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bashsbooks's review against another edition
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Villette was Charlotte Brontë's final novel. I think that's evident in the groundedness of her plot (here groundedness is relative - I mean in comparison to Jane Eyre, not real life) and the dimensionality of her characters. I especially liked Paul Emmanuel - because I didn't like him at first, but I realized how Lucy fell for him by the end. This is not a burning passion from the start, and I appreciate that cool level-headedness from our heroine.
I liked a lot of things about Lucy; she is probably the most likeable (to my tastes, anyway) Brontë heroine thus far. Sure, she's got a morality stick up her ass, but I like her directness, her lack of sentimentality, and that she makes the most queer-esque comments. (Yes, I am a bisexual Lucy Snowe truther - what else was that description of Madame Beck when she was trying to figure out where Doctor John's interests were?)
I'm obsessed, too, with how radical the Protestant-Catholic conflict and its resolution were. I was so sure one of them was going to end up converting, so I was thrilled to see them accept each other and still love each other with that religious difference.
Also, while the resolution to the ghost nun plot was funny, I wish it'd been left without explanation.
I liked a lot of things about Lucy; she is probably the most likeable (to my tastes, anyway) Brontë heroine thus far. Sure, she's got a morality stick up her ass, but I like her directness, her lack of sentimentality, and that she makes the most queer-esque comments. (Yes, I am a bisexual Lucy Snowe truther - what else was that description of Madame Beck when she was trying to figure out where Doctor John's interests were?)
I'm obsessed, too, with how radical the Protestant-Catholic conflict and its resolution were. I was so sure one of them was going to end up converting, so I was thrilled to see them accept each other and still love each other with that religious difference.
Also, while the resolution to the ghost nun plot was funny, I wish it'd been left without explanation.
Graphic: Religious bigotry
Moderate: Ableism, Death, and Racism
Minor: Adult/minor relationship, Incest, and Colonisation
-So much Catholic-Protestant beefbuildingtaste's review against another edition
adventurous
challenging
emotional
inspiring
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
What an immersive book. It flagged at points--and it's probably a bad sign I thought the final love interest was two different people until nearly the end--but it is a lovely work in all. I liked the ending, though I can see why it doesn't resonate as much as Jane Eyre with most people. Worth a re-read once you know all the things Lucy is being a bit obtuse about.
Graphic: Ableism, Adult/minor relationship, Death, Drug use, Emotional abuse, Misogyny, Racial slurs, Suicidal thoughts, Grief, Religious bigotry, and Colonisation
Moderate: Incest
There is an extended sequence where the main character is to take care of a disabled child, and the characterisation of that child is not kind. The character in question is legally an adult when they get into the romantic relationship, but they are very young and knew the love interest when they were a child. The love interests for this character and the main character are about 10-20 years older than them. There is an extended sequence of fuguelike depression where the narrator is seemingly suicidal. There is significant discussion of catholicism vs. protestantism and attempts to convert characters. The main character's romance begins with mostly her being bullied, verbally assaulted, and at least once physically assaulted, but none of this is ever explicitly sexual. There are significant amounts of grief over family death and lost chances/circumstances. At one point the protagonist is drugged against her will. A character travels to a colonial plantation for several years. A character is meant to marry their cousin.