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tandealkent's review against another edition
4.0
Classic who dunnit - of a time and place - that keeps you guessing until the last page.
silkmoth's review against another edition
emotional
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I got stuck about two thirds of the way through this book. But when I returned to it, it moved very quickly.
The main setting is a country house at the height of summer, with people coming and going from the London theatre world. The atmosphere is stifled and oppressive. Campion gets emotionally involved and tries to pull back from the investigation.
The main setting is a country house at the height of summer, with people coming and going from the London theatre world. The atmosphere is stifled and oppressive. Campion gets emotionally involved and tries to pull back from the investigation.
lejoy's review against another edition
4.0
The edition I read was actually in an omnibus, but I want to review it separately.
This book marks a change in our hero Campion. The beginning of a more mature man. At least that seems to be the idea. I won't know for sure until I read the books after this. I know that Traitor's Purse also has a similar idea, and that is in two books' time. The trouble is, I don't want a more mature Campion. I like, no, I love the silly, egotistical, inane weirdo that Campion is. He's one of my favourite fictional characters from literature, so a more sedate and morose man does not appeal at all. It's also a really weird point in the series to make such a move, coming directly after The Case Of The Late Pig, which must be peak over-the-top Campion, being the only novel in the series written in first person.
This is also one of the novels that was adapted for the TV show, so I was unfortunately very familiar with it by the time I came to read the novel. The issue being that, and here comes a spoiler that was actually in the introduction to the story in the omnibus,. In this story Campion falls in love or something. Supposedly this is a more mature love than his previous fancies, and it affects him deeply. This is pretty much the crux the entire novel rests on and unfortunately I didn't really buy it. Why is Campion charmed by Linda? She makes almost no impression on the story at all. She might be a perfectly nice person but she comes across as simply bland and a little helpless, qualities I can't see appealing to Campion. Also, since she is married, he keeps his distance, so I saw no sign of chemistry or rapport between them. Because of his feelings for her, he doesn't want to be involved in solving the crime which he knows will uproot her life, so he spends an awful lot of the story avoiding forwarding the story. Luckily it doesn't get dull, but it is on the verge of becoming annoying. This numbed version of Campion isn't funny, which is a real shame because he is usually hilarious. Allingham still injects some humour into the narrative, but I miss the Albert I have come to know and adore. Another point that is repeated is that previously Campion has only observed the mysteries he has solved whereas now he is involved and therefore feels the pain himself, but this seems like a stretch. Most of the previous mysteries have involved his actual friends, and he always gets involved, and maybe he has grown out of his previous loves but at the time he did seem to be in love with them. Of course he has always managed to love women who love other men, so I don't really see how this one is any different. He mostly just comes across as distant and lazy in this story, and very insular. However this again isn't unique, he has definitely withheld information before in the interests of helping his friends. A line in this book refers to him as an 'unwilling detective' but Campion isn't even a detective, he's just a man for hire.
That aside, it's a well written and engrossing read. The bits that I recognised from the TV show of course played like the actors in my head but the parts that weren't in the TV show were just as vivid, Allingham really brought it all to life, and she has clearly really come into her own strengths as a writer (some of the earlier books were a bit more ropey). I was a little shocked by the seemingly abrupt ending because the TV show added in an explosive finale, but that's not the book's fault. I enjoyed the fact that Uncle William Faraday from Police At The Funeral was back, although not sure why he sticks around for the whole novel, and he provided most of the source of humour - I really like it when a series refers to characters or events from earlier instalments. However, if you haven't read Police At The Funeral, this will kind of spoil it, so definitely don't read them the wrong way round.
This book marks a change in our hero Campion. The beginning of a more mature man. At least that seems to be the idea. I won't know for sure until I read the books after this. I know that Traitor's Purse also has a similar idea, and that is in two books' time. The trouble is, I don't want a more mature Campion. I like, no, I love the silly, egotistical, inane weirdo that Campion is. He's one of my favourite fictional characters from literature, so a more sedate and morose man does not appeal at all. It's also a really weird point in the series to make such a move, coming directly after The Case Of The Late Pig, which must be peak over-the-top Campion, being the only novel in the series written in first person.
This is also one of the novels that was adapted for the TV show, so I was unfortunately very familiar with it by the time I came to read the novel. The issue being that, and here comes a spoiler that was actually in the introduction to the story in the omnibus,
Spoiler
Campion gets this one wrong. He spends the whole story after the wrong man. So if you already know this going in, it's very hard to understand why he is being so stubborn and frankly blindThat aside, it's a well written and engrossing read. The bits that I recognised from the TV show of course played like the actors in my head but the parts that weren't in the TV show were just as vivid, Allingham really brought it all to life, and she has clearly really come into her own strengths as a writer (some of the earlier books were a bit more ropey). I was a little shocked by the seemingly abrupt ending because the TV show added in an explosive finale, but that's not the book's fault. I enjoyed the fact that Uncle William Faraday from Police At The Funeral was back, although not sure why he sticks around for the whole novel, and he provided most of the source of humour - I really like it when a series refers to characters or events from earlier instalments. However, if you haven't read Police At The Funeral, this will kind of spoil it, so definitely don't read them the wrong way round.
loud_purrbox's review
lighthearted
mysterious
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
This wasn’t one of my faves of her. There is actually some character growth for Campion but I found it rather icky. Rather realistic I suppose but I would have preferred a more straightforward detective.
rhonaea's review against another edition
5.0
Throughly enjoyable country house murder mystery. I listened to the audio book and the ending was so surprising I downloaded an ebook version to double check with the print version. Francis Matthew’s read the book beautifully.
I have a growing fondness for Mr Campion, who unaccountably finds himself in love in this book. The object of his affections is the wife of his host, Jimmy Sutane, a talented dancer. More twists and turns than a country lane await readers.
Again the reader must want to immerse themself in the 1930s and the style of life, attitudes and mores of the English gentility. If you can’t take yourself beyond today’s standards, you will struggle with language and attitudes.
Definitely the highlight is Lugg entertaining Sarah by showing her how to pick locks!
I have a growing fondness for Mr Campion, who unaccountably finds himself in love in this book. The object of his affections is the wife of his host, Jimmy Sutane, a talented dancer. More twists and turns than a country lane await readers.
Again the reader must want to immerse themself in the 1930s and the style of life, attitudes and mores of the English gentility. If you can’t take yourself beyond today’s standards, you will struggle with language and attitudes.
Definitely the highlight is Lugg entertaining Sarah by showing her how to pick locks!
vicotria's review against another edition
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.25
Mystery writers have to be able to get character and dialogue right, more than anybody else. This was actually one of the first proper whodunnits I've read by Allingham—before now, I've mostly only read her thrillers. She's great at drawing a cast of memorable and flawed characters, and she does it in a way that doesn't artificially try to make them all out to be the killer.
In this and Traitor's Purse, she gives Campion a kind of personal obstacle to heighten the stakes of the mystery itself. I admire how Allingham recognizes that the personal, emotional stakes have to be embedded in the overall plot and themes of the book; otherwise, it's just a pretty puzzle that feels cheap in the end. Here, both Campion and other characters feel they have personal and ethical hindrances in the way of them doing the right thing, and one of them ends up paying for his lack of nobility from early on in his life. Uncle William articulates a moral stance that I'm turning over in my mind and heart since it goes against everything I have always stood for, but I'm willing to consider it may be the more human thing:
In this and Traitor's Purse, she gives Campion a kind of personal obstacle to heighten the stakes of the mystery itself. I admire how Allingham recognizes that the personal, emotional stakes have to be embedded in the overall plot and themes of the book; otherwise, it's just a pretty puzzle that feels cheap in the end. Here, both Campion and other characters feel they have personal and ethical hindrances in the way of them doing the right thing, and one of them ends up paying for his lack of nobility from early on in his life. Uncle William articulates a moral stance that I'm turning over in my mind and heart since it goes against everything I have always stood for, but I'm willing to consider it may be the more human thing:
I've consulted my heart and made up my mind and I'm stickin' to my decision. It may not be the right way, but battles have been won on it, my boy. If you don't mind we won't mention it again..."
In this story, Campion finds himself in love for the first time. I do think the story veered away from developing a more complex relationship between him and his supposed love interest because it simply did not spend enough time with them; in the second half I'd almost forgotten the thing that's supposed to be holding him back from wanting to solve the murder—the only times I remembered it is when she's directly on the page standing in front of us.
I guessed early on who the killer was, and one of the murders was ridiculous and doesn't make any sense. But I still enjoyed reading. Also, Lugg and the child, Sarah, are adorable together. I hope she comes back.
Emotional resonance: 3 out of 5
Social awareness: 3 out of 5
Craft / structure: 4 out of 5
Plot / novelty: 3 out of 5
Accessibility: 2 out of 5
Overall: 3.25 out of 5
Graphic: Death
Minor: Adult/minor relationship
kiwikathleen's review against another edition
4.0
I enjoyed this one - we have dancers and actors in all their self-centredness, and we have Campion being reluctant.
dennisfischman's review against another edition
3.0
What I liked about this book: the author's wry humor and acute social observations; the portraits of male types; the more individualized portrait of Albert Campion.
What I disliked: the dated quality of her perspective, which sometimes left me bewildered at something that seemed obvious to her; the caricatures of female types (virgin, whore, scullery maid); the plot turning on the question of who was too honorable to spill the beans on whom--even at the cost of other people's lives.
Give me [a:Dorothy Sayers|36813659|Dorothy Sayers|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] any day.
What I disliked: the dated quality of her perspective, which sometimes left me bewildered at something that seemed obvious to her; the caricatures of female types (virgin, whore, scullery maid); the plot turning on the question of who was too honorable to spill the beans on whom--even at the cost of other people's lives.
Give me [a:Dorothy Sayers|36813659|Dorothy Sayers|https://s.gr-assets.com/assets/nophoto/user/u_50x66-632230dc9882b4352d753eedf9396530.png] any day.