I very much enjoyed this audiobook. The narrator’s did a wonderful job. It was a nice slow pace for a while, letting me get invested in the characters. Everything felt quite low stakes. The ending, however, felt a bit like getting hit by a bus. And then it was over. And honestly I’m still not sure how I feel about that. 

This story reminded me a lot of Mistry’s A Fine Balance. I admired her ability to weave the characters stories and reveal so much through showing rather than telling. The tragedies felt earned but not inevitable and every word of the story felt like it described the situation perfectly. it was difficult to read at times because of the subjects, but all were handled very well. 

A heartbreaking story, beautifully written. It could have been shorter, as it drags painfully at some points, bit it made my heart beat hard towards the end, and that's a kind of redemption. 
I have so many questions about what I just read... Is it an account of contemporary Nigeria? Do things like those described in the book happen in real life today? Or is it something that happened in the past? I was horrified and deeply saddened by what I read, about how it is to live in Nigeria, and I sure hope that the author exaggerated about things that don't happen anymore. Adébáyó also leaves something unanswered for us to answer as we please and a part of me likes that (not everything needs to be resolved) but another part is afraid that it's not answered because the resolution given wouldn't be one that I would like. 
(3.5 stars, because it was far too long)

A Spell of Good Things showcases the lives of two very different families in Nigeria. 

Eniola is a boy who looks like a man, but one stuck in a never ending cycle of poverty since his father lost his job. There's never enough money to buy food, pay rent and pay for his and his sister's school fees or apprenticeship. No matter how hard his mother tries, she just can't make ends meet. 

Wuraola is a young doctor from a wealthy family, exhausted and constantly under pressure at work, money is not an issue for her. She has her own problems though, her boyfriend Kunle is volatile and controlling, yet she's ignoring the red flags because of the societal pressure to be married. When Eniola discovers a way to make some easy money, he sets himself on a collision course with Wuraola's family; one that is doomed to end in tragedy.

This is a hard-hitting and thought provoking novel. It doesn't shy away from difficult and painful topics. The author puts a spotlight on the soul crushing reality of living in poverty. Of borrowing from Bill to pay Ben, but never knowing where the money to pay Bill back will come from. You can't help but feel for Eniola; forced to go to school by his parents because education is the most important thing, yet whipped every morning because his parent's have not paid the school fees. Adébáyọ̀ truly brings the plight of his family to life.

The wealth disparity is equally hard-hitting; Wuraola's family is as far apart from the poverty of Eniola's that it's jarring. Her narrative has it's own darkly powerful moments though, shining a light on domestic abuse and the reasons those emmeshed find to stay. There were moments where I genuinely wanted to scream at her. With both families getting involved in local politics but in very different ways, the collision course is set even if they don't know it yet.

All in all, this is a powerful and hard hitting novel. It's slow moving and Adébáyọ̀ spends a lot of time building up the characters and side characters. I quite appreciated this, it brought the lives of the individuals stark definition. It is also undeniably bleak at points; whilst there is humour, it can't hide the misery, poverty and abuses on display. 

Set in a Nigerian city, this story follows two characters who live very different lives - one is a teenage boy called Eniola, who is facing daily beatings in school due to his parents' inability to pay his school fees but most days, there isn't even food on the table since his father lost his job. The other character Wuraola is a young doctor, newly engaged to a man from a good family, and the daughter of a professor herself. The two lives we follow are very separate as they both go through ups and downs, but eventually they converge in a moment of tragedy.

This book is one that I wasn't sure how I really felt until the very end, and I had to ask myself if there was a hole in my chest due to the immense sad feelings I had for the characters and how much I wanted to hold them and comfort them but also spend more time with them - and ask what happens next?

I loved the setting in this book as I often do with Nigerian writers, and Nigerian-based stories. The Nigerian culture from the family dynamics, food, clothing and celebration all comes alive in so many ways as well as some of the bad sides of the country as well such as political corruption and violence, family pressures about being a wife but also a 'good' wife, and the unfair education system. It was honestly so sad to see Eniola's heart be broken in so many ways in this book (similar in a way to how Wuraola's spirit and body are beaten by Kunle) as he saw his father for who he really was, not a teacher hero but a man prone to depression and unable to help his family when they most need it, and also saw his parents choose his sister's education over his own. The fact that Eniola went from a boy who dreamed of university to one who eventually picked up a machete in a moment that changed his world forever was devastating and the broken boy at the end of the novel was heartache personified.

On the other hand, Wuraola's life and problems are so very different to Eniola's - while he is struggling to find food to eat, she is balancing a needy, problematic boyfriend as well as her loud yet loving family and societal expectations on her as a Nigerian woman but also a daughter of a prominent family. But through the story, we see how good her family is, her father's kindness and her sister's courage, as well as her mother's love for her children as well as her moments of charity towards Eniola.

The almost last scene at the end of the book in the taxi broke my heart and I don't think I'll ever forget it. 

I went into this book not knowing anything about it. As a result I was about 9 hours in before I started seeing the point of the book. It really starts with slice of life things, and a broad cast of Nigerian characters, and it is difficult to see all the connections that will eventually be built. 

Amongst the main players are,
a woman who is a doctor who is being pressured by family to marry the man she has been dating,
his father who is a politician,
her mother who is trying to hold a family together,
the woman she buys her handmade dresses from,
a boy who works in the tailoring shop,
his family and their hopes and financial struggles that have been immense since his father was laid off by government funding cuts for schools.

These disparate characters seem to have little in common except locality. Each has their own history, drives and challenges. The pace is slow and half way through I was feeling a little lost when it came to understanding the significance of some things. Although frustrating, this is part of the point of the book. Without a big picture of what is going on, it is easy to ignore small things that contribute to a problem. This is a major theme of the story, but it takes a back seat to the unfolding interplay of characters.

As a backdrop we see a country that lives with shortage of medical and teaching staff (caused in part by the exodus of graduate students), and a divide between rich and poor that leaves those who are destitute or disabled begging on the streets. There is also some disability narrative with a mother who is terrified that her children will be Dyslexic, because she feels that her personal survival was only possible due to marrying a man with a good job.

Logical things happen but it still feels affronting. The last 5% of the book is a rollercoaster of tenseness and revelation, and emotional resonance that would only be possible with the time and love that the reader invests in the characters to this point. I would recommend this book to anyone who likes character driven stories, has a lot of patience, and an interest in Nigeria.

I really enjoyed this book. Well, as much as you can enjoy a book on such tough subject matter. Set in modern-day Nigeria and covering themes of mental health, toxic relationships, abuse, corruption, death, grief, poverty and so much more, this is no easy read. It's been a while that I've read a book that is so purely 'sad' as it says on the (StoryGraph) tin!

Following on from Stay With Me, I remain a fan of Adébáyọ̀'s writing. I could tell I was reading the words of a skilful writer, and yet it was all so easily digestible. Nothing is overdone.

I can't decide how I felt about the change in pace towards the end of the book. On one hand I appreciated the switch-up; on the other, it felt a little rushed!

All in all, an incredibly worthwhile read, and I especially appreciated how the ending of the book accurately reflects the harsh realities of real life for a lot of people.