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sandracohen's review against another edition
3.0
Part memoir, part therapy, and part historical review of family research. I liked the historical overview and wished the author had expounded with a little more personal distance.
juliemowat's review against another edition
4.0
Really interesting book on her family-with lots of info on geneology. I love the honesty and the drive to find out how it all how affects us now
chelseahilton's review against another edition
4.0
I really enjoyed this and it sent me straight back into my ancestry obsession but … I also felt that some of it went on too long (i.e. it’s boring in parts).
meadowbat's review against another edition
5.0
I devoured this book, and I suspect it will stay with me a long time. It's incredibly comprehensive in its examination of humanity's obsession with our fore-bearers—from ancestor worship to made-up pedigrees to the problematic ethics and dubious science of sites like 23andMe. Newton also tackles her own obsession with her thorny family tree. Her dad is a strident racist and angry narcissist; her mother is a preacher who sees literal demons on people's shoulders; previous generations include murderers and slave-holders, mental patients and witches. She tries seeing them through a variety of lenses, but her eyes are always wide open and prepared to accept difficult and multiple truths.
mildwoman's review against another edition
challenging
hopeful
informative
inspiring
reflective
medium-paced
4.0
decembermagpie's review against another edition
adventurous
emotional
informative
reflective
medium-paced
4.5
bookshelfmystic's review
reflective
medium-paced
3.25
I appreciate what Maud Newton is trying to do with Ancestor Trouble. That’s why I picked it up: I too am interested in our connection with our departed ancestors, what descending from flawed but human people can teach us about our heritage and our spirit. It didn’t end up being quite the book I wished it was, but it was entertaining enough, and had some kernels of thought in the Spirituality section I’d like to explore more.
Newton is lucky her family has some interesting characters, because over half of this book chronicles the lives of her own relatives, from her grandparents back to her ancestors in colonial New England. She clearly went deep into her own family genealogy – I liked the citations at the back of both historical records and her own emails with family members – and was able to dig up some intriguing facts. Not all of them were winners, though: some of the stories should probably have stayed in the family legend category. I also found that the stories of her ancestors got jumbled throughout the book, and I kept having to refer back to previous chapters to remember which great-grandfather we were talking about.
However interesting these stories were to the reader, I’m sure they were more meaningful to Newton. She wants to see herself in, or distance herself from, everything she learns about her ancestors. This is much of the premise of the book, and the reflections on how she could be made up of these people who came before her make this book more than just a retelling of family history.
Newton weaves together what she learns about her family with what she learns about genealogy, genetics, culture, and spirituality. For the most part, this works decently well. She keeps the fact-based sections short, just long enough to tie into her wider themes, but still informative. I especially enjoyed her explorations of ancestral healing and her unselfconsciousness about jumping into the woo stuff.
Newton being a white woman in the American South, I can understand her fixation on uncovering her familial culpability in slavery and racism. She spends a lot of time detailing just how racist her father is (to be fair, the answer is very), and the last few chapters seemed to devolve into airing her family’s dirty laundry. This all is explained as setting up her obsession with finding racist flaws in each of her ancestors. I’m not sure if she’s trying to absolve herself through her research, but the phrase “sins of the father” kept jumping to mind as she excoriates her family tree. She even spends some time confessing to her own past racist actions. It’s complicated, for all of us, to reckon with the morality of the past, but it seems that Newton feels she has something to prove, an original sin she inherited from the generations of white settlers who make up her family tree. I suppose that’s why she wrote this book.
We all have a complex relationship with the people who came before us, who were human as we are, and who did both harm and good. I’m not sure Newton solved this complexity for us, but she gave me some ideas to chew on, and a renewed interest in connecting with my own forebearers.
Newton is lucky her family has some interesting characters, because over half of this book chronicles the lives of her own relatives, from her grandparents back to her ancestors in colonial New England. She clearly went deep into her own family genealogy – I liked the citations at the back of both historical records and her own emails with family members – and was able to dig up some intriguing facts. Not all of them were winners, though: some of the stories should probably have stayed in the family legend category. I also found that the stories of her ancestors got jumbled throughout the book, and I kept having to refer back to previous chapters to remember which great-grandfather we were talking about.
However interesting these stories were to the reader, I’m sure they were more meaningful to Newton. She wants to see herself in, or distance herself from, everything she learns about her ancestors. This is much of the premise of the book, and the reflections on how she could be made up of these people who came before her make this book more than just a retelling of family history.
Newton weaves together what she learns about her family with what she learns about genealogy, genetics, culture, and spirituality. For the most part, this works decently well. She keeps the fact-based sections short, just long enough to tie into her wider themes, but still informative. I especially enjoyed her explorations of ancestral healing and her unselfconsciousness about jumping into the woo stuff.
Newton being a white woman in the American South, I can understand her fixation on uncovering her familial culpability in slavery and racism. She spends a lot of time detailing just how racist her father is (to be fair, the answer is very), and the last few chapters seemed to devolve into airing her family’s dirty laundry. This all is explained as setting up her obsession with finding racist flaws in each of her ancestors. I’m not sure if she’s trying to absolve herself through her research, but the phrase “sins of the father” kept jumping to mind as she excoriates her family tree. She even spends some time confessing to her own past racist actions. It’s complicated, for all of us, to reckon with the morality of the past, but it seems that Newton feels she has something to prove, an original sin she inherited from the generations of white settlers who make up her family tree. I suppose that’s why she wrote this book.
We all have a complex relationship with the people who came before us, who were human as we are, and who did both harm and good. I’m not sure Newton solved this complexity for us, but she gave me some ideas to chew on, and a renewed interest in connecting with my own forebearers.
Moderate: Mental illness, Racism, and Suicide attempt
candacesiegle_greedyreader's review against another edition
3.0
Come on, we all love a juicy story about dysfunctional families--they make us feel so normal! Maud Newton goes raking through her family's past, unearthing some really awful stuff even in the last generation (her father would scratch out the faces of black children in books that shows Black and White kids playing together.) When most people read this, it will be hard to keep the look for horror off their faces between the unabashed white supremacists and the people locked up in county insane asylums for egregious behavior.
I feel for Maud, trying to reckon with all this. But she swerves way off the track when she starts writing about the practice of ancestor worship and how they can work to support us. She believes that we must atone for the our ancestors' deeds, a daunting thought and seemingly impossible task.
"Ancestor Trouble" is her journey. It covers a lot, so much that it is too much to take in. But it raises the question about whether we are responsible for our ancestors' acts, and if so, can we ever make it right.
I feel for Maud, trying to reckon with all this. But she swerves way off the track when she starts writing about the practice of ancestor worship and how they can work to support us. She believes that we must atone for the our ancestors' deeds, a daunting thought and seemingly impossible task.
"Ancestor Trouble" is her journey. It covers a lot, so much that it is too much to take in. But it raises the question about whether we are responsible for our ancestors' acts, and if so, can we ever make it right.