these are maybe some of the most real characters I’ve ever read. definitely up in the top 10— all of them were so different, even when they were similar; that made it such a fun journey. not to mention, imogen binnie  is great at making every bit of word salad into a beautifully plated meal. her stream-of-consciousness writing is one she dips in and out of so effortlessly, and I ate it up big time! when it’s done well, I love it, and this was done more than just well 

For a quick plot summary, Nevada is split into two parts, the first focusing on the “post transition” life of Maria who has been experiencing years of personal and professional inadequacies in her life in New York so embarks on a trip. The second mainly follow the “pre transition” narrative of confused stoner James in Star City, Nevada and the chance meeting with Maria. Other then that there is rather minimal plot, it’s for sure more about the characters and discussions on gender identity, sexuality and the role of women (misogyny, patriarchy and the like). These parts were my favourite I’d say, Binnie clearly has a lot of knowledge surrounding these topics and put a lot of it into her debut work. There is a lot said and I thoroughly enjoyed being educated in the experience of two trans people, with it being personal to each of them and not a generalised representation of ‘the trans experience’ but from reviews and the acclaim the book’s gotten it’s clearly resonated with many people and this is amazing. Whilst I did like Maria’s monologuing at the start it definitely become quite repetitive and a little unrealistic as the book went on. This is the same for quite a lot of what’s rehashed multiple times and I did find myself losing interest. I think it would have been better if more of what Binnie wanted to put forward was via ‘showing’ and not ‘telling’ with a focus on plot and character advancement, not the monologues. 

From the paragraph above, I used the terms “post” and “pre transition” in quotation marks because this is how Binnie herself chose to describe the experiences in the 2022 afterword in the copy I read. This inclusion was a very interesting read and she listed lots of authors who write about the queer experience I’d also like to check out. In it, she says how she chose to create these characters at these specific stages to show how a trans person is trans throughout their journey and to disregard the “in between” stage. Other parts are discussed surrounding the path to getting Nevada published and reasonings for certain plot points. 

Something I particularly disliked about Nevada was the excessive and continuous depictions of drug taking and the central role weed has in James’s life. I really don’t like reading about drug use/abuse and for me it was far too often mentioned. It also became more prevalent as the book went along which together with the rather unrealistic monologuing and my last point made me lose interest. I’d also say there’s a lot of unnecessary swearing. This final thing was Binnie’s use of the term ‘like’ which I found different at first and quite informal which allowed me to get to know the characters better. It then became a little annoying and as the book went on it’s use became so excessive - I counted one relatively small paragraph using it nine times - and therefore very very jarring. I just feel about 80% of the times it was used could’ve been omitted as it broke up the reading experience too much for me and whilst it may seem like something small, it was enough for me to personally knock off a half star from my rating. 

I would still definitely recommend this book and it’s impact in the literary scene has done as lot for trans literature which is great. There is a lot to learn from Binnie with relatability and the discourse on the lives of transgender people. Overall I did enjoy it but as stated I have my issues too, it started out amazingly but did dwindle as I carried on reading.