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annoyedhumanoid's reviews
176 reviews
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
i enjoyed the story lines of Greta and Valdin (the main characters). we're all such lovers, like truly what could be more important. despite complaining about its complexity, i admit to also liking the family drama. it felt like a telenovela but not tele, so just a novella, except it's a full-length novel, so really never mind. i feel the same about this book as i did with Disorientation by Elaine Hsieh Chou: the execution was imperfect but the premise was so interesting and the atmosphere so unique that i will be on the lookout for similar books.
i didn't enjoy, though, how
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
finally, the ending was abrupt—does it even complete the academic year? surely Selin would return to Harvard in the autumn, presumably where a hypothetical sequel would begin, like its two predecessors, but then we would be missing her time in Russia. it feels disorganized for the series and like there was a deadline to meet.
gripes aside, the majority of this was a pleasure to read. i laughed out loud at work while listening to the audiobook. having read Either/Or immediately after The Idiot, the two felt like one continuous narrative, one stream of consciousness, split into two volumes—which i’m okay with! if they had been together, big book fear probably would have prevented me from experiencing this wonderful series altogether. this unbroken stream of consciousness never felt like being inundated with a self-important person’s world view: our narrator doesn’t have the answers and knows it, creating a feeling of learning and a conversation with the reader. it’s a conversation i want to keep having.
but Selin needs to stop sending her emails prematurely or to the wrong recipient. i can’t handle that trope.
further reading: Let’s Go: Greece & Turkey, 1998, with contributors including Elif Batuman. https://archive.org/details/letsgogreeceturk0000unse
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
the worst man you know, and you’re stuck in his orbit.
at first, this book was such a refreshing view of the first-year college experience that i was disappointed when it got caught up in a man. but at the halfway point i began to appreciate it showing just how insufferable he is, that worst man you know, and how foolish you were to go back to what hurt you every time.
until: his charm worked on me too. i wanted more of him, more than even Selin did. what starts by holding up a mirror to your stupidity then gently redirects your gaze to the huge world behind your reflection, beyond the endless, ruinous chase for love.
but it also shows you, in that huge world, a whole throng of people who all want to love and be loved, like you. or, one other person who does. but if we aren’t the only one in something, mustn’t there be countless more? i’ve constructed playlists comprising dozens of songs written by hundreds of people that collectively capture to a tee how i feel, but never have i felt more solidarity in those feelings than i have from this one book.
“I’m not Turkish, I don’t have a Serbian best friend, I’m not in love with a Hungarian, I don’t go to Harvard. Or do I?”
“Long after I finished The Idiot, I looked at every lanky girl with her nose in a book on the subway and thought: Selin.”
we’re all the idiot.
or, at least, i don’t think i’m the only one.
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
justice—who delivers it and who receives it—was a major theme, but its development felt potemkin. the righteousness of
i have to admit i fell for the red herrings. maybe they wouldn’t work if you’re a mystery buff but i’m not really.
in my ranking of the Foley mystery canon, it falls below *The Hunting Party* and *The Guest List* but above *The Paris Apartment* (but the latter set the bar very low)
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
it is crazy long, especially for a middle grade. it took until the last fifth to reach and sustain an engaging pace.
but that last fifth… i forgive many of its faults just for the wonderful ending. and in my headcanon, unsupported by The Mysterious Benedict Society, Nicholas and John grow up to be high-society recluse lovers à la the Rothschilds.
Graphic: Bullying
Moderate: Body shaming, Violence, Grief, and Injury/Injury detail
Minor: Child abuse, Child death, Confinement, Death, Blood, and Death of parent
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
the story, on the other hand, is confusing. the first book’s plot holes are not resolved here; in fact, some new ones join the fray. i think i need someone to answer several questions. but i’m for sure still reading the third book when it comes out (hoping it’s the final)
and now i can finally delete my one-year-overdue countdown for this book’s release.
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Graphic: Body horror, Body shaming, Self harm, Blood, and Sexual harassment
Moderate: Cursing, Drug use, Eating disorder, Gore, Pedophilia, Racism, Sexual assault, Sexual content, Sexual violence, Xenophobia, Medical content, Medical trauma, Abandonment, Injury/Injury detail, and Classism
Minor: Confinement, Toxic relationship, Forced institutionalization, Grief, Abortion, Pregnancy, Toxic friendship, and Alcohol
3.75
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Child abuse, Child death, Death, Gun violence, Misogyny, Rape, Sexual assault, Sexual violence, Violence, Kidnapping, Murder, Colonisation, and War
Moderate: Animal cruelty, Animal death, Confinement, Genocide, Gore, Racism, Torture, Blood, and Injury/Injury detail