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challenging
dark
mysterious
reflective
tense
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
emotional
reflective
sad
tense
fast-paced
truly excellent. simultaneously sharp and delicate. larsen writes longing (both for community and a sort of homoerotic-tinged envy) so, so well. my only critique is that I wish act II was longer. there’s so much more that could’ve been said and I feel that its brevity ultimately did irene’s character a disservice. the last few pages are strong, but its strength is barely held together by the vitreous bones of act II. despite that, it’s a fantastic read. I really love this book & the film adaptation!
emotional
reflective
tense
fast-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
She had to Clare Kendry a duty. She was bound to her by those very ties of race, which, for all her repudiation of them, Clare had been unable to completely sever.
short and intense. that tea scene with clare, irene, gertrude, and jack—oh boy.
i loved the way things would go unspoken and even unthought, the way the characters and the narrative both circled around the obvious. until it all came crashing down.
the basic question of the story is, what do we owe other people, and why, and what do we owe ourselves. the themes of race and motherhood intertwine closely: as a member of the black middle class, irene is supposed to prioritize the well-being of "the race"; as a mother, she is supposed to protect her children above all else. where is she meant to rank herself in her own life?
'passing' seems to allow financial security and freedom from one's ties to other black people. but 'passing' is always a temporary condition, and the ties that can be restrictive or dangerous—irene is at one point read as black because of her friendship with an obviously black woman—are obviously crucial to a sustaining or even bearable life.
"I think," she said at last, "that being a mother is the cruellest thing in the world."
gah. i liked this a lot.
short and intense. that tea scene with clare, irene, gertrude, and jack—oh boy.
i loved the way things would go unspoken and even unthought, the way the characters and the narrative both circled around the obvious. until it all came crashing down.
the basic question of the story is, what do we owe other people, and why, and what do we owe ourselves. the themes of race and motherhood intertwine closely: as a member of the black middle class, irene is supposed to prioritize the well-being of "the race"; as a mother, she is supposed to protect her children above all else. where is she meant to rank herself in her own life?
'passing' seems to allow financial security and freedom from one's ties to other black people. but 'passing' is always a temporary condition, and the ties that can be restrictive or dangerous—irene is at one point read as black because of her friendship with an obviously black woman—are obviously crucial to a sustaining or even bearable life.
"I think," she said at last, "that being a mother is the cruellest thing in the world."
gah. i liked this a lot.
informative
reflective
tense
medium-paced
Plot or Character Driven:
Character
Strong character development:
Complicated
Loveable characters:
Yes
Diverse cast of characters:
Complicated
Flaws of characters a main focus:
Complicated
challenging
inspiring
mysterious
reflective
fast-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
N/A
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
mysterious
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
This, Irene told her, was the year 1927 in the city of New York, and hundreds of white people of Hugh Wentworth’s type came to affairs in Harlem, more all the time. So many that Brian had said: “pretty soon the colored people won’t be allowed in at all, or will have to sit in Jim Crow ed sections.”
“What do they come for?”
“Same reason you’re here to see Negroes.”
“But why?”
“Various motives,” Irene explained. “A few purely and frankly to enjoy themselves. Others to get material to turn into shekels. More, to gaze on these great and near great while they gaze on the Negroes” 70-71
“You’re absolutely wrong! If, as you’re determined, they’ve got to live in this damned country, they’d better find out what sort of thing they’re up against as soon as possible. The earlier they learn it, the better prepared they’ll be.”
“I don’t agree. I want their childhood to be happy and as free from the knowledge of such things as it possibly can be.”
“Very laudable,” was Brian’s Sarcastic answer “very laudable indeed, all things considered. but can it?” 108
dark
emotional
mysterious
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Complicated
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
challenging
tense
slow-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes