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discardeddustjacket's reviews
314 reviews
Did not finish book. Stopped at 39%.
Secondly, I really couldn’t stand the MMC, even later in the book when they’re older. Idk if maybe I didn’t get to the part when he develops as a character, but his lukewarm moderate, capitalist, poli-sci dudebro monologues about the “problem with government these days” really didn’t land with me. His whole “just playing devil’s advocate” thing when an Indigenous person was literally describing how their sacred land had been desecrated REALLY made me want to scream.
And thirdly, this isn’t exclusive to this book in particular (although it’s a pretty egregious example), but I can’t stand the trope where one character willingly withholds information that they know will jeopardize their chances of a romantic/sexual relationship with the other character. I’m a firm believer in INFORMED consent, and doing what the MMC does to the FMC in this book is such a violation of her autonomy.
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Flaws of characters a main focus? Yes
2.5
There’s this wetness permeating the story, both in its depictions of sex and death/decomposition. (Bodily fluids/smells seem to be a recurring thematic element.)
I think where I struggled was that despite all that, I just never really felt connected to the story or the characters. I kept waiting to become invested but it never happened. This is likely more an issue of personal preference rather than any flaw in the story itself.
I think I expected more of a supernatural element—more body horror, and I would’ve liked the book more if it had gone in that direction. But again, that’s just my preference.
Graphic: Death, Drug use, Gore, Mental illness, Blood, Suicide attempt, Murder, Schizophrenia/Psychosis , Alcohol, and Dysphoria
Moderate: Sexual content
Minor: Excrement, Vomit, Stalking, and Fire/Fire injury
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
2.0
This is one of those books that is purposefully unclear for the first, like, 75%, until you’re granted some grand revelation that’s supposed to make it all make sense. Except I still had more questions than answers at the end of this story, and feeling lost the entire time didn’t make for a very enjoyable reading experience for me.
The writing was beautiful and descriptive yet very cryptic in nature, which made it hard to connect with the protagonist and the story. I think I’d need to re-read this two or three times before having a clearer understanding of what’s going on. There’s definitely some allegorical meaning at play here, and if I had to guess, something to do with generational trauma.
Huge trigger warning for pregnancy and childbirth which is depicted in probably the gnarliest way I’ve ever encountered.
Graphic: Body horror, Death, Gore, Blood, Grief, Suicide attempt, Death of parent, Pregnancy, and Fire/Fire injury
Moderate: Confinement and Infertility
Minor: Excrement
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
But in all seriousness this was really good. Despite the “Exorcist meets Lord of the Flies” description, I didn’t find it necessarily frightening as much as I just found it really… upsetting? Tragic? The relationship between Father Andrew and Peter was so endearing, but I also appreciated how Andrew’s character—objectively the best of the priests—is not perfect (I mean, he’s complicit in child abuse).
Peter’s internal struggle the entire book with whether or not to become a priest himself serves as such a good sort-of backdrop to the rest of the story and his role in it as well. I just really liked Peter’s character, and even though I’m not a person of faith, I found his story really moving.
If you like horror that explores religious themes, this is right up your alley.
Graphic: Child abuse, Child death, Confinement, Death, Gore, Physical abuse, Violence, Blood, Death of parent, Murder, Fire/Fire injury, and Injury/Injury detail
Moderate: Grief
Minor: Alcoholism, Bullying, Chronic illness, and Domestic abuse
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
This might stem from my overall apathy toward the “virgin FMC gets taught how to sex by experienced MMC” trope. I don’t hate it, but it doesn’t excite me. I think Kathryn Moon still did it pretty well here.
Being someone who can see, I can’t speak to whether or not Lillian’s blindness is handled well, but I certainly always appreciate disability representation. It was nice that Marius was so willing to offer Lillian freedom, and never seemed to infantilize her.
Overall this was a fun, short read.
Graphic: Sexual content, Violence, and Injury/Injury detail
Moderate: Ableism, Forced institutionalization, and Abandonment
Minor: Sexual assault
Did not finish book. Stopped at 28%.
I think it’s because like, for me, the very beginning of a story—when you’re first thrust into this new setting and you don’t yet care about the characters or have any sort of investment in the plot—is the hardest for me to focus on and push through.
And a collection of short stories kind of suspends you in that stage. There’s so much stopping and starting. My brain just has trouble latching on. It’s absolutely not the fault of the book or any of the contributing authors.
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0
Listen, I don’t pick up on like metaphor and symbolism very easily, so I’m not the best at attempting literary analysis, but what I CAN say I definitely absorbed from this, was a sense of the monstrous damage that grief and trauma can do to a family—how consuming it can be (pun absolutely intended).
I found the writing well-paced for the most part (I wasn’t forcing myself to push through; I was genuinely interested in finding out what happens next), although at times it felt a little repetitive.
Overall it certainly made an impression, but I don’t think I’m smart enough for this high-brow sort of horror. Like it’s good! But I’m clearly not literate enough to dissect it the way it deserves to be, lol.
Graphic: Body horror, Child abuse, Confinement, Death, Emotional abuse, Gore, Incest, Blood, Excrement, Grief, Cannibalism, Death of parent, Murder, Pregnancy, and Injury/Injury detail
Moderate: Adult/minor relationship and Child death
Minor: Vomit and Abortion
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.25
The characters were so interesting (I’ve read a lot of monster romance, so I know what to expect from an Orc or Fae or Demons, but the Gemini was a genuine, pleasant surprise), and the slow-building tension within the relationships actually added to my overall enjoyment. I didn’t think it was overwritten. It held my attention, to the point where even when it was like 1 am and my eyes were half-closed, I couldn’t stop reading.
Graphic: Sexual content, Violence, Blood, Murder, and Injury/Injury detail
Moderate: Emotional abuse, Slavery, Death of parent, and Abandonment
Minor: Confinement, Death, Sexual violence, Toxic relationship, Kidnapping, Grief, and Fire/Fire injury
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Misogyny, Violence, Blood, Cannibalism, and Injury/Injury detail
Minor: Rape and Fire/Fire injury
3.0
Graphic: Death, Murder, and Injury/Injury detail