Loosely inspired by Penelope’s twelve hanged maids immortalised in The Odyssey. Sarah Underwood’s Greek myth-infused debut was a surprisingly relevant and pacy, character driven read that brings female rage and resilience to the forefront of the narrative. 

Not a retelling as such, but a creative reinterpretation (that uses the original as a starting point), I had been a little nervous to start this one as I’d seen a few mixed reviews. But I’m soo glad I finally did, as I really enjoyed it! 

The prose was wonderfully immersive, and I enjoyed delving into the lives (and alternating perspectives) of our three protagonists — all of whom are trying to break the Curse that has plagued Ithaca for centuries. It can get angsty at, but I really enjoyed that tension. 

Leto-compassionate, fiercely determined and strong willed, is the first character we meet and she was incredible! It’s her rage and need for vengeance that initially propels the plot, but her dynamics with fellow hanged maid Melantho, Prince Matthias and her endearing capacity for empathy (despite all she’s endured), is what really kept me invested. 

Melantho (along with Leto) were my absolute favourite characters and I loved seeing their growing relationship develop. Their past experiences and emotional complexity was phenomenal. And really focuses on the difficult choices that they must make —in a world that sees them (and other women like them) as easily replaceable/ disposable. 

Matthias, was an interesting and somewhat endearing character too, but his complicity in the hangings (which he had to oversee) and slow start in actively trying to break the curse, meant I did kind of dislike him at the start. He does eventually begin to make up for it as the story unfolds, but I feel his character not being as developed as Leto and Melantho did hinder him a little. 

Nevertheless, his actions speak louder than any words ever could, and had me absolutely sobbing by the end. 

Given the current climate (and attacks on women’s personal freedoms) worldwide, this felt like a very relevant and topical read. In which the previously silenced voices of women (subjected, objectified or victimised) can use their new power to finally get justice for all the pain they (and others like them) have suffered. 

Overall, a perfect introduction to Greek Mythology for readers eager for more female centric reimaginings. Especially, if they’re already fans of Madeline Miller or Jennifer Saint. 

Also, thank you to Electric Monkey books for the PB copy.