deal to me because the overall writing was good enough to make up for it.
Anyways, apologies for this review focusing on my middling feelings. It's also just what more can I say about this book that already hasn't been said? It's pretty good. I'm very glad I finally read it and I remain excited to continue through ASOIAF.
"The High Septon once told me that as we sin, so do we suffer. If that's true, Lord Eddard, tell me...why is it always the innocents who suffer most, when you high lords play your game of thrones?"
Content Warnings
Graphic: Death, Rape, Blood, and War
Moderate: Sexual content, Slavery, and Death of parent
Minor: Miscarriage
Hogfather by Terry Pratchett
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Took me way to long to read this than it should've thanks to holiday plans and a bit of a reading slump from my last two reads being incredible. But even considering a really slow and almost difficult start due to my own lack of immersion, I did enjoy the majority of this book. Susan's arc was so fun and intriguing, and everything with Death and Albert was very entertaining and often thought provoking. Ridcully and the wizards had some expectedly ridiculous and amusing moments too.
Though I do believe I set my expectations a little too high for this one, and I didn't laugh as much as I usually do with Discworld, I still had a good time. Especially with the second half of the book. Just wish there was a little more time spent with Teatime and his motley crew of thieves he hires. This is definitely one of the Discworld books I'll want to reread someday, especially to devote more time to reading and finishing it in a timely manner rather than getting slowed down by a lack of reading desire.
Anyway, a good time. Ho. Ho. Ho.
Though I do believe I set my expectations a little too high for this one, and I didn't laugh as much as I usually do with Discworld, I still had a good time. Especially with the second half of the book. Just wish there was a little more time spent with Teatime and his motley crew of thieves he hires. This is definitely one of the Discworld books I'll want to reread someday, especially to devote more time to reading and finishing it in a timely manner rather than getting slowed down by a lack of reading desire.
Anyway, a good time. Ho. Ho. Ho.
"Getting an education was a bit like a communicable sexual disease. It made you unsuitable for a lot of jobs and then you had the urge to pass it on."
Kingdoms of Death by Christopher Ruocchio
Though there is a bit of light at the end of the tunnel after the climax, which takes place a little earlier than you would anticipate. This was all very welcoming after the onslaught of pain endured. A beautiful, bittersweet ending.
Previously I have expressed one of my main criticisms of the series and Ruocchio's writing is the lack of compelling side characters besides Valka and Gibson. But he's obviously doing something right because he made me emotional on several occasions in this book. I believe that's proof of quality character writing, even if it didn't feel evident beforehand. And I think Ruocchio was able to evoke such emotion because of Hadrian's brilliant narration and his own immense devastation as well.
This book has a ton of incredible worldbuilding too. The Sun Eater universe proceeds to leave me in awe so often. Ruocchio just continue to impress, four books in, with marvelous worldbuilding and sheer depth and fascinating lore. This world is so rich, simply such a joy to spend time reading in it. He's crafted something truly special, truly ingenious.
Altogether, such an amazing, powerful book. So much excellence and impressive writing. I continue to be so enamored by Ruocchio's prose and the story of Hadrian Marlowe. I say this seemingly after every Sun Eater review, but I cannot wait to see what comes next for the Halfmortal.
challenging
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Perhaps the most aptly titled book ever? That was dark, likely the darkest book I have ever read. And it's a complete masterpiece of misery. It might even be better than Demon in White, a top ten SFF book for me. Not sure yet though.
"I had defied the Prince of Princes, and all would see the consequences of that defiance.”
The beginning of this book wasn't actually very captivating, which was surprising coming off the triumph of Demon in White. (Picking this up after Wind and Truth definitely played a part in that too). But as soon as Hadrian reaches the Commonwealth, I was incredibly immersed and intrigued. The book never lets up. So many dark, unsettling twists and turns. More bone-chilling cinematic moments. Time spent in a deeply disturbing totalitarian society, which I almost thought could rival the treachery of the Cielcin. The book quickly put that thought to rest. The amount of times I had to pause my reading to process the heinous things happening on the page. I have never been so utterly disgusted and distraught. It's hard to convey just how difficult it was to read at times. You didn't have to be so cruel mister Ruocchio. (Also gotta say that said cruelty felt kinda gratuitous at times, mostly in the latter half with character deaths. But one must consider the impossible odds and forces faced, so it simultaneously makes sense).
"Time is the Mercy of Eternity, or so the poets say. But the mind makes Eternity of Time. When Milton's monster said the mind might make heaven of hell, it was the father of lies who spoke those words-the very devil whose image my ancestors took for their sign. Great though the mind may be, even in its capacity for self-deception, it has limits. No mind can make heaven of hell, not even mine. You cannot dream your way out of prison, not truly, nor think your way from the camps. No one would say to those suffering under the Lothriad that they could simply imagine a better world. It is one thing to tell the slaves of the Cielcin to shoulder their burdens and fight to survive, quite another to tell them to imagine they wear no chains."
Though there is a bit of light at the end of the tunnel after the climax, which takes place a little earlier than you would anticipate. This was all very welcoming after the onslaught of pain endured. A beautiful, bittersweet ending.
Previously I have expressed one of my main criticisms of the series and Ruocchio's writing is the lack of compelling side characters besides Valka and Gibson. But he's obviously doing something right because he made me emotional on several occasions in this book. I believe that's proof of quality character writing, even if it didn't feel evident beforehand. And I think Ruocchio was able to evoke such emotion because of Hadrian's brilliant narration and his own immense devastation as well.
"In writing, I dissolved my madness and my sorrow both, for it is the peculiar nature of words to trap feelings larger than themselves, and so reduce those forces and passions which might overthrow us to objects we can handle and name. Sorrow. Grief. Fear. Pain."
This book has a ton of incredible worldbuilding too. The Sun Eater universe proceeds to leave me in awe so often. Ruocchio just continue to impress, four books in, with marvelous worldbuilding and sheer depth and fascinating lore. This world is so rich, simply such a joy to spend time reading in it. He's crafted something truly special, truly ingenious.
Altogether, such an amazing, powerful book. So much excellence and impressive writing. I continue to be so enamored by Ruocchio's prose and the story of Hadrian Marlowe. I say this seemingly after every Sun Eater review, but I cannot wait to see what comes next for the Halfmortal.
"The future?" I echoed her words, shook my head. "No. Not like you think. I remember time. Things that haven't happened, or won't. And things that might happen." I tried not to think about the water, about how I failed. The vision was gone completely then, no possibility flickered on the edge of human sight. "If I try, I can choose what happens. Just for a moment."
The witch blinked at me, gray eyes like the shutters of camera eyes. "The beam. On Berenike. You're saying you can perceive the possible world states and... collapse the waveform how you choose?"
I told her I did not know, but her eyes grew wide. I know now. The ancient mystes teach us that-unobserved-light acts like a wave, that it is the eye of the beholder that collapses light into coherent beams of energy. So it is with all things. So it is that all conscious observers collapse the potential universe, condense reality, make history with their eyes. It is only that my eyes-my mind-sees more than other men.
Content Warnings
Graphic: Body horror, Confinement, Death, Gore, Slavery, Suicidal thoughts, Torture, Violence, Blood, Cannibalism, War, and Injury/Injury detail
Wind and Truth by Brandon Sanderson
adventurous
dark
emotional
hopeful
inspiring
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Honestly, I had my doubts about whether or not I'd enjoy this book. I still considered The Stormlight Archive my favorite series of all time up to this release. Though it has been a long two years since reading the first four books, so I wasn't sure if my reading taste had changed or if I still had the same connection to the characters and the world. I'm also not sure I'm a fan of the way the Sanderson's Cosmere novels are trending, becoming more overtly interconnected (in way that feels damaging to the writing of whatever the latest singular novel is, or at least that's how I felt with Sunlit Man). But safe to say, I certainly remained connected to this cast of characters, and I had an amazing time with this behemoth of a book. It is spectacular. Though it is probably my least favorite of the five published thus far because it is not perfect by any means. Let's start with my criticisms, all of which reside in roughly the first half of the book, most of them being technical.
I never used to care much about prose, but that is a portion of my reading taste that has slightly evolved. Sanderson's prose in the first half of the book, mostly during Kaladin and Dalinar's viewpoints unfortunately, felt like a noticeable step down from what I had remembered with his writing. And throughout the entire first half of the book, some of his word choice he uses feels shockingly modern and frankly quite lazy because there are instances further into the book where his word choice and description of objects feels appropriate for the context and present technology on Roshar. Additionally, most of the significant themes he's presenting feel extremely heavy-handed at times. Again, mostly in Kaladin's viewpoint which was very frustrating. Though I like the themes themselves and what Sanderson is attempting to convey and how it fits Kaladin's arc and really the entirety of the cast. The problem merely lies in how Sanderson was choosing to communicate them to the reader. Finally, the dialogue also felt stilted and sometimes slightly out of character. This was less frequent, but still noticeable and affected my enjoyment of the first half of the book. Overall, I can definitely agree with much of the discussion about Sanderson needing a stricter editor.
However, even with some technical hiccups, Sanderson remains the strongest plotter out there. The actual events happening throughout the course of the narrative had me thoroughly engaged. I think this was a result of great pacing as well thanks to the book being split into ten days, not four or five parts as the last four have been. Days 1 and 2 were on the slower and less intriguing side, but I maintain that I was still captivated and then things really took off with day 3 and onward.
And with all this being said, criticisms especially, the second half of the book is absolutely magical. All my problems begin to fade away as the writing becomes more polished and Sanderson starts firing on all cylinders. The number of questions finally answered and the clarity behind Roshar's history is magnificent. The flashbacks for Szeth are moving and present even more fantastic worldbuilding and revelations. Sanderson subverted my expectations with the climax so many times in such fantastic ways. I think I truly love where every character landed at the end of this book, several being very bittersweet. This book feels like such a satisfying and fitting conclusion for the first arc of Stormlight, while expertly setting up the second arc with massive implications and changes for not only Roshar, but the Cosmere at large.
In the end, my criticisms also cannot change how this book, and this series, has impacted me. It has genuinely changed my life. The power and emotional impact of the journey these characters embark on cannot be understated, and I'm forever thankful for Sanderson's ability to write in such an inspirational and touching manner. The mental health representation means everything to me. I have hardly been as moved by any other story I've experienced, and to me that's possibly the most special and important aspect of experiencing a story: simply how it makes me feel.
What a journey, what an epic conclusion. I will remember these characters forever, and I cannot wait to see some of them again in Stormlight 6, which is already so painful to wait for.
Life before death. Strength before weakness. Journey before destination. Thank you, Sanderson.
I never used to care much about prose, but that is a portion of my reading taste that has slightly evolved. Sanderson's prose in the first half of the book, mostly during Kaladin and Dalinar's viewpoints unfortunately, felt like a noticeable step down from what I had remembered with his writing. And throughout the entire first half of the book, some of his word choice he uses feels shockingly modern and frankly quite lazy because there are instances further into the book where his word choice and description of objects feels appropriate for the context and present technology on Roshar. Additionally, most of the significant themes he's presenting feel extremely heavy-handed at times. Again, mostly in Kaladin's viewpoint which was very frustrating. Though I like the themes themselves and what Sanderson is attempting to convey and how it fits Kaladin's arc and really the entirety of the cast. The problem merely lies in how Sanderson was choosing to communicate them to the reader. Finally, the dialogue also felt stilted and sometimes slightly out of character. This was less frequent, but still noticeable and affected my enjoyment of the first half of the book. Overall, I can definitely agree with much of the discussion about Sanderson needing a stricter editor.
However, even with some technical hiccups, Sanderson remains the strongest plotter out there. The actual events happening throughout the course of the narrative had me thoroughly engaged. I think this was a result of great pacing as well thanks to the book being split into ten days, not four or five parts as the last four have been. Days 1 and 2 were on the slower and less intriguing side, but I maintain that I was still captivated and then things really took off with day 3 and onward.
And with all this being said, criticisms especially, the second half of the book is absolutely magical. All my problems begin to fade away as the writing becomes more polished and Sanderson starts firing on all cylinders. The number of questions finally answered and the clarity behind Roshar's history is magnificent. The flashbacks for Szeth are moving and present even more fantastic worldbuilding and revelations. Sanderson subverted my expectations with the climax so many times in such fantastic ways. I think I truly love where every character landed at the end of this book, several being very bittersweet. This book feels like such a satisfying and fitting conclusion for the first arc of Stormlight, while expertly setting up the second arc with massive implications and changes for not only Roshar, but the Cosmere at large.
In the end, my criticisms also cannot change how this book, and this series, has impacted me. It has genuinely changed my life. The power and emotional impact of the journey these characters embark on cannot be understated, and I'm forever thankful for Sanderson's ability to write in such an inspirational and touching manner. The mental health representation means everything to me. I have hardly been as moved by any other story I've experienced, and to me that's possibly the most special and important aspect of experiencing a story: simply how it makes me feel.
What a journey, what an epic conclusion. I will remember these characters forever, and I cannot wait to see some of them again in Stormlight 6, which is already so painful to wait for.
Life before death. Strength before weakness. Journey before destination. Thank you, Sanderson.
"You know what first drew me to you, Kaladin?' Wit asked. 'You did one of the most difficult things a man can do: you gave yourself a second chance."
"I took that second chance... maybe a third," Kaladin admitted. "But now what? Who am I without the spear?"
"Won't it be exciting to find out?" Wit said. "Have you ever wondered who you would be if there was no one you needed to save, no one you needed to kill? You've lived for others for so long, Kaladin. What happens when you try living for you?" Wit held up his finger. "I know you can't answer yet. Go and find out." With that, Wit bowed to him. "Thank you."
"For what?" Kaladin asked.
"For the inspiration," Wit said[.]
"Your pain," the voice said. "All men have the same ultimate destination, Dalinar. But we are not creatures of destinations. It is the journey that shapes us. Our callused feet. Your callused feet. Our backs strong from carrying the weight of our travels. Your back strong from carrying the weight of your travels. Our eyes open. Your. Eyes. Open. You kept the pain, Dalinar. Remember that. For the substance of our existence is not in the achievement, but in the method..."
(I've been sitting between a 4.5 and 5 star rating for this, so I'm just leaving it at a 4.75 for now (down to 4.5 as of 1/5/25). But really I don't see it going below that in the future. It may even go up to 5 stars soon after continuing to process. I'm also curious to see how my eventual series reread will affect my perception of the first half of the book. Might add more to this review too, hopefully it's concise enough. Anyways, a flawed, but incredible book.)
Content Warnings
Graphic: Violence and War
Minor: Animal death and Sexual content