Scan barcode
enter_the_phantom's reviews
1148 reviews
The Children of Red Peak by Craig DiLouie
Expand filter menu
Collapse filter menu
Content Warnings
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Injury/Injury detail
Avatar: The Last Airbender: The Search, Part 3 by Bryan Konietzko, Michael Dante DiMartino, Gene Luen Yang, Gene Luen Yang
adventurous
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Avatar: The Last Airbender: The Search, Part 2 by Various, Dave Marshall, Gene Luen Yang
adventurous
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Avatar: The Last Airbender: The Search, Part 1 by Bryan Konietzko, Michael Dante DiMartino, Gene Luen Yang, Gene Luen Yang
adventurous
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Just Like Mother by Anne Heltzel
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
Ana on the Edge by A.J. Sass
hopeful
inspiring
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
The Paleontologist by Luke Dumas
Expand filter menu
Collapse filter menu
Content Warnings
dark
informative
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Oh, how I desperately wanted to love this book.
Dinosaur horror is a micro-genre that is woefully small. So while I'm not generally a lover of ghost stories, the wholly original premise sounded like a winner. A museum haunted by a vengeful dinosaur ghost? A dinosaur character that isn't a T. rex? Sign me up.
Unfortunately, the writing isn't strong enough to support the story, and it becomes so convoluted and hard to follow that no angry dinosaur ghosts can save it from being anything more than "meh."
This book is slow. Painfully slow. Dumas likes to explain things to readers as if they are ten years old. I lost track of how often a joke was explained or a clue or mystery was obnoxiously spelled out for the reader. I'm aware that most readers won't understand the nuances of paleontological practices and terms, but they don't need to because this isn't a field guide or textbook; it's a novel. So when the story comes to a grinding halt so that Dumas can explain in exacting detail the process of sediment deposition or the anatomical structure of a late Cretaceous theropod, it's more tedious than it is interesting. The same goes for the jarring and out-of-place social commentary on privilege and patriarchy randomly shoehorned in any time a female character talks about their job. While we appreciate the sentiment, this isn't the book for it, and it just doesn't work and comes across as hamfisted and insincere.
The characters aren't particularly strong and some of them just come across as tired rehashes of half-developed archetypes from other mystery works (looking at you, Fran). The villain is obvious from his first appearance. There's just nothing new here in terms of characters.
The story, on the other hand, is actually quite good and had me excited for some cool new ideas in the first half. The extinction of the dinosaurs is a tragedy that often isn't portrayed as such, so a museum haunted by the spirits of tortured saurian souls forced to suffer in their post-asteroid-collision agony for all eternity is a fascinating and heartbreaking concept. There's even a murderous dino ghost villain out for blood.
Of course, Dumas has to ruin it with a terrible mystery reveal involving a convoluted and trite voodoo ritual. Less black magick, more bloody albino theropods, please.
This is a fun read if you need something silly and entertaining and have no experience with better, more effective horror novels. I personally just want more dinosaur books that explore all the genre can be and don't tap out halfway through with cheesy and unbelievable human characters who talk like Batman villains. If I sound jaded, it's because I am.
Dinosaur horror is a micro-genre that is woefully small. So while I'm not generally a lover of ghost stories, the wholly original premise sounded like a winner. A museum haunted by a vengeful dinosaur ghost? A dinosaur character that isn't a T. rex? Sign me up.
Unfortunately, the writing isn't strong enough to support the story, and it becomes so convoluted and hard to follow that no angry dinosaur ghosts can save it from being anything more than "meh."
This book is slow. Painfully slow. Dumas likes to explain things to readers as if they are ten years old. I lost track of how often a joke was explained or a clue or mystery was obnoxiously spelled out for the reader. I'm aware that most readers won't understand the nuances of paleontological practices and terms, but they don't need to because this isn't a field guide or textbook; it's a novel. So when the story comes to a grinding halt so that Dumas can explain in exacting detail the process of sediment deposition or the anatomical structure of a late Cretaceous theropod, it's more tedious than it is interesting. The same goes for the jarring and out-of-place social commentary on privilege and patriarchy randomly shoehorned in any time a female character talks about their job. While we appreciate the sentiment, this isn't the book for it, and it just doesn't work and comes across as hamfisted and insincere.
The characters aren't particularly strong and some of them just come across as tired rehashes of half-developed archetypes from other mystery works (looking at you, Fran). The villain is obvious from his first appearance. There's just nothing new here in terms of characters.
The story, on the other hand, is actually quite good and had me excited for some cool new ideas in the first half. The extinction of the dinosaurs is a tragedy that often isn't portrayed as such, so a museum haunted by the spirits of tortured saurian souls forced to suffer in their post-asteroid-collision agony for all eternity is a fascinating and heartbreaking concept. There's even a murderous dino ghost villain out for blood.
Of course, Dumas has to ruin it with a terrible mystery reveal involving a convoluted and trite voodoo ritual. Less black magick, more bloody albino theropods, please.
This is a fun read if you need something silly and entertaining and have no experience with better, more effective horror novels. I personally just want more dinosaur books that explore all the genre can be and don't tap out halfway through with cheesy and unbelievable human characters who talk like Batman villains. If I sound jaded, it's because I am.
Graphic: Animal death
Moderate: Child abuse and Child death
Minor: Homophobia and Sexual violence
Starter Villain by John Scalzi
funny
lighthearted
fast-paced
- Plot- or character-driven? Plot
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Episode Thirteen by Craig DiLouie
adventurous
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Boys Weekend by Mattie Lubchansky
emotional
funny
hopeful
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.0