In “Looking at Women, Looking at War”, writer-turned-war-reporter Victoria Amelina compiled a first-hand account of her crime documentation in the recent Russo-Ukrainian war. A morbid irony has it that her book was unfinished as she became a victim of the very war she researched, succumbing to the aftereffects of a missile that hit the restaurant she visited. 

Since her death, her oeuvre d’art has been edited meticulously to form a comprehensive collection of stories, some as mundane as the mourning of a farmer’s goats, others detailing the atrocities in horrific narration.

I found myself engrossed in the countless short vignettes Amelina included. The confusion the many names and locations brought on soon became secondary to the overarching theme of despair, of resilience, of her dedication to telling the truth. Who knows if the book would have achieved a more concise narrative arc had the author survived? But one thing is clear–the version honoring her draft provides an almost encyclopedic reference documenting the endless cruelty against Ukrainians–and this book format is an accomplishment perhaps even greater than the expected outcome. An end result to celebrate and disseminate widely, posthumously.

In gratitude to St. Martin’s Press for the Advance Reader’s Copy.