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ewible2's review against another edition
5.0
I don’t remember who recommended this book to me, but it is amazing. I just finished and need to read it again immediately.
wiktoria111's review against another edition
emotional
funny
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
faerietrails's review against another edition
4.5
Immediately after finishing Nevada, I felt a little cheated by the synopsis. It's not inaccurate, all of those things happen, but it's done in a way more mundane than expected. Defying those expectations is this novel's greatest strength, the author adding in the afterword that she wanted to write something "real". Sometimes, real queer stories are saddled with grief and isolation and unhealthy coping mechanisms. Sometimes, real queer stories are people defying oppression, finding community, and coming out empowered and proud.
And sometimes it's an impulsive, but self-aware trans woman, going about her life. We are privy to frequent streams of thought by Maria, a chronic overthinker, which reflect the hyper-vigilance that comes with being visibly queer. It doesn't come off as preachy to me; a lot of my unrelated thoughts turn to capitalism and gender roles too. Many of Maria's thoughts and tendencies were very relatable to me, including specific, nuanced things. Feeling more enlightened on queerness because you've been out for a while. Suddenly becoming hyper-aware of your identity in a social setting. Putting off your hormone injection because you don't like needles very much and keep forgetting, but you're several days late and aware it's putting your emotions out of whack, but you still keep putting it off, which makes you more guilty...etc.
Being so grounded is what makes Nevada so brilliant. It's insight into the "transgender experience", without fanfare or melodrama. There's space for stories with all of that, but we don't often get to be average. There's a bit by trans comedian Robin Tran: "One thing I do not like about being transgender is that people expect me to be some kind of hero. I do not wanna be a hero. I don't wanna be "brave" or any of that shit. I just wanna be a shitty transgender person."
The dialogue doesn't have quotation marks, which works with the storytelling, but took some getting used to. Also, I'm still a little bit mad that I was going into the book expecting something much different, but that's a personal thing.
And sometimes it's an impulsive, but self-aware trans woman, going about her life. We are privy to frequent streams of thought by Maria, a chronic overthinker, which reflect the hyper-vigilance that comes with being visibly queer. It doesn't come off as preachy to me; a lot of my unrelated thoughts turn to capitalism and gender roles too. Many of Maria's thoughts and tendencies were very relatable to me, including specific, nuanced things. Feeling more enlightened on queerness because you've been out for a while. Suddenly becoming hyper-aware of your identity in a social setting. Putting off your hormone injection because you don't like needles very much and keep forgetting, but you're several days late and aware it's putting your emotions out of whack, but you still keep putting it off, which makes you more guilty...etc.
Being so grounded is what makes Nevada so brilliant. It's insight into the "transgender experience", without fanfare or melodrama. There's space for stories with all of that, but we don't often get to be average. There's a bit by trans comedian Robin Tran: "One thing I do not like about being transgender is that people expect me to be some kind of hero. I do not wanna be a hero. I don't wanna be "brave" or any of that shit. I just wanna be a shitty transgender person."
The dialogue doesn't have quotation marks, which works with the storytelling, but took some getting used to. Also, I'm still a little bit mad that I was going into the book expecting something much different, but that's a personal thing.
cafeaukait's review against another edition
emotional
funny
hopeful
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
riibit's review against another edition
medium-paced
- Plot- or character-driven? Character
5.0
Super fun read. I love the slightly bitter trans punk monologues and observations that have an ADHD tangential style to them. Beautiful, potent, and needed.
mellobitz's review against another edition
dark
emotional
funny
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
schymek's review against another edition
4.0
Eventually, you can't help but figure out that, while gender is a construct, so is a traffic light, and if you ignore either of them, you get hit by cars. Which, also, are constructs.Maria is stuck in a dead-end job, a relationship without prospects, and a shitty New York apartment. She may be depressed and have a substance abuse problem. Who knows. Also, she should probably inject her hormones.
Binnie's novel felt personal, in the sense that Maria's various ruminations on gender and her struggle with her trans identity (how to reconfigure gender, trans women's unique position in the queer stratosphere, and how to teach yourself to feel after disassociating for the large part of your life).
What was slightly odd, maybe, was the second portion of the novel. Maria, post-break up, goes on a road trip. In Nevada, she meets a potentially closeted trans woman, who she then attempts to aid in the process (more so to heal her own traumas than out of the goodness of her heart). This rings true for Maria's selfish streak. I suppose this plot aimed at displaying how, despite mentors and guides, every closeted person has their own journey (as our closet case refuses to be helped and ultimately returns home to his girlfriend, unchanged). Still, that bit threw me at first.
This novel reads like an early-00s indie movie. Sadly, I have nothing to compare it to (due to my own blind spots or due to Hollywood's inability to film more trans-centric movies, or maybe both). Definitely recommend if you're a lit-fic, stream-of-consciousness, character over plot novels.
smallfrytrash's review against another edition
adventurous
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0