Take a photo of a barcode or cover
A review by paperrcuts
A Place Called No Homeland by Kai Cheng Thom
4.0
3.5 stars.
I didn't like the simplicity of the first poems in this collection and I was pondering skimming my way through the end, but halfway through, I changed my mind. While there are highs and lows in here, there is per se a very strong voice, one that isn't afraid but used to, which dominates the discourse and almost aggressively shows you what it is to write your own body: to write as a trans woman and a person of colour.
My favourites: Diaspora babies, Downtown beastside, The river, Dear white gay men, Interracial psychology, Growing pangs, When is a woman, The funny thing about violence, Hunger p(h)antom, Stealing fire, Doctor's daughter.
from When is a woman?
dear mama,
you said you wanted to know
what it is i am learning in this university
upon which you have spent so much blood, sweat,
and money (we must not forget money, never
forget money, of course, mama)
so i could get a good job
and earn a respectable living
and find a decent wife
and raise two or three healthyhappychildren
and take care of you in your old age
you said you wanted to know, ah-ma,
well:
today, in my fem-in-izz-em class,
a white lady asked
what is a woman
and another white lady
said does the transsexual
threaten the woman
to which the first replied
but what is the woman
and the second said
not a man
and she looked at me
mama, when is a woman?
and doctor’s daughter
swallowing elixirs
beneath the moon/i am
a slow-burning alchemy
in midnight’s tube/shape-shifter/
skin-changer/doctor’s daughter/i
am demon mother
with barren womb. sweet nectar
puddling in my pores. sometimes/to survive,
we must become more than alive
the other night i dreamed
that there were two flowers
budding inside my chest.
like cereus, my body blossoms/
swells/
beneath cool
blue
fingers
I didn't like the simplicity of the first poems in this collection and I was pondering skimming my way through the end, but halfway through, I changed my mind. While there are highs and lows in here, there is per se a very strong voice, one that isn't afraid but used to, which dominates the discourse and almost aggressively shows you what it is to write your own body: to write as a trans woman and a person of colour.
My favourites: Diaspora babies, Downtown beastside, The river, Dear white gay men, Interracial psychology, Growing pangs, When is a woman, The funny thing about violence, Hunger p(h)antom, Stealing fire, Doctor's daughter.
from When is a woman?
dear mama,
you said you wanted to know
what it is i am learning in this university
upon which you have spent so much blood, sweat,
and money (we must not forget money, never
forget money, of course, mama)
so i could get a good job
and earn a respectable living
and find a decent wife
and raise two or three healthyhappychildren
and take care of you in your old age
you said you wanted to know, ah-ma,
well:
today, in my fem-in-izz-em class,
a white lady asked
what is a woman
and another white lady
said does the transsexual
threaten the woman
to which the first replied
but what is the woman
and the second said
not a man
and she looked at me
mama, when is a woman?
and doctor’s daughter
swallowing elixirs
beneath the moon/i am
a slow-burning alchemy
in midnight’s tube/shape-shifter/
skin-changer/doctor’s daughter/i
am demon mother
with barren womb. sweet nectar
puddling in my pores. sometimes/to survive,
we must become more than alive
the other night i dreamed
that there were two flowers
budding inside my chest.
like cereus, my body blossoms/
swells/
beneath cool
blue
fingers