Reviews tagging 'Adult/minor relationship'

Забытая девушка by Karin Slaughter

25 reviews

dark emotional mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

I figured it out about half way through. Almost didn’t finish the book because of the sexual abuse but definitely an interesting read

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adventurous mysterious medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

Plot twist at every corner. 

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dark emotional
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes

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dark mysterious medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes

This was fine. I literally remembered next to nothing about the first book, which I don’t think you really need to. The mystery of this was honestly whatever, I didn’t love the dual timeline. The characters were ok, like they were funny at times, but I’ll never remember any of this. My favorite part was the romance which was like two scenes lol. Idk if you liked the first you’ll probably like this, but this isn’t anything special. This author has better books in my opinion. 

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adventurous dark mysterious reflective tense medium-paced
Plot or Character Driven: Character
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: No

Expand filter menu Content Warnings
dark emotional mysterious sad tense fast-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

I picked this up because I wanted to return to my roots and read a mass market paperback thriller in a single evening before returning to university. This novel was not at all what I expected, in the best way possible. It had all the hallmarks that make me love this kind of thriller--suspense, revelations of connections between characters and cases, and ever-satisfying narration of the main character piecing together the solution--but it was bigger than that. The central mystery meant something, and I could feel that it meant something to the author too. Throughout the novel, Slaughter examined the violent misogyny that led to the disaster, while exploring characters who refuse to be classified as wholly good or evil. I am shocked that a novel could so effectively communicate the horrors of patriarchy while also being a triumph of the thriller genre. 

The chapters from Emily Vaughn's perspective offered a fascinating window into the mind of a teenager faced with incredible trauma and her manipulation by her group of "friends" and their charismatic leader. The dynamics of the group reminded me of The Secret History, with their performative intellectualism, enjoyment of psychedelics, and sexual tensions, but the murder of a member of the group much more tragic. I was struck by Slaughter's ability to make Emily's perspective seem so childish. The writing style felt adolescent, her gullibility and innocence as she processed what had happened to her was palpable, and the way she went about investigating it for herself was markedly childish. Emily seems like a kid trying to act like an adult as she emulates what she knows about how an investigation works, which is masterfully juxtaposed against the present-day investigation executed by the actual trained professionals. 

As I read, I found myself grasping at straws, searching for characters I could latch on to as trusted allies of Andrea and Emily, but no one was safe. Yet, it was also hard to completely villainize most characters because of Slaughter's insistence on depicting their moments of kindness and the gender and class dynamics that drove many of their actions. This genre tends to depict good and evil more dichotomously than other adult genres, and even where the lines blur, authors often write such a character as having two sides. Instead, Slaughter forces readers to recognize that the best and worst qualities of a person are deeply interconnected, and often both spring from the same roots.
A major example of this is the depiction of Jack Stilton in the two timelines. He is Emily Vaughn's only ally and has his own major issues as a gay man in a town like Longbill, but he is also an alcoholic, a misogynist, and a pretty shitty cop. In the scene where he shoots Nardo, he is flawed but the inescapable truth is that he is a grieving man doing one last thing for someone he loved deeply. In hindsight, building him up as a typical god-awful small town cop in Andrea's perspective before showing the purity of his friendship and love for Emily was a fantastic choice and excellently executed.


Returning to a point I mentioned in the first paragraph, a central theme of the novel is the patriarchal roots of the crimes committed against Emily Vaughn. Throughout the novel, Slaughter depicts many relationship dynamics inarguably shaped by gender and class relations, but the most obvious social commentary is the way the male characters talk to and about women. With the singular exception of Bible, the men in the story span a range of political opinions but are united by their violent misogyny. At many points in the story, we see characters like Clay speak of revolution and degrade women in the same breath. They are ideologically opposed to hierarchy, except in their desire to be worshipped by women. 

I have so many more thoughts about this novel but they are more well-suited to an essay than a review, so I'll end my comments here. My final note is that if you're going to read it, you should check content warnings because it deals explicitly with very heavy topics. 

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dark mysterious medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Sure! Fine! A little silly, a little predictable, but it passed the time and kept me engaged. 

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adventurous dark emotional mysterious tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
adventurous dark emotional mysterious tense medium-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: Yes
Diverse cast of characters: No
Flaws of characters a main focus: No

Expand filter menu Content Warnings
dark mysterious tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Second book in the series, but you don’t need to read the first book to understand this one at all. The author left the ending where it could be possible for more to come (fingers crossed) but, this could also easily be an end to the Andrea Oliver story as well. I like the alternating of going from current day to the past. I was really trying to solve it it sooner than I did. But, the story kept me on my toes with enough “twist” to keep you guessing the solution. 

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