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jazhandz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Homophobia
Moderate: Bullying, Child abuse, Physical abuse, Sexual content, Grief, Death of parent, and Alcohol
Minor: Drug use, Infidelity, and Stalking
Police corruption and overreach, but no physical brutalitykaydee_reads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
I did wish at times that there was a tiny bit more plot - there are several interesting plot lines that are started and then abruptly tied up neatly with not much detail -
Graphic: Homophobia
Moderate: Bullying, Cursing, Death of parent, and Abandonment
jdanby's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual content
Minor: Bullying, Drug use, Homophobia, Death of parent, Outing, and Alcohol
jp_rex's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Nick is gruff and seemingly older than his years. But as you learn about his history as a queer man growing up in the 50s, his affect makes perfect sense and adds layers to his characterization. In contrast, Andy seems sheltered, scattered, and younger than he is, but learning about his lifetime of rejection puts everything in perspective.
What I appreciated the most was the clear tension between the life that Nick and Andy deserve to live, openly and without fear, and the narrow box in which society expects them to exist. It forces the reader to examine whether we've moved as far beyond that restriction as we like to think, and I know I was disappointed with my conclusion.
This is an achingly beautiful love story about two souls finding their missing parts in one another. I can't wait to sit with it again and again.
Moderate: Bullying and Homophobia
Minor: Police brutality
eclecticallyreading's review against another edition
5.0
Perfect for people who love historical romance, queer romance, best friends to lovers, black cat/golden retriever
Graphic: Sexual content and Injury/Injury detail
Moderate: Homophobia, Blood, and Alcohol
Minor: Bullying and Death of parent
jess_always_reading's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
5.0
Sebastian's story is a beautiful narrative of love in a time of persecution, and queer joy and resilience. Nick and Andy are the friends-to-lovers we all want and I absolutely loved their story and characterizations. I also love the way bisexuality was handled in the book.
Sebastian paints a great picture of late 1950s New York, the changes going on from shifting societal attitudes to gentrification and development. There's enough historical accuracy for it to be realistic with enough wish fulfillment to make it a great HEA to escape into. Like Nick, I'm always on the search for beautiful queer stories with those sweet happy endings.
Featuring great ADHD and anxiety representation, awesome side characters, and an orange cat that lives up to the stereotype.
10/10 would recommend.
Graphic: Bullying, Homophobia, and Sexual content
Moderate: Police brutality, Grief, and Stalking
Minor: Ableism and Death of parent
stormeno's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Moderate: Cursing, Homophobia, Sexual content, Grief, Abandonment, and Alcohol
Minor: Bullying, Child abuse, and Death of parent
sharpwords_softheart's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Moderate: Bullying, Homophobia, and Injury/Injury detail
serafina's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Graphic: Sexual content
Moderate: Cursing, Drug use, Homophobia, Death of parent, Alcohol, and Injury/Injury detail
Minor: Bullying, Chronic illness, Infidelity, Physical abuse, Violence, Blood, Police brutality, Religious bigotry, Stalking, and War
beautiful_articulate's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Like her novellas, this book was very character-driven. There's some plot elements that force the characters into some situations and discussions, but it is mainly pushed forward by the characters. I think one of Sebastian's main strengths is creating very lovable characters. Much like Nick, I thought I would dislike Andy as well. He's the son of a wealthy newspaper owner, destined to inherit The Chronicle, and he has a hard time working in the office at first. Also like Nick, I ended up falling in love with Andy.
I'm by no means an expert on NYC in the 1950's, but it's very clear that Sebastian has done her research before writing this book. She tiptoes a bit around some of the big societal issues that plagued 1950's America, like race or sexism, but I also don't think every piece of media set in this time period needs to check every social justice issue off a list, so this didn't bother me too much. Homophobia is of course addressed in this book, and is a big driving force behind the main characters' actions (this is definitely something to keep in mind for readers who might be sensitive to this sort of content).
There were times where I felt like the novel dragged on a bit, like there was some dead air at times, but this wasn't so egregious that I felt like I needed to skip over passages.
My other critique is something that I've noticed in Cat Sebastian's novellas as well, which is how much the word 'queer' is used. While I can believe that the term was used in this time period, it feels more like it's used as the positive or neutral umbrella term that it is today, when it was more typically used as a pejorative up until the 80's. I wish we could have seen some more historically-accurate terminology from the characters even if they are slightly outdated.
I'm glad I read up until the end though, as I always love reading queer romances that end in a positive note.
Graphic: Homophobia
Moderate: Bullying and Lesbophobia