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dianapharah's reviews
119 reviews

Rifqa by Mohammed El-Kurd

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emotional

3.75

I ask about the office
where opinion shapers
rhyme my country with its cancer,
And I will flip the conference table
 on the conference itself.
I will tell them
I have mailed you fire last week, did you receive my flames?
They will imagine a rifle on my tongue
and fix themselves fetuses in the corner,
cover their ears in fear of the firecrackers
and horses and rockets I’ve stuffed in my bag.
They will heave their proclamation,
heed my “perspective” of current affairs,
I’ll hold my word to one of the men’s heads.
and he’ll tremble as I press against his temple and say,
Say it.
Say it.
Say my name without spitting.

— “Crows”

Poetry at its core; powerful, raw, nuanced. The collection only strengthens the further along you read.

On most days we weep in advance.

We looked up to the clouds, got up on clouds.
Here, we know two suns: earth’s friend and white phosphorus.
Here, we know two things: death and the few breaths before it.

What do you say to children for whom the Red Sea doesn’t part?
— “No Moses in Siege”
Pedro Páramo by Juan Rulfo

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mysterious tense
  • Diverse cast of characters? Yes

2.75

Juan Rulfo said, "Pedro Páramo is a spoken language." And to that I say, perhaps blasphemously, I believe my enjoyment of this story would benefit greatly from an orated, cinematic medium.

2.75 — The main character is not Pedro Páramo or even Juan Preciado; it's Comala, a city that gives and takes, the era of giving long gone and replaced by the shadowy taking. A cycle of biting the hand that feeds and being bit in turn, viciously perpetuated until there remains no more hands to neither hold nor harm. Whatever line exists between the living and the dead is almost non-existent in this ghost town, as is the case for the various narrators and alternating timelines. Which would've been dandy if it all came together into a completed jigsaw puzzle, but, for me, those fragments remained relatively fragmentary and never quite merged into something greater.

Definitely a book I wish I could've read in an academic context. Left feeling very "what, that's it?"; nevertheless, I'm glad to have read it. Maybe I'll reread Pedro Páramo one day and enjoy it so much more since I can focus on synthesis rather than merely keeping up with the who, when, and where. That aside, the prose was beautiful, and Rulfo has a way of transferring into his readers the very hopelessness, pain, and sorrow plaguing the inhabitants of this town, transcending generations and geographies.

Several People Are Typing by Calvin Kasulke

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adventurous funny fast-paced
  • Plot- or character-driven? A mix
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.0

there's nothing visual you can cram in a glowing rectangle that fucks with your brain quite like a sunset
so
if we can't see the physical sublime
what are we supposed to look at
where's that constant amazement
that we can check in on every so often
whenever we can stand it


Easy to pick up, hard to put down. Wacky in a largely fun way. Last quarter was quite a bit rushed in my opinion, and some pretty important stuff was glossed over at the end.

Foster by Claire Keegan

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emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Diverse cast of characters? No

3.25

"'Where there's a secret,' she says, 'there's shame—and shame is something we can do without.'

'Okay.' I take big breaths so I won't cry.

She puts her arm around me. 'You're just too young to understand.'

As soon as she says this, I realise she is just like everyone else, and wish I was back at home so that all the things I do not understand could be the same as they always are."

A short glimpse into the quaint, still-yet-budding life of a young girl who finds herself a little less lost than the way in which she began.

Água Viva by Clarice Lispector

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hopeful reflective slow-paced

4.0

"I want the inconclusive. I want the profound organic disorder that nevertheless hints at any underlying order. The great potency of potentiality."


"Before I organize myself, I must disorganize myself internally. To experience that first and fleeting primary state of freedom. Of the freedom to err, fall and get up again."


"To create a being out of oneself is very serious. I am creating myself. And walking in complete darkness in search of ourselves is what we do. It hurts. But these are the pains of childbirth: a thing is born that is. Is itself. It is hard as a dry stone. But the core is soft and alive, perishable, perilous it. Life of elementary matter."


"Pain is exacerbated life. The process hurts. Coming-to-be is a slow and slow good pain. It's the wide stretching as far one can go. And your blood thanks you. I breathe, I breathe."


Lispector's prose is simply beautiful. The stream-of-consciousness works best for topics such as these; when you're unearthing yourself from deep within, and you're unsure of what awaits you until it's right there, infiltrating your current instant and forcing you to acknowledge the foreign that isn't so foreign, if unable to be understood then at least to be given room to exist. All of which the written word helps to achieve.

"The more accursed, the nearer toward the God. I deepened myself in myself and found that I want bloody life, and the occult meaning has intensity that has light. It is the secret light of a knowledge of fatality: the cornerstone of the earth. It is more an omen of life than actual life."


"Death is just future to such an extent that there are those who cannot bear it and commit suicide. It's as if life said the following: and there simply was no following. Only the waiting colon."


"I am—despite everything oh despite everything—am being joyful in this very instant because I refuse to be defeated: so I love. As an answer. Impersonal love, itlove, is joy: even the love that doesn't work out, even the love that ends. And my own death and that of those we love must be joyful, I don't yet know how, but they must be. That is living: the joy of the it. And to settle for that not as one defeated but in an allegro con brio."


"And now suddenly after an evening of 'who am I' and of waking at one in the morning still in despair—now suddenly at three in the morning I woke and met myself. I want to meet myself. Calm, joyful, fullness without fulmination. Simply I am I. And you are you. It is vast, and will endure."

The Beggar Student by Osamu Dazai

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lighthearted fast-paced
  • Strong character development? Yes
  • Diverse cast of characters? No

3.5


"I wish I could just cut my belly open and let all of the words come spilling out. No matter if it's gibberish, as long as it's my flesh and blood doing the talking."


A fun tale of camaraderie, persistent youth, rejuvenation, and self-grace.

The Blind Owl by Sadegh Hedayat

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dark reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.0

"Will anyone ever penetrate the secret of this disease which transcends ordinary experience, this reverberation of the shadow of the mind, which manifests itself in a state of coma like that between death and resurrection, when one is neither asleep nor awake?"


If you enjoyed No Longer Human by Osamu Dazai, you will almost certainly like the The Blind Owl by Sadegh Hedayat; if you hated the former, the latter probably won't do much for you either. Both works share narrators who I can neither love nor hate, neither pity nor scorn, and nor should I. But mental illness is an ugly beast, no matter how one might try to repackage it into something more palatable, and both Dazai and Hedayat showcase the painful reality of existing in this poisonous state wherein you are both the parasite and the host. It is messy, it is non-linear, it is a blur between what is real and what isn't. You, the reader, bring to this story your own lived experiences, and, through that lens, you will distinguish the indistinguishable and decipher the indecipherable.

"It seemed to me that until now I had not known myself and that the world as I had conceived it hitherto had lost all significance and validity and had been replaced by the darkness of night. For I had not been taught to gaze at and to love the night."


Our narrator is his own self-fulfilling prophecy; doomed from the start to actualize the frightening thoughts long lurking in the recesses of his being, because it is that same fear of his own depths which propels him further away from the tangible world and further towards a fitful desperation, seeking both self-understanding and self-release. Afraid of the very shadow he casts, yet this shadow is more substantial than any other part of him, and it demands to know and to be known, to see and to be seen. This tale is never-ending as the final page bleeds back into the first few, for once he indulges in the shadows within himself—the self given room to breathe in the shadows—he does not find resolution, only that the maze of his mind goes deeper still.

"Am I a being separate and apart from the rest of creation? I do not know. But when I looked into the mirror a moment ago I did not recognize myself. No, the old 'I' has died and rotted away, but no barrier, no gulf, exists between it and the new one."


Paranoia and hallucinations, anxiety and fear—these are byproducts of the narrator's gradual decomposition, which carry on to hasten the process; it is cyclical, it is apoptosis on a grand scale. Tainting nearly everything in his life, priming said life for its ultimate elimination.

"What comforted me was the prospect of oblivion after death. The thought of an afterlife frightened and fatigued me. I had never been able to adapt myself to the world in which I was now living. Of what use would another world be to me?"


Suffering was woven into the threads of his fate since conception. At least, this is how it seems to us, the audience, because that is how it feels for him, the tormented. But while we can close the book and turn away from his madness, he is trapped with it; his mind, his property. The only option for him is thus to establish an understanding with the monster who shares his existence. And so comes The Blind Owl.

"I thought to myself, 'If it is true that everyone has his own star in the sky mine must be remote, dark and meaningless. Perhaps I have never had a star at all.'"

Chess Story by Stefan Zweig

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dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25

'There was nothing to do, nothing to hear, nothing to see, nothingness was everywhere around me all the time, a completely dimensionless and timeless void. You walked up and down, you and your thoughts, up and down, over and over. But even thoughts, insubstantial as they seem, need a footing, or they begin to spin, to run in frenzied circles; they can't bear nothingness either.'


4.25? 4.5? — I absolutely love exploring the human condition via more abstract means, and the royal's game of chess is an unexpected yet fascinating way of depicting the extents to which the mind will go when severely deprived of all other stimuli, both the external and the internal. What starts as a method to ascend from madness becomes the very gateway to descend into it once more; salvation through obsession, and damnation through over-indulgence.

‘My only interest, the only attraction for me, is a postmortem curiosity to know whether that was chess or madness in the cell, whether at that time I was just on the brink or already over the edge—that's all, nothing else.’

Walking to Aldebaran by Adrian Tchaikovsky

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adventurous mysterious tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.25

"Whenever I stop, the blood starts, as though only my constant racked shambling can keep the life inside me. As if I'm truly condemned now, to stagger through these midnight halls like the Flying Dutchman, an endless life of pointless travel."

Much more my speed compared to Saturation Point (thanks to a much more competent character found in Gary Rendell, who actually has personality and wit). The author seems to love endings with a twist as we are now two for two. What I really appreciate about his execution is that it doesn't just come out of nowhere; there's little crumbs of foreshadowing leading up to the 'grand reveal', so it ties up the whole novella rather nicely instead of coming across like a cop-out.

In light of the ending, however, I feel we are retroactively left with a general muddiness around character motives that never quite gets cleared up. Then again, the soundness of one's mind is in and of itself questionable after such long bouts of isolation, so contradictory logic might just be par for the course.

Saturation Point by Adrian Tchaikovsky

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adventurous mysterious
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

2.5

Dr. Jasmine Marks is an absolutely unbearable character whose trademark dialogue tag is "I said, stupidly (again)"; acknowledging her own stupidity does not salvage the fact that she is supposed to be a scientist of substance, yet she only becomes increasingly more stupid and childish throughout the novella. While this very well might be 'the point' (humans feel entitled to the world, the superiority complex of evolutionary man, yada yada), for me, a novella largely hinges on its characters, given the inherently short nature of the plot and thus the overall story. Ergo, her character's regressive trajectory, whether intentional or unintentional, dealt a lot of damage. 

The writer, to his credit, did a real solid job with everything else (big on the greater themes), and I'll definitely read more from him. I especially liked the analogy of a host's defense system against infection via fever to earth's global warming in response to human destruction, and the ending had a nice little twist as well. Ultimately, however, I found this novella as a whole to be a miss for me because of the insufferable protagonist. Hell, even the side characters who died within a handful of scenes were more worthwhile than our leading lady, in my opinion. #TeamAntagonist