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thatchickengirl23's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Grief, Death of parent, and Classism
Moderate: Cancer, Terminal illness, and Alcohol
Minor: Animal death, Blood, Religious bigotry, and Injury/Injury detail
annaki_laila's review against another edition
2.0
Graphic: Death, Grief, and Death of parent
Moderate: Suicide
lizzye33's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Grief, Cultural appropriation, and Classism
Moderate: Child death, Death, Emotional abuse, Toxic relationship, Violence, Death of parent, and Toxic friendship
Minor: Gore, Hate crime, Suicide, Police brutality, Medical content, Religious bigotry, and Murder
mal_eficent's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
That said, I don't always get on with Gaskell's writing style. Sometimes I found myself flicking back a page or rereading a paragraph to figure out what was going on in the poetic phrasing and long, winding sentences. On the whole the writing is more practical and full of less tangents than an Austen, and it is always at least relevant to the immediate characters and setting. It's a beautiful way of writing that had me enthralled for most of the novel – even if it was a bit too religious for my tastes.
The events deviated quite a lot from the TV series in the second half, I felt, which left me feeling a little bit lost at times. I was expecting events and conversations that never came which in turn made things seem a little bit dull. In some ways it left me wanting. No exhibition where Maragret learnt some appreciation for machinery, all we got was some subtle thought pieces.
The ending, however, with it's bright and sudden punch of character, I enjoyed much more than the TV series which suffered quite badly from the slow, modern romantic haze I can't stand. It ended the book on a high note that made me happy for characters I loved. If you can stand an older writing style, it's a very compelling romance and I'll definitely be binge watching the series to compare it to the book properly.
Graphic: Chronic illness, Misogyny, Death of parent, and Classism
Minor: Death and Police brutality
mme_carton's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Alcoholism, Death, Grief, Religious bigotry, Death of parent, Alcohol, and Classism
iced_mochas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
A contemporary of Charles Dickens, author Elizabeth Gaskell is unbelievably accessible as a classic novelist and alarmingly progressive in her representation of class struggle and womanhood. I would go as far as saying she is miles ahead – and the cherry on top – her writing is enjoyable!
Due to an interesting moral dilemma, the Hales have to move from their comfortable countryside living in the South to the polluted manufacturing town in the North. Gaskell uncovers the social landscape by pitting the classes against each other, then putting them in conversation.
While the passages written in Nicholas Higgins’ voice can feel a bit long (I took a break from the book roughly midway), there is such careful attention paid to the various trials that life dishes out to each of these groups. There is even a distinction made between striking workers and a more radical, desperate cohort of people, who have had even less luck in life. During the strikes, mill owner Mr Thornton “imports hands” from Ireland – the crude dehumanising language exposing cheap labour.
The protagonist, Margaret Hale, is an all-too-perfect daughter to her ailing parents and their turbulent life choices. Yet while her round-the-clock kindness and obedience is unconvincing, her critical take on exploitative bosses and working conditions, as well as her quick, sharp, irritated tongue are a comfort to behold. “Papa, I do think Mr. Thornton a very remarkable man; but personally I don't like him at all,” she tells her father.
Opinionated as she is, Margaret offers a more neutral platform through which to explore each of the characters. We accompany her through the tragedies and we observe as she grieves. Mr Bell, though a fleeting presence, was one of my favourite characters with his amusing, warm and loving nature. Mr Thornton doesn’t really grow on me the way he grows on Margaret. His mother, in particular, is depicted as snobby and overbearing.
As for the ending, I wonder how much the editors influenced it. I remember being a bit disappointed by the ending to Mary Barton too – the other Gaskell novel I read – but both literary works left such a huge impression. This is a great place to start with Victorian literature if you’re interested in the themes above.
***
“She used to sit long hours upon the beach, gazing intently on the waves as they chafed with perpetual motion against the pebbly shore, or she looked out upon the more distant heave, and sparkle against the sky, and heard, without being conscious of hearing, the eternal psalm, which went up continually. She was soothed without knowing how or why.
But all this time for thought enabled Margaret to put events in their right places, as to origin and significance, both as regarded her past life and her future. Those hours by the seaside were not lost, as any one might have seen who had had the perception to read, or the care to understand, the look that Margaret's face was gradually acquiring.”
Minor: Death and Suicide
milesjmoran's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Child death, Death, Sexism, Suicide, Terminal illness, Grief, Death of parent, and Classism
Moderate: Alcoholism, Animal cruelty, Animal death, Xenophobia, and Alcohol
mmefish's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
I loved the meditations on religion, class and morals, the picturesque descriptions of the North and the South, and how real every single character felt. I only wish we had gotten more romantic moments and a less abrupt ending (E. Gaskell had to rush the last chapters).
I'm going to include my favourite passages but mark some of them as spoilers if they are lengthy.
'You must grant me this one point. Given a strong feeling of independence in every Darkshire man, have I any right to obtrude my views, of the manner in which he shall act, upon another (hating it as I should do most vehemently myself), merely because he has labour to sell and I capital to buy?'
'Not in the least. Not in the least because of your labour and capital positions, whatever whatever they are, but because you are a man, dealing with a set of men over whom you have, whether you reject the use of it or not, immense power, just because your lives and your welfare are so constantly and intimately interwoven. God has made us so that we must be mutually dependent.'
'But what win ye have? There are days wi' you, as wi' other folk, I suppose, when yo' get up and go through th' hours, just longing for a bit of a change—a bit of a fillip, as it were. I know I ha' gone and bought a four-pounder out o' another baker's shop to common on such days, just because I sickened at the thought of going on for ever wi' the same sight in my eyes, and the same sound in my ears, and the same taste i' my mouth, and the same thought (or no thought, for that matter) in my head, day after day, for ever. I've longed for to be a man to go spreeing, even it were only a tramp to some new place in search o' work. And father—all men—have it stronger in 'em than me to get tired o' sameness and work for ever. And what is 'em to do? It's little blame to them if they do go into th' gin-shop for to make their blood flow quicker, and more lively, and see things they never see at no other time—pictures, and looking-glass, and such like. But father never was a drunkard, though maybe, he's got worse for drink, now and then. Only yo' see, at times o' strike there's much to knock a man down, for all they start so hopefully; and where's the comfort to come fro'? He'll get angry and mad—they all do—and then they get tired out wi' being angry and mad, and maybe ha' done things in their passion they'd be glad to forget. Bless yo'r sweet pitiful face! but yo' dunnot know what a strike is yet.'
"A bad-looking fellow, I can assure you, miss. Whiskers such as I should be ashamed to wear – they are so red."
My favourite:
...all the time it would have been a relief to believe her utterly unworthy of his esteem. It was this that made the misery—that he passionately loved her, and thought her, even with all her faults, more lovely and more excellent than any other woman; yet he deemed her so attached to some other man, so led away by her affection for him as to violate her truthful nature. The very falsehood that stained her, was a proof how blindly she loved another—this dark, slight, elegant, handsome man—while he himself was rough, and stern, and strongly made. He lashed himself into an agony of fierce jealousy. He thought of that look, that attitude!—how he would have laid his life at her feet for such tender glances, such fond detention! He mocked at himself, for having valued the mechanical way in which she had protected him from the fury of the mob; now he had seen how soft and bewitching she looked when with a man she really loved. He remembered, point by point, the sharpness of her words—'There was not a man in all that crowd for whom she would not have done as much, far more readily than for him.' He shared with the mob, in her desire of averting bloodshed from them; but this man, this hidden lover, shared with nobody; he had looks, words, hand-cleavings, lies, concealment, all to himself
'It is the first changes among familiar things that make such a mystery of time to the young, afterwards we lose the sense of the mysterious. I take changes in all I see as a matter of course. The instability of all human things is familiar to me, to you it is new and oppressive.'
'After all it is right. If the world stood still, it would retrograde and become corrupt, if that is not Irish. Looking out of myself, and my own painful sense of change, the progress all around me is right and necessary. I must not think so much of how circumstances affect me myself, but how they affect others, if I wish to have a right judgment, or a hopeful trustful heart.'
🥲
He knelt by her side, to bring his face to a level with her ear; and whispered-panted out the words:
— 'Take care.—If you do not speak—I shall claim you as my own in some strange presumptuous way.—Send me away at once, if I must go;—Margaret!—
Graphic: Child death, Death, Suicide, Terminal illness, Grief, Death of parent, and Classism
Moderate: Animal cruelty and Xenophobia
Minor: Alcoholism, Animal death, and Violence
lahars_little_library's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Death and Violence
aqtbenz's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Child death, Death, Terminal illness, and Death of parent