This book was very experimental, with the split between the two parts being so distinct, yet integrated seamlessly.

I have a soft spot for the first story, set in the 1400s. The themes of identity and self-discovery are beautiful, especially accompanied by the gorgeous writing. It’s so poetic. And of course, I’m fascinated by the potential truth behind the fictional story. Were there women painters in disguise? Why wouldn’t there be? I’m so glad this question became the centre of this novel, it’s inspired.

The second part was heartbreaking. I found it deep but not heavy, a perfect balance. Yes, I do believe an entire novel could have been dedicated to the characters in part one. But the tone shift, supported by the tenuous connection between the plot lines, makes for such a different and special reading experience. 

Overall, interesting in its structure and content. Unusual in the best way.