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A review by annekawithane
The Spiral of Life by Francesca McMahon
adventurous
mysterious
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Thank you Net Galley, Bandele Books, Independent Book Publishers Association (IBPA) and Members' Audiobooks for this audiobook arc!
Francesca McMahon weaves Celtic lore into a contemporary YA fantasy with LGBTQIA+ rep, mental health and therapy practices, and a bit of blacksmithing.
I think McMahon’s strengths in this novel lies in their inclusion of Celtic folklore and mental health representation. I found myself interested in the gods, creatures, and symbols that our main characters encounter with the start in world building. It’s a central part of the story throughout the novel in plot and Eilean’s, our protagonist’s, heritage. Eilean is also working though her anger with therapy and blacksmithing. Throughout the journey, she is able to use technique and skills and explore a bit of her fears and blockages. Her journey felt realistic. I thought blacksmithing was a unique hobby that aligned with the story. Furthermore, the cover (and synopsis) pulled me in with its style and colors. I will say that I did not realize this was a contemporary fantasy novel based on the aforementioned elements. The writing style and pop culture references reads for a more younger YA audience.
I found, A Spiral of Life, unfortunately, lacked development in plot area and characterization. I appreciate the story immediately starting off at a decent pace, but the journey overall felt lackluster. The characters and the plot didn’t grab my attention by the reins within its 8 hrs of narration. There was occasional glimpses at Freya and Bhradain’s character like magical power and being in the air cadets, but nothing overall that strengthened their character development or plot as some were one and done moments. I think I was missing the tension and the momentum of the story. This dark power over the land is described as “far more vicious that I believed” and “not really here” with very little explanation by the end. There was some negative effects of this dark power to both Scotland and the Otherworld, but nothing that seemed to imped their journey. I also felt like Eilean’s school conflict, relationship with her grandmother, and the “chosen one” concept could have been better fleshed out. Overall, this book felt like the slow build of “rising action” with a plateau of a climax. Honestly, the synopsis ad for the second book at the end had more interesting plot and character development.
Audiobook wise, narration was fine and fit the story. It was a bit harder to get through the climax chapters with the changes between lethargic and wheezy narration styles. There was occasional usage of effects which was cool. I didn’t see the meaning of the sound clips at the beginning of each chapter as it was [chapter title] then [sound effects]. Sometimes they matched the chapter sometimes not. Maybe put them during the title narration.
Francesca McMahon weaves Celtic lore into a contemporary YA fantasy with LGBTQIA+ rep, mental health and therapy practices, and a bit of blacksmithing.
I think McMahon’s strengths in this novel lies in their inclusion of Celtic folklore and mental health representation. I found myself interested in the gods, creatures, and symbols that our main characters encounter with the start in world building. It’s a central part of the story throughout the novel in plot and Eilean’s, our protagonist’s, heritage. Eilean is also working though her anger with therapy and blacksmithing. Throughout the journey, she is able to use technique and skills and explore a bit of her fears and blockages. Her journey felt realistic. I thought blacksmithing was a unique hobby that aligned with the story. Furthermore, the cover (and synopsis) pulled me in with its style and colors. I will say that I did not realize this was a contemporary fantasy novel based on the aforementioned elements. The writing style and pop culture references reads for a more younger YA audience.
I found, A Spiral of Life, unfortunately, lacked development in plot area and characterization. I appreciate the story immediately starting off at a decent pace, but the journey overall felt lackluster. The characters and the plot didn’t grab my attention by the reins within its 8 hrs of narration. There was occasional glimpses at Freya and Bhradain’s character like magical power and being in the air cadets, but nothing overall that strengthened their character development or plot as some were one and done moments. I think I was missing the tension and the momentum of the story. This dark power over the land is described as “far more vicious that I believed” and “not really here” with very little explanation by the end. There was some negative effects of this dark power to both Scotland and the Otherworld, but nothing that seemed to imped their journey. I also felt like Eilean’s school conflict, relationship with her grandmother, and the “chosen one” concept could have been better fleshed out. Overall, this book felt like the slow build of “rising action” with a plateau of a climax. Honestly, the synopsis ad for the second book at the end had more interesting plot and character development.
Audiobook wise, narration was fine and fit the story. It was a bit harder to get through the climax chapters with the changes between lethargic and wheezy narration styles. There was occasional usage of effects which was cool. I didn’t see the meaning of the sound clips at the beginning of each chapter as it was [chapter title] then [sound effects]. Sometimes they matched the chapter sometimes not. Maybe put them during the title narration.