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A review by speesh
Thunder God by Paul Watkins
5.0
Being captured by Viking raiders as a boy, was clearly something of a problem in Viking times, because as with 'The Long Ships,' this is how Hakon's story starts. What follows, is an extremely interesting, powerfully affecting and very hard to put down journey through several key points and themes of the Viking world. If you are aquainted with any of the more interesting Viking legends, you'll find them referenced here. For instance, the Swedes who journeyed east, leaving rune stones behind to mark their progress. The 'Halfdan' who was with them and and is noted on those rune stones, features, and it was he who carved his name in runes on the base of the column in St. Sophia. On this level, it reminded me of Tim Severin's 'Viking' series, (which are very good, I hasten to add), however, the incidents as told here, fit more with the flow of the story, rather than checking them off on a list as Severin's books did sometimes feel like they were doing. Severin's book(s) - as 'The Sea Road' by Margaret Elphinstone - dealt with the Viking's voyages to North America, this one doesn't, quite. I don't want to give anything away, though if you are at all interested in such things, 'cutting edge' theorising about who went where and when, back then, perhaps the later stages won't be so strange. Read it, you'll be entranced and satisfied, that's all I'll say.
'Thunder God,' is probably the book Robert Low thought he was writing when he was struggling with finding (yet) another way to describe bad weather's evil portents in with the quite dreadful 'Crapbone.' And, unfortunately for anyone who slogged through that mire and wants to go knocking on Low's door asking for that time back, someone known as 'Prince Crowbone' does come disturbingly close to putting in an appearance here. Well, we knew Low was basing, however loose and dull, his books on real events I suppose.
However, 'Thunder God' is really good. It is a compelling, enthralling, perfectly written, poignant, illuminating, satisfying read. As mentioned above, there are clear echoes of 'The Sea Road,' (there's something in the Celtic waters, when they turn their hand to Thunder God Reversewriting about Vikings), in the way the Norse are fatalistically melancholy. Historical Fiction writers are agreed that they were like this anyway. It's hard to say what the book's overall theme might be. Perhaps not so much about the inevitability of Christianity coming to forceably replace the power the Viking gods held for the Norse people - though that 'peaceful,' 'turn the other cheek' Christianity effectively brought an end to the Viking age just when it was starting to get interesting, always bugs me in novels and non-fiction. Don't know about you. Perhaps it's that the characters in the book are slowly coming to the realisation that really the only 'gods' they need, that they can depend on, are themselves. The main character(s) seem to want the old gods to continue, but it's never at the expense of this new 'White Christ.' They never seem to want to defeat the new religion, unless it wants to attack them. Which it does. It always seems that the Vikings were pragmatic enough to envision this new god fitting in to their own system, with the potential of being turned to by them when his expertise is needed, like they did with their own. They can't understand why he is thought so all-powerful to not need help from other gods. Their gods basically tell them 'sort it out yourselves,' when followers of the new god pray that their new god will sort it out for them. The Norseman/woman in the street, converted to Christianity for practical, down-to-earth reasons. In order to continue doing business with their trading partners, these partners demanded the Vikings to be Christan, so they changed. The 'demanding' nature of the Christian god, is what most authors pick up on and turn it into a black against white fight that can only have one winner. And the Vikings 'lost.' The book seems to be at one with the practicality of this thought and (in my opinion) says the Viking people generally, will only progress once they come out from under the shadow of over reliance on the belief in their, or any, gods. Which in a way, to come away from the fatalistic melancholy of dependence on the gods and do it yourself, is what their gods were all about...
'Thunder God' is one to stand shoulder to shoulder with the best, most entertaining, effective and rewarding Vikings novels I've had the pleasure to read, no doubt about it.
More, equally as good as this on Speesh Reads
'Thunder God,' is probably the book Robert Low thought he was writing when he was struggling with finding (yet) another way to describe bad weather's evil portents in with the quite dreadful 'Crapbone.' And, unfortunately for anyone who slogged through that mire and wants to go knocking on Low's door asking for that time back, someone known as 'Prince Crowbone' does come disturbingly close to putting in an appearance here. Well, we knew Low was basing, however loose and dull, his books on real events I suppose.
However, 'Thunder God' is really good. It is a compelling, enthralling, perfectly written, poignant, illuminating, satisfying read. As mentioned above, there are clear echoes of 'The Sea Road,' (there's something in the Celtic waters, when they turn their hand to Thunder God Reversewriting about Vikings), in the way the Norse are fatalistically melancholy. Historical Fiction writers are agreed that they were like this anyway. It's hard to say what the book's overall theme might be. Perhaps not so much about the inevitability of Christianity coming to forceably replace the power the Viking gods held for the Norse people - though that 'peaceful,' 'turn the other cheek' Christianity effectively brought an end to the Viking age just when it was starting to get interesting, always bugs me in novels and non-fiction. Don't know about you. Perhaps it's that the characters in the book are slowly coming to the realisation that really the only 'gods' they need, that they can depend on, are themselves. The main character(s) seem to want the old gods to continue, but it's never at the expense of this new 'White Christ.' They never seem to want to defeat the new religion, unless it wants to attack them. Which it does. It always seems that the Vikings were pragmatic enough to envision this new god fitting in to their own system, with the potential of being turned to by them when his expertise is needed, like they did with their own. They can't understand why he is thought so all-powerful to not need help from other gods. Their gods basically tell them 'sort it out yourselves,' when followers of the new god pray that their new god will sort it out for them. The Norseman/woman in the street, converted to Christianity for practical, down-to-earth reasons. In order to continue doing business with their trading partners, these partners demanded the Vikings to be Christan, so they changed. The 'demanding' nature of the Christian god, is what most authors pick up on and turn it into a black against white fight that can only have one winner. And the Vikings 'lost.' The book seems to be at one with the practicality of this thought and (in my opinion) says the Viking people generally, will only progress once they come out from under the shadow of over reliance on the belief in their, or any, gods. Which in a way, to come away from the fatalistic melancholy of dependence on the gods and do it yourself, is what their gods were all about...
'Thunder God' is one to stand shoulder to shoulder with the best, most entertaining, effective and rewarding Vikings novels I've had the pleasure to read, no doubt about it.
More, equally as good as this on Speesh Reads