Babel is a richly layered novel, blending fantasy, alternate history, and dark academia, all wrapped up in a tale about the power of language. Set mostly in 1830s Oxford, England, the story revolves around translation, magic, and the revolutionary struggle against colonial control. It’s a slow burn at first, as the novel spends much time establishing the world and filling in historical context. However, once the characters are fleshed out and the action picks up, the story becomes deeply engaging, weaving philosophy and tension into a compelling narrative.

At its core, Babel is about power—who controls it, who is oppressed by it, and who is willing to fight to keep it or take it back. The world Kuang has created is one where magic is derived from silver, a resource that requires translators to activate its power. By inscribing bars of silver with pairs of words in different languages that share nuanced meanings, the silver can perform anything from smoothing a carriage ride to holding up a bridge. The translators, often from colonized or marginalized backgrounds, find themselves caught in the tension between serving the empire and resisting its exploitation.

While the story can feel heavy-handed in its historical details, particularly in the early chapters, this depth ultimately serves to strengthen its message. The slow build-up pays off, as the book transitions into an intense exploration of rebellion and moral ambiguity. The pacing quickens, and the stakes rise as the protagonists grapple with their roles in a fight that, though noble, becomes increasingly complicated. The question of whether dying for a cause is worth it when the lines between right and wrong blur adds a layer of tragedy and reflection to the novel.

In many ways, Babel is a mash-up of Harry Potter, The Secret History, and Jonathan Strange & Mr. Norrell—it’s a dark academic tale steeped in magical realism, revolution, and the bonds of found family. It’s a story for readers who love delving into complex world-building and philosophical questions. The writing itself is exceptional, with Kuang’s skillful use of language elevating the novel’s themes and providing a sharp commentary on colonialism and the power dynamics it creates.

While Babel might not be for everyone, particularly those who prefer fast-paced plots without heavy historical context, I believe it’s an essential read. The novel tackles important questions about language, power, and resistance, making it both thought-provoking and emotionally stirring. I highly recommend it to anyone interested in stories where language is magic, and magic becomes a means of revolution.