A review by midnightbookmusings
The Dream Hotel by Laila Lalami

dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Thank you to Netgalley and Knopf for the eARC of The Dream Hotel in exchange for an honest review. 

The Dream Hotel is a chilling examination of the surveillance state, the incarceration industrial complex, and capitalism and even though the book is billed as a dystopian, the setting of the novel feels very much too close for comfort. 

We follow the harrowing experience of Sara Hussein, a Moroccan American archivist whose unpleasant interaction with customs officers at LAX turned into a nightmare when she is sentenced to retention by the government agency Risk Assessment Administration (RAA) which has predicted that she will commit a crime against her husband. As a retainee, Sara finds herself at the mercy of Madison, a private retention center run by corporation Safe-X, where her chances of freedom depend on the whims of the complicated bureaucratic system full of arbitrary rules designed to keep Sara and her fellow retainees in a perpetual miserable, profit-maximizing existence inside Safe-X. 

It is definitely a depressing and rage-inducing read. There are many moments where I found myself needing to stop the book and take a breath to calm myself down at the numerous injustices facing Sara and her fellow retainees at Madison. While the resolution at the end of the book is not the just desert that one may be expecting, I am grateful for the message of solidarity and organized action in the face of corporate greed. A theme that is very prevalent during this time of renewed union strength alongside repressive corporate crackdown on workers in the US. The hopeful tone at the end of the book of course does not resolve or erase all of the injustices, but it marks the beginning of something that can be greater, which is perhaps the best gift Laila Lalami gives us. 

Like many dystopian novels, the horrors depicted in The Dream Hotel are very real. Perhaps the exact technology used is still thankfully not a reality just yet, but the issues of our willingly sign away our privacy and rights to tech companies promising “convenience”, to the growing surveillance state promising “safety and security”, and the ugly, exploitative, and dehumanizing nature of for-profit prisons are integral aspects of our society. And I appreciate Laila Lalami drawing attention to these realities through her story. I hope The Dream Hotel will begin to open the door to these conversations, no matter how difficult people may find them.