The most interesting aspect for me were the title characters. Marec Górski and his homunculus, Ariel. The idea of syphoning off the parts of yourself you dislike to make a new person, and the profound conflict that creates was morbidly compelling. Marec hated those aspects of himself so much he gave them away, but then leant heavily on Ariel emotionally. Is it easier to accept those parts of yourself when they are no longer actually a part of you? It’s a fascinating psychological concept and I could speculate and theorise on it all day.

We learn about both Górskis through Annae, who interacts with them both but also reads both their minds. Annae is another character I could analyse for a while. On the surface she seems fairly simple to understand, but there is depth to her. It’s a complex and murky depth that I think she herself is reluctant to explore. Instead, she reaches out into others’ minds to discover what they make of her. It leaves her much more focused on everyone’s thoughts and feelings but her own.

I loved the ending. It leaves just enough unspecified for plenty of room for speculation, but also lets us know where the characters are a little further down the line. What place they are in compared to where they were during the events in the story. And what I particularly loved was the ultimate correlation between Marec and Annae—those that can’t do…

A slightly longer review can be read on my book blog: Marvel at Words.