Reviews with content warning for Death of parent - North and south Annotated

I think Mrs Hale's death was treated well in terms of time given to her and time spent by Margaret grieving - it was quite affecting. But the other deaths were so quick, which was fine for the first one, but then it happened again, and again... it was too much. Of course people can die suddenly and without 'reason', deaths can happen and feel senseless, but it was just a lot of death to the point that my perspective of the novel is now 'the one about everyone dying and Margaret being left alone' rather than 'the one about strikes and workers' rights and complex social ties'.

Content Warnings

samanthaleereads's review against another edition

Go to review page

emotional funny informative medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

Content Warnings

lizzye33's review against another edition

Go to review page

adventurous challenging dark emotional hopeful informative inspiring mysterious reflective relaxing sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

Content Warnings

mal_eficent's review against another edition

Go to review page

emotional hopeful inspiring reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

This is a book I love more and more with each reread – and each new introduction. Learning more of the contemporary context around class and literary movements at the time adds a lot of needed clarity to many of the events and chapters.

That said, I don't always get on with Gaskell's writing style. Sometimes I found myself flicking back a page or rereading a paragraph to figure out what was going on in the poetic phrasing and long, winding sentences. On the whole the writing is more practical and full of less tangents than an Austen, and it is always at least relevant to the immediate characters and setting. It's a beautiful way of writing that had me enthralled for most of the novel – even if it was a bit too religious for my tastes.

The events deviated quite a lot from the TV series in the second half, I felt, which left me feeling a little bit lost at times. I was expecting events and conversations that never came which in turn made things seem a little bit dull. In some ways it left me wanting. No exhibition where Maragret learnt some appreciation for machinery, all we got was some subtle thought pieces.

The ending, however, with it's bright and sudden punch of character, I enjoyed much more than the TV series which suffered quite badly from the slow, modern romantic haze I can't stand. It ended the book on a high note that made me happy for characters I loved. If you can stand an older writing style, it's a very compelling romance and I'll definitely be binge watching the series to compare it to the book properly.

Content Warnings