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bisexualbookshelf's reviews
692 reviews
4.5
Graphic: Sexual content
Minor: Drug abuse, Drug use, Suicidal thoughts, Police brutality, Alcohol, Sexual harassment, and Pandemic/Epidemic
Did not finish book. Stopped at 3%.
Graphic: Child abuse
Did not finish book. Stopped at 7%.
Unfortunately, this book is not the one for me. It’s written by two white, cishet women journalists who describe their findings as “explosive” within the first few sentences. The authors don’t make any effort to use gender inclusive language and somehow get through the first 30 pages without mentioning race once. Considering that these things make this book pretty out of alignment with my values and general worldview, as interested as I am in the facts that lay within it, it didn’t feel worth 500 some pages.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Homophobia, Racism, Xenophobia, and Lesbophobia
Moderate: Alcohol
Minor: Child abuse, Miscarriage, Sexual content, Sexual harassment, and War
4.0
Graphic: Ableism
Moderate: Chronic illness, Genocide, Torture, and Medical content
Minor: Cancer, Suicide, and Sexual harassment
4.5
Minor: Alcoholism, Cancer, Drug abuse, Drug use, Gun violence, Mental illness, Rape, Alcohol, and Pandemic/Epidemic
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Moderate: Ableism
Minor: Drug use, Sexual content, Medical content, and Alcohol
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
The narrative is deeply introspective, focusing on the internal landscapes of the characters, particularly Mitty and Lena. Gatwood’s writing is contemplative, drawing readers into the quiet, melancholic musings of her protagonists as they navigate the suffocating pressures of societal norms and the creeping influence of technology on their lives. The exploration of how women’s identities are shaped—and often constrained—by these forces is a central theme, with the novel delving into the nuanced ways that loneliness, belonging, and the struggle for self-understanding manifest in a world dominated by digital realities and skewed power dynamics. While this is certainly an interesting starting point for a character study, based on the synopsis and marketing, I was expecting much more plot and much less stream-of-consciousness from this book compared to what it delivered.
Despite the potential richness of these themes, the novel struggles to fully engage. Based on her traditional background as a poet, Gatwood fell short of my expectations for delivering lyrical and poignant prose. The characters, while crafted with care, lack the depth and distinction needed to truly resonate. Both Mitty and Lena, whose perspectives alternate throughout the narrative, often blur into one another, making it difficult to differentiate their voices or fully invest in their individual stories. This blending of character voices may be an intentional choice to underscore the universality of their experiences, but it ultimately detracts from the novel’s impact and left me grasping for a stronger connection.
The novel’s setting in Silicon Valley provides a fertile backdrop for exploring the erosion of authentic experiences in the face of relentless technological progress and gentrification. However, Gatwood’s critique of these forces feels somewhat superficial, failing to delve deeply enough into the implications of an increasingly AI-driven world. The tech elements of the narrative are introduced with promise but remain underdeveloped, leaving a sense of unfulfilled potential.
Whoever You Are, Honey attempts to grapple with significant and timely issues but ultimately falls short of delivering the incisive, emotionally resonant narrative that its premise suggests. While Gatwood’s exploration of identity, technology, and societal expectations offers moments of insight, the novel’s lack of character differentiation and its missed opportunities for deeper narrative exploration leave it feeling somewhat flat. For readers drawn to introspective literary fiction with a focus on contemporary issues, this novel may still offer something of value, but it may not fully satisfy those expecting the poetic depth and narrative tension hinted at in its initial pitches. I do think my dissatisfaction with this book was due to my expectations being very different from what was actually delivered, and I am already considering revisiting it in the future with a different set of expectations to see if my experience with it changes.
Graphic: Sexual content
Moderate: Animal death, Gore, Self harm, Blood, and Injury/Injury detail
Minor: Gun violence, Mental illness, Toxic relationship, Vomit, Grief, Murder, and Abandonment
Did not finish book. Stopped at 68%.
Graphic: Self harm, Sexual assault, Sexual content, Sexual violence, and Suicidal thoughts
Did not finish book. Stopped at 39%.