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jazhandz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Homophobia
Moderate: Bullying, Child abuse, Physical abuse, Sexual content, Grief, Death of parent, and Alcohol
Minor: Drug use, Infidelity, and Stalking
Police corruption and overreach, but no physical brutalityserafina's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Sexual content
Moderate: Cursing, Drug use, Homophobia, Death of parent, Alcohol, and Injury/Injury detail
Minor: Bullying, Chronic illness, Infidelity, Physical abuse, Violence, Blood, Police brutality, Religious bigotry, Stalking, and War
jelkebooks's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I completely binge read this book in one day. I just could not put this book down. Something about it was just so incredibly compelling to me, and I just wanted to keep reading. I think Cat Sebastian really did a great job transporting me into this world. It was clear a lot of research went into the time period, and I was just completely transported into it. I haven't ever read a historical romance that's set in the late 1950's like this one. I thought it was really interesting. Especially since we're also in the journalism/news paper world in this time. It just was an interesting backdrop to a wonderful love story.
So yeah, I did really like the romance. It is quite angsty, but also really sweet. The dynamic between Nick and Andy is just so well created, and developed. They love each other so deeply, and have such a deep respect for each other. I love the little things they did just to make the other happy, the communication they had was incredible as well. However, we are in midcentury New York, and homophobia is rampant. That backdrop does make this book quite angsty as well. However, don't worry this never gets too dark.
I really liked Nick and Andy as well. They were really compelling characters to follow and I loved how this book followed both of their POV's for different chunks of the novel. Their personal storylines were also really interesting. I also quite liked Nick's family, even if he does have a difficult relationship with them. It just was really well executed. Andy's relationship with his dad was also really interesting. I also quite liked the cast of side characters, and I'm excited this is a series because I want to see some of these side characters take center stage.
The only reason I didn't end up giving this a five star is that throughout the entire book I felt like it was building up to something, and it just didn't. I don't know. I feel like this didn't really have a climax like most books do. I wanted it to pack a punch, and it never did. I don't know if this makes sense but yeah.
Graphic: Homophobia
Moderate: Physical abuse and Grief
katelynnelawson's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
While Nick is as openly gay as a man could be in the 50's, Andy (who is bisexual) has always ignored that part of himself, knowing what he ultimately wanted was a family. Over the course of the novel, Andy comes to realize all the things a family can mean, and Nick, who has only been able to experience his sexuality furtively and read novels where gay men met tragic ends, realizes he can have a happily ever after. Against the backdrop of the Village in the 1950's and the newsroom of a progressive paper, Nick and Andy realize their connection is worth taking risks and planting roots.
Graphic: Homophobia
Moderate: Physical abuse, Violence, Grief, and Death of parent
Minor: Bullying, Police brutality, Stalking, and Fire/Fire injury
20sidedbi's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Graphic: Homophobia
Moderate: Infidelity, Sexual content, Abandonment, and Injury/Injury detail
Minor: Physical abuse, Police brutality, Grief, and Death of parent
purplepenning's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
4.25
Everyone he knows is trying to assemble some kind of life from the spare parts they have lying around…
I usually prefer my rom on the com side, but this was as good a character-driven rom-dram as I've ever read. It doesn't hurt that you get to fan cast your favorite classic Hollywood stars in all their 1950s NYC glory. 🙂 We Could Be So Good is a mostly slice-of-life story that captures the complications, the tension, the hope, and joy of carving out a queer space and establishing a found family in an environment that is passively and sometimes brutally, actively hostile. I don't want to spoil it for you, but it ends up being…
He can feed the goddamn ducks and he can kiss his boyfriend. He can believe that the future they have is worth more than his fear, and he can do what it takes to make that future as safe and happy as possible. 💜
Moderate: Bullying, Cursing, Homophobia, Physical abuse, Sexual content, Violence, Blood, Police brutality, Abandonment, Alcohol, and Injury/Injury detail
Minor: Infidelity, Grief, and Death of parent