It was ok. You can really tell that Jenkins Reid has improved her writing overtime. This one felt a little too guided, almost self-helpy, but there's still the compelling character dynamic that's become her trademark. I think she did a better take on the multiverse premise than Midnight Library by Haig, this is the book I would've liked to read instead so if that's you I can't recommend it more.
Great production on the audiobook, immersive and creative. Pip is clever and decided, but also kind and caring which I think is what made the story work. Still, this book reaffirmed my prenotion that reporters are insane and have no self preservation skills.
Had some trouble getting into this one but I'm sure my attention span of late is to blame. Probably not my favorite of Austen's, nor the one I'd recommend for beginners but it was enjoyable. My only gripe is that the ending felt a bit rushed given how long we were building up to it, but knowing now how many drafts it went through I understand a bit better, sometimes you just want to get it done and gone! Might be that the open-end quality grows with me overtime, I'm already delighted by the possibility of Mrs. Clay and Mr. Elliot grifter spinoff so we'll see.
I can understand it as a dark comedy, but absolutely not as a cozy heartwarming tale. Ove is not without many flaws which fine, but did the plot have to be so dull? It mostly hinges off bad things happening and Ove reacting to them, which got tiring after a while. I have a bone to pick with the many slurs, fatphobia, and shrieking women. Might give Backman another chance to see if this was an Ove thing or an author thing but I have limited hopes.
Liked it more than what I was expecting to. It gave me early seasons Grey’s Anatomy vibes with all the drama sprinkled with little pockets of happiness. Modern fairytale, the way soap operas are. Did Lily “break the cycle” tho? Well… no, but much like a TV show, this shouldn’t be your source of information on domestic violence and abuse. Still, I think that (at least on this one) the author did a good job at broaching the issues to a mainstream audience with a good amount of nuance, empathy, and respect for the victims.
Main character NOT a monsterfucker. What is even the point of falling for a vampire if you're not gonna have the moral conundrum of eternal life in sin while your body runs horny.exe on the background. Beyond that, zero effort was put into any of the writing: the characters are cardboard, the pacing is all over and there are so many historical innacuracies that I wonder if the author did any research at all or just winged it. How this reached publication is beyond me.
This went into a different route than the one I was expecting but it was gratifying either way. I wish more people were talking about it because there’s so much to unpack from so many angles, would be a fantastic book club read. Do heed the content warnings though, especially if you don’t enjoy dark themes being explored in media.
PS. For the four people that both read this and watched Our flag means death: I have such a vivid image of a steddyhands crossover that I’ll never get to writing but that played in my head simultaneously to the actual book plot and I needed to share with the class.
Lacks so much self-awareness. Didn't like the MC a lot to begin with but then she insta-falls for the dude and they? pokemon flirt? It's so nonsensical. Also kind of annoyed with the "footnotes" but I could've overlook that if it weren't for the racism claims while also being racist.
The narration style has different POVs all tangled into a single stream of consciousness voice so in a way it felt similar to To the Lighthouse -if the former weren't such a bore. I liked it much more than if it were just a whodunnit type of book for the way it manages to weave several themes into the plot. Can't say much else without giving stuff away but definitely would recommend, especially if you liked other works by the author.