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A review by _sofiia_
The Medusa Frequency by Russell Hoban
adventurous
challenging
funny
mysterious
fast-paced
- Loveable characters? It's complicated
- Diverse cast of characters? No
4.0
my third Russell Hoban and i think i’ve been spiked with sth cuz despite all the weirdness and bizarreness and non-making-sense-ness, i could not unglue my poor eyeballs from this book. not until i realised the next page was the ad for his other books (oh my). well, before i am physically, mentally, and spiritually ready for the next one, i need a good gulp of something incredibly normal (or, frankly, maybe not read for a few days…weeks?…) and a therapy session to make sense of what the hell just happened.
i shall not try to understand everything. i wonder if Hoban himself understood everything. i tried reading other people’s reviews, and i don’t think anyone understands.
Hoban’s attention to objects, perceptions, and, in his own, often comical, way, people is unmistakable here. here we have some of his favourites: the rosehip tea (but what about potato pancakes?), the lonely man who longs for his “destiny woman” (who has run off with some artist/producer/geologist/parachutist - honestly, anyone), contagious affection for London (especially London Underground), references to artworks, the mess in the room as a separate being (did Hoban write anything on hoarding? pls say yes), and words that don’t exist but should because they make you smile (”novembering” is now a verb in my weather vocab). even when people tell you about seemingly the strangest details of the plot, Hoban’s eccentricity remains pretty much unspoilerable. once you read a few of his books, these details can seem repetitive, but they also create a mini-universe that welcomes you into its weirdness… and then messes with your brain.
while i still (weeks later) cannot understand what the heck happened, i can say this for sure: Hoban, for me, is one of those writers who break traditions and seize language to create their way of telling a story, of narrating an experience. if you get absorbed in his writing (i’m not saying “get used to” - impossible), you’ll likely keep reading even when a man is talking to the head of Orpheus on the banks of the Thames. it’s addictive, it’s inventive, and it knows no boundaries.
while i still (weeks later) cannot understand what the heck happened, i can say this for sure: Hoban, for me, is one of those writers who break traditions and seize language to create their way of telling a story, of narrating an experience. if you get absorbed in his writing (i’m not saying “get used to” - impossible), you’ll likely keep reading even when a man is talking to the head of Orpheus on the banks of the Thames. it’s addictive, it’s inventive, and it knows no boundaries.
perhaps, it is a blessing to not correlate all of the symbols contained in this book.
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more thoughts to come.
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actively recovering for the celebration of RH’s 100th birthday on 4th feb 2025.