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srm's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Moderate: Violence, Blood, Kidnapping, Death of parent, Murder, Fire/Fire injury, and Alcohol
misterwisp's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The plot arc wraps up in a satisfying way while still providing a compelling case to check out the sequel. Everything is done pretty well and nothing stands out as a real low point. It's worth checking out!
Moderate: Alcoholism, Confinement, Violence, Blood, Grief, and Murder
Minor: Child abuse, Sexual content, Xenophobia, and Fire/Fire injury
bookameme's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Swords, Sorcery, and Science
Defeat the villain.
Save the city.
Free the prince.
Graphic: Child abuse, Confinement, Cursing, Death, Drug use, Gore, Torture, Violence, Xenophobia, Blood, Police brutality, Kidnapping, Death of parent, Murder, Fire/Fire injury, Abandonment, Alcohol, Injury/Injury detail, and Classism
mar's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
It's a bit slow to start and probably a bit too long, but it nonetheless had me hooked till the very end; the worldbuilding is fascinating, hinting at much more to come, the plot engaging, well-paced and full of fun twists and turns (though Lukan's exceptional luck does ocassionally lean towards glaringly obvious plot armour). Lukan is pretty generic as fantasy protags go, but not offensively so, and Flea - the street urchin turned Lukan's guide/sidekick/friend - is a highlight among the supporting characters, bound to become a reader-favourite. Their dynamic is deeply endearing. I do have some criticisms - kinda sucks that the only fat character in the story is a stereotype, for example - but I definitely want to see where it all goes from here.
Overall, yeah, it doesn't really bring anything new to the genre, but it sure is FUN, so [shrugs] I really can't wait to get my hands on the sequel, especially with the great setup at the end of this book 🫶
(Thanks to Quercus Audio and Netgalley for the ARC!)
Graphic: Death, Violence, Xenophobia, Blood, Death of parent, and Murder
Moderate: Vomit
Minor: Body horror, Fatphobia, and Gore
alannajane's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Audiobook is very well read.
First, I hate the main character. The sidekick(s) are absolutely delightful and the story is a fairly fast- paced, fun adventure to save the world (or at least prevent a war). It’s definitely a well-written book.
Compared to the average urban fantasy adventure, the world-building is great. Each piece of the puzzle slides into a perfectly-shaped space held for it. There are levels upon levels. Ten years ago (before I knew that so much more was both possible and available), I might have loved this book wholeheartedly.
But here’s the thing, writers holding great privilege in our culture always seem to bring the systemic failures that keep everyone else marginalized, along into the worlds they create. Sure, there are loads of strong, capable women in this story…. But why create a whole new world that brings deep-seated patriarchy, late-stage capitalism, racism, ableism into it? Why does every white, male author always drag the worst parts of our society into the worlds they build? Why do they attempt to demonstrate equality with a handful of strong female characters, but ensure that women have fleeting influence and that most social constructs in their worlds ultimately denote obvious constraints against them? Why relegate all females outside if the few great characters to either sex objects or domestics? It’s so utterly boring, unimaginative and aimed at a certain audience.
Why can I pick up a fantasy or sci.fi written by someone of another gender, or from the Global Majority, or by a disabled and/or queer author, and be immersed into a TRULY different world?
Ok. Now, the main character is abrasive, nauseatingly patriarchal and always either drunk or hungover. It’s vile. As much as I adore the side characters who aid him in this adventure, I would have given up this audiobook prior to finishing it had I not been reading an AudioARC. We don’t need another James Bond or macho amateur PI. This story could have worked just as well (better) with an inclusive, not drunk, semi-lost/confused main who actually showed some character development. Honestly, I would have been incredibly excited for the next book in that case.
Ultimately, this book is a textbook urban fantasy, well-written AND maintaining each and every stereotype, trope and social injustice that makes our own world so difficult for so very many. The main character uses wine as therapy.
Huge gratitude to NetGalley and the publisher, Macmillan Audio for the generous gift of this AudioARC, in exchange for my overbearingly honest review.
Graphic: Alcoholism, Confinement, Death, Misogyny, Sexism, Violence, Grief, Death of parent, Murder, Abandonment, Alcohol, War, Injury/Injury detail, and Classism
Moderate: Ableism, Addiction, Child death, Confinement, Infidelity, Physical abuse, Racism, Blood, and Murder