The setup: Noemí Taboada is partying it up in Mexico City, flirting with cute men, attending debutant-like balls and events, and pondering what she should do with her life when her father notifies her that they have received quite an alarming letter from Noemí's cousin Catalina. The letter reads as if Catalina needs some psychiatric help—she sees ghosts, the walls talk to her, and she is having intense nightmares. It doesn't help that Catalina recently got married to essentially a stranger, and one of European descent no less. They live with his family in the Mexican countryside, where his British lineage once made a name for themselves exploited Mexicans in the mining industry.

Noemí isn't necessarily the closest with her cousin, but she is worried, and her father offers to pay for her anthropology school if she goes to investigate. Therefore, Noemí treks to High Place, where Catalina lives with Virgil, her husband, Virgil's father, Howard, and others in the family, including Florence, Virgil's cousin, and Francis, Florence's son. Noemí discovers that Catalina isn't well, but everything is not as it seems. We trek on a journey with Noemí as she discovers a house that brings about nightmares and a family's past that unravels long-time secrets.

What I liked: I'm going to preface my entire review with this fact: I knew going into this that this wasn't as scary as it may have been set out to be. I forget where I heard it, but I knew that this was not a jump scare horror novel. Regardless, this is an odd tale that intertwines a creepy family and some natural wonders (but not in the best way!). I honestly loved the "horror" aspect to this - an utterly unhinged family and their story and a captivating plot around a house of horrors. I found it unique and compelling. I'm being vague for a reason - I don't want to give any spoilers to the house of horrors, but I thought it was exciting and original. This story made me cringe at parts, so while it didn't scare me a lot, it psychologically spooked me in other ways. Additionally, I thought Noemí was a refreshing and lovely character. She somehow didn't annoy me, which is quite challenging in a thriller/mystery/horror novel like this one. The main character inevitably decides something to further the plot where you want to scream "NO!" That didn't happen to me here, and I thoroughly enjoyed it. The slight romance plot was also refreshing as Noemí most certainly didn't act like a woman of the 1950s (at least by American standards). I liked this novel's plot, thriller aspect, and characters.

Lastly, I was struck by the novel's profound symbolism, particularly its exploration of colonialism and racism. The theme of eugenics, set in 1950s Mexico, was a powerful reminder of the country's history. The Spanish conquest, the Revolution, and the exploitation of the land and its people by colonizers all resonated strongly. This voice, so prevalent in the novel, was a necessary and thought-provoking element.

What could have been better: Like many reviews, I must acknowledge that the pacing was a bit uneven. The first half of the book was admittedly slow, but the last 20% picked up dramatically. However, even during the slower parts, I was still invested in Noemí's journey, and it kept me hooked. Some parts were slightly predictable and occasionally dull, and the horror element wasn't as pronounced as I expected (or, at least, in the way I expected). Also, the writing was not atmospheric or flowery for a gothic novel. Still, the gothic elements were at least described - particularly an old, outdated house with no electricity and plenty of bad weather, mist, and fog hovering on the mountain. 

Lastly—and this didn't impact my review, but I think for expectation sake, I will share—this book did not necessarily explain the how behind the horror-like element of it; you were just expected to roll with it. Did it make a ton of sense? No. Nor was there a lot of time explaining it. However, was it interesting and a great take on something different in the genre? Absolutely. 

Overall, I enjoyed this novel, even when the pacing prevented me from rating it higher. I particularly liked the natural elements that weaved into the overall premise, and it was generally well done. 

all i wanted was something like 'the hauting of the hill house' by sherley jackson but all i got was the author's gross sexual assault fantasy and a half assed mystery thrown in the background. The mystery was at least a decent backdrop that made the (MANY) assaults make sense??? but also stockholm syndrome? or mental fuckery as everything descends into madness but it was honestly done so badly and in such poor taste i hated every second of it

Honestly took a while for the story to get going but the last 30% is pretty good