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A review by bashsbooks
Virago by Ellie Valsin
adventurous
emotional
inspiring
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
I first read Ellie Valsin's Virago at age fifteen, right after it came out. I was new to Les Misérables as a piece of foundational media - I had just seen the musical for the first time a few months prior, and I was unclear about much of the storyline. In fact, the only reason Enjolras caught my eye is because he was played by an older boy who was in my choir class that I had a crush on in the local musical I'd seen.
Now, nearly nine years later, I revisited the book alongside reading Les Misérables. Naturally that gave me way more sociopolitical context for Virago, and I understood it much better. But to my surprise, I realized also the way what I did understand at fifteen greatly impacted my thinking, politically and personally.
Enjolras, a woman disguised as a man who feels she is genderless, was a fantastic role model for a teen who was just beginning to distangle his own gender and sexuality. Her fierce radically left politics, tempered by Combeferre's dogged insistence on the good of humanity and the power of kindness, were also revolutionary to me. Rereading one passage about Combeferre's morality, his desire to be a pacifist with his recognition that violence is sometimes the only opition - I felt seen by that now when I felt it alien and confusing at fifteen.
This is an intimately important book to me, and I will probably read it again in the future. It's easier to understand if you read the original source material, the book version of Les Misérables, but it can be understood without that context (I do recommend at least listening to the musical first, though). My greatest lament about it is that it's only available on Kindle.
Now, nearly nine years later, I revisited the book alongside reading Les Misérables. Naturally that gave me way more sociopolitical context for Virago, and I understood it much better. But to my surprise, I realized also the way what I did understand at fifteen greatly impacted my thinking, politically and personally.
Enjolras, a woman disguised as a man who feels she is genderless, was a fantastic role model for a teen who was just beginning to distangle his own gender and sexuality. Her fierce radically left politics, tempered by Combeferre's dogged insistence on the good of humanity and the power of kindness, were also revolutionary to me. Rereading one passage about Combeferre's morality, his desire to be a pacifist with his recognition that violence is sometimes the only opition - I felt seen by that now when I felt it alien and confusing at fifteen.
This is an intimately important book to me, and I will probably read it again in the future. It's easier to understand if you read the original source material, the book version of Les Misérables, but it can be understood without that context (I do recommend at least listening to the musical first, though). My greatest lament about it is that it's only available on Kindle.
Graphic: Alcoholism, Death, Gun violence, Misogyny, Sexism, Violence, Blood, Stalking, Alcohol, War, Injury/Injury detail, and Classism
Moderate: Homophobia, Toxic relationship, and Transphobia
Minor: Animal death, Child death, Cursing, Racism, Xenophobia, Death of parent, Pregnancy, and Pandemic/Epidemic
Clarity for the content warnings: misogyny is typical of the time period; incidences that we would consider transphobic are taken in the context of the time - I warn for it, but it's really not like modern transphobia; gun violence results in gun death; I didn't tag for murder because I think that civil revolt like this is complicated but people do kill each other. Certain words that would be considered slurs (usually about sexuality) modernly come up very occassionally.