Robert Wittman’s memoir about his 20-year career as an FBI agent specializing in art and cultural history crimes. He traveled internationally and worked with other countries’ law enforcement agencies to recover stolen art and antiquities, such as Geronimo’s war bonnet, North Carolina’s copy of the Bill of Rights, a Rembrandt self-portrait, a Peruvian golden backflap (from a suit of armor), and more. The book takes each case, examines the history of the stolen property, and details the covert work required to recover it. He weaves elements from his personal life into the narrative.

I found this book fascinating. It revolves around two of my personal passions: art and history. It includes intriguing elements such as art heists, fake deals, undercover subterfuge, and an insider’s view of the FBI. I flew through it. One of the most touching scenes in the book is the retrieval of the American Civil War battle flag from one of the first African American regiments to fight for the Union.

Wittman’s account gives a glimpse of the what the FBI is like, from the recognition and accolades when they resolve a high-profile case to the bureaucracy, turf wars, and personality conflicts. Wittman’s story was captivating, especially the details of his undercover work, how he gains the criminals’ confidence, appeals to their greed, and eventually obtains the necessary evidence needed to arrest them and recover the artwork. My only issue with it is the colloquial writing style (lots of discussion of facts and food). Recommended to those interested in art history, the FBI, or true crime.